IMAX and Stage Access today announced a pair of film experiences featuring Grammy®-award winning soprano Renée Fleming, as she performs iconic favorites and tours some of the greatest musical cities of the world. Renée Fleming’s Cities That Sing – Paris and Renée Fleming’s Cities That Sing – Venice will premiere in select IMAX theaters globally on September 18th and October 30th, respectively.Both films are Stage Access productions, Filmed for IMAX using IMAX-certified cameras and feature exclusive performances showcasing these great cities as never before seen through the eyes of one of the world’s greatest opera stars. Stroll along with Fleming and her contemporaries as they explore unique art, history, cuisine, and music.
On September 18th, one time only, Renée Fleming will participate in a live conversation, which will be simultaneously broadcast across the IMAX Live connected network to participating theaters globally. Audiences from around the world will...
On September 18th, one time only, Renée Fleming will participate in a live conversation, which will be simultaneously broadcast across the IMAX Live connected network to participating theaters globally. Audiences from around the world will...
- 8/23/2022
- by Michelle Hannett
- WeAreMovieGeeks.com
Exclusive: Opera star Renée Fleming will appear in live conversations in September and October tied to the Imax releases of documentary films focused on Paris and Venice.
The “Cities That Sing” installments feature Fleming singing, along with special guests, as well as exploring the two European capitals. (Watch a trailer above.)
The Paris film will premiere at global Imax locations on September 18, and the Venice one will debut on October 30.
Both films are produced by Stage Access and were filmed for Imax using company-certified cameras. In addition to exclusive performances, they feature the art, history, cuisine and music of Paris and Venice.
On September 18, Fleming will participate in a live conversation, which will be simultaneously broadcast across the Imax Live network to other participating theaters. Actor and producer Kelsey Grammer will moderate the discussion with Fleming, including an audience Q&a portion. It will be held at 3 p.m. Et...
The “Cities That Sing” installments feature Fleming singing, along with special guests, as well as exploring the two European capitals. (Watch a trailer above.)
The Paris film will premiere at global Imax locations on September 18, and the Venice one will debut on October 30.
Both films are produced by Stage Access and were filmed for Imax using company-certified cameras. In addition to exclusive performances, they feature the art, history, cuisine and music of Paris and Venice.
On September 18, Fleming will participate in a live conversation, which will be simultaneously broadcast across the Imax Live network to other participating theaters. Actor and producer Kelsey Grammer will moderate the discussion with Fleming, including an audience Q&a portion. It will be held at 3 p.m. Et...
- 8/18/2022
- by Dade Hayes
- Deadline Film + TV
The beloved 1952 movie musical “Singin’ in the Rain” is aiming to dance its way back on to Broadway in 2016. Harvey Weinstein‘s Weinstein Live Entertainment announced Monday that it’s teaming with Théâtre du Châtelet to bring the Paris theater’s award-winning stage adaptation to New York. The Paris production played a sold-out run in 2014 and returned Nov. 7 for a second engagement through Jan. 17, 2016. Also Read: Bing Crosby, Fred Astaire Movie 'Holiday Inn' Heads to Broadway in New Musical Adaptation Robert Carsen, who previously staged Bernstein’s “Candide” at the Châtelet in 2006 and “My Fair Lady” in 2010 and...
- 11/23/2015
- by Thom Geier
- The Wrap
Like its title character, the Metropolitan Opera’s old production of Verdi’s Falstaff was a tattered relic. Leonard Bernstein conducted the opening of Franco Zeffirelli’s staging in 1964, which popped out of storage from time to time for the next half-century. Finally, though, the director Robert Carsen has given the Met — and the four other co-commissioning companies — a fresh and vibrant vehicle for the role’s preeminent interpreter, Ambrogio Maestri. Suddenly, these are the good old days.Directors love to drag operas back and forth across the centuries, and Carsen has chosen to set this one in the reign of Elizabeth II instead of Elizabeth I. The libretto survives the jump just fine, and the backdrop of postwar London intensifies the friction between wild comedy and an autumnal haze of sadness. Waking in a musty hotel (nicely wood-paneled by set designer Paul Steinberg), Sir John appears, first in long...
- 12/9/2013
- by Justin Davidson
- Vulture
Tchaikovsky's romantic masterpiece Eugene Onegin, based on the Pushkin poem, returns to the Met on Friday, January 30, with a superb international cast. American baritone Thomas Hampson returns to the role of Onegin, the haughty aristocrat who acknowledges love too late, opposite the Finnish soprano Karita Mattila making her Met role debut as Tatiana, who grows from a love-struck young girl to an aristocratic woman. Russian mezzo-soprano Ekaterina Semenchuk is her sister, Olga; Polish tenor Piotr Beczala is Lenski, Onegin's doomed friend; and Russian bass Sergei Aleksashkin is Gremin, the elderly prince who marries Tatiana. Aleksashkin will sing the first two performances and American bass James Morris, taking on the role for the first time at the Met, does the remainder of the run. Czech maestro Jiř? Bĕlohl?vek conducts all performances, through February 21. The production is by Robert Carsen, sets and costumes are by Michael Levine, Jean Kalman is the lighting designer,...
- 1/26/2009
- BroadwayWorld.com
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