Exclusive: Noah Media, producer of Netflix’s 14 Peaks and Sky’s Villeneuve Pironi, has restructured to focus on international docs and laid off a small number of staff.
The London outfit has in the past few months transitioned from a “UK sports-based production company into an international documentary producer,” according to a statement from CEO and co-founder John McKenna.
“This will see us transition from a staff-based to a more freelance-based model, in line with the norm across the factual production space,” said McKenna. “This has unfortunately meant some redundancies in the past few months for some employees we think are fantastic colleagues and people.”
For the year to March 31 2023, Noah had around 45 staff, according to its latest accounts. It will offer “freelance project-specific contracts” for employees who have lost jobs where possible, McKenna added, and he said this has already happened for some of those laid off.
“We firmly...
The London outfit has in the past few months transitioned from a “UK sports-based production company into an international documentary producer,” according to a statement from CEO and co-founder John McKenna.
“This will see us transition from a staff-based to a more freelance-based model, in line with the norm across the factual production space,” said McKenna. “This has unfortunately meant some redundancies in the past few months for some employees we think are fantastic colleagues and people.”
For the year to March 31 2023, Noah had around 45 staff, according to its latest accounts. It will offer “freelance project-specific contracts” for employees who have lost jobs where possible, McKenna added, and he said this has already happened for some of those laid off.
“We firmly...
- 4/23/2024
- by Max Goldbart
- Deadline Film + TV
While too much time is spent on 1966 and all that Matthew Lorenzo’s profile draws out a hitherto unseen vulnerable side to the striker turned insurance salesman
The current flood of football documentaries shows no sign of abating; the recognition certain teams and individuals enjoy means that it’s not likely to any time soon. Geoff Hurst, the hat-trick hero of the 1966 World Cup final, is no doubt a natural subject for the “legacy” strand of these things: along with the likes of Jack Charlton, Bobby Moore and Bobby Robson, Hurst stands for a misty-eyed idea of Proper Football, when men were gods on the pitch and ordinary semi-dwelling blokes off it.
Hurst was all this and more, even if this profile focuses, football-wise at least, on that three-goal game at the expense of almost everything else. (Though that title might need a bit of nudging since Kylian Mbappé pulled...
The current flood of football documentaries shows no sign of abating; the recognition certain teams and individuals enjoy means that it’s not likely to any time soon. Geoff Hurst, the hat-trick hero of the 1966 World Cup final, is no doubt a natural subject for the “legacy” strand of these things: along with the likes of Jack Charlton, Bobby Moore and Bobby Robson, Hurst stands for a misty-eyed idea of Proper Football, when men were gods on the pitch and ordinary semi-dwelling blokes off it.
Hurst was all this and more, even if this profile focuses, football-wise at least, on that three-goal game at the expense of almost everything else. (Though that title might need a bit of nudging since Kylian Mbappé pulled...
- 3/23/2023
- by Andrew Pulver
- The Guardian - Film News
Ahead of the 2022 Qatar World Cup, soccer’s governing body FIFA is launching a free streaming service.
The organization says FIFA+ will provide access to thousands of live and archive matches, news and tournament information and a suite of original series from the likes of Fulwell 73, Andrew and Stuart Douglas, and England striker turned broadcaster Gary Lineker’s Goalhanger Films.
FIFA claims this makes it the first sports federation to offer such an extensive streaming service, with the organization’s President Gianni Infantino saying it represents “a cultural shift in the way different types of football fans want to connect with and explore the global game”.
The service launches today in five languages, with an additional six following in June. At launch, it’ll be available on web and cellular devices, with other connected devices following.
Content mix
By the end of 2022, FIFA...
The organization says FIFA+ will provide access to thousands of live and archive matches, news and tournament information and a suite of original series from the likes of Fulwell 73, Andrew and Stuart Douglas, and England striker turned broadcaster Gary Lineker’s Goalhanger Films.
FIFA claims this makes it the first sports federation to offer such an extensive streaming service, with the organization’s President Gianni Infantino saying it represents “a cultural shift in the way different types of football fans want to connect with and explore the global game”.
The service launches today in five languages, with an additional six following in June. At launch, it’ll be available on web and cellular devices, with other connected devices following.
Content mix
By the end of 2022, FIFA...
- 4/12/2022
- by Jesse Whittock
- Deadline Film + TV
The Arsenal coach’s genial cooperation with this documentary still leaves what went into his success something of a mystery
Here is the latest in the always-interesting series of documentaries from pitchside-reporting maestro Gabriel Clarke, following excellent profiles of Bobby Robson and Jack Charlton: the subject is Arsenal’s long-serving manager whose initial burst of success was soured by years of fan rancour before he decided to step down in 2018 after 22 years in the job. Completing this loose trilogy about outstanding managerial careers, this time Clarke shares directing duties with French TV commentator Christian Jeanpierre – but while Wenger proves a genial and sage-like interviewee, it’s fair to say that he still remains almost as much a mystery as before.
Wenger isn’t a sphinx, exactly: he has plenty to say and says it with considerable emotional articulacy. But the material essentially engages with his player management, stressing what he doesn’t do,...
Here is the latest in the always-interesting series of documentaries from pitchside-reporting maestro Gabriel Clarke, following excellent profiles of Bobby Robson and Jack Charlton: the subject is Arsenal’s long-serving manager whose initial burst of success was soured by years of fan rancour before he decided to step down in 2018 after 22 years in the job. Completing this loose trilogy about outstanding managerial careers, this time Clarke shares directing duties with French TV commentator Christian Jeanpierre – but while Wenger proves a genial and sage-like interviewee, it’s fair to say that he still remains almost as much a mystery as before.
Wenger isn’t a sphinx, exactly: he has plenty to say and says it with considerable emotional articulacy. But the material essentially engages with his player management, stressing what he doesn’t do,...
- 11/10/2021
- by Andrew Pulver
- The Guardian - Film News
Finding Jack Charlton producer Noah Media Group has raised $2.7m from private investors including former Xix Entertainment president James Clayton, Hollywood entertainment lawyer Kevin Yorn and former Wired editor David Rowan.
The global documentary producer will use the money to self-finance and distribute more of its productions via distribution arm NoahX along with building an ‘evaluation engine’ to decide on future projects.
The company was launched six years ago by chairman Barry Smith, CEO John McKenna and film and TV directors Gabriel Clarke and Torquil Jones.
The move is the next phase in Noah’s investment plans and also includes backers such as former Skyscanner CEO Gareth Williams and F1 Grand Prix winning motor racing driver Mark Webber.
Smith said: “This injection of investment will go directly into advancing and improving our evaluation processes, leading to better production and distribution decisions.”
The company is shortly to see documentary series Arsène...
The global documentary producer will use the money to self-finance and distribute more of its productions via distribution arm NoahX along with building an ‘evaluation engine’ to decide on future projects.
The company was launched six years ago by chairman Barry Smith, CEO John McKenna and film and TV directors Gabriel Clarke and Torquil Jones.
The move is the next phase in Noah’s investment plans and also includes backers such as former Skyscanner CEO Gareth Williams and F1 Grand Prix winning motor racing driver Mark Webber.
Smith said: “This injection of investment will go directly into advancing and improving our evaluation processes, leading to better production and distribution decisions.”
The company is shortly to see documentary series Arsène...
- 10/8/2021
- by Max Goldbart
- Deadline Film + TV
In football – and sport in general – there aren’t many who make their mark both as a player and a manager, but one man who did was Jack Charlton. Talented certainly, but it was the big man’s personality that really stood out, and this feature-length documentary captures it in some style.
Finding Jack Charlton is nothing short of a masterpiece, deftly balancing the film’s three main sub-plots: his glorious reign as manager of the Republic of Ireland, relationship with his brother, Bobby Charlton, and the unfortunate onset of dementia in his twilight years. The geniuses behind it all are ITV Sport reporter, Gabriel Clarke, who has also produced features on Joe Calzaghe and Brian Clough, and filmmaker Pete Thomas.
But this blows them all out of the water. The way each aspect of Charlton’s life is intertwined over and over again is filmmaking of the highest calibre.
Finding Jack Charlton is nothing short of a masterpiece, deftly balancing the film’s three main sub-plots: his glorious reign as manager of the Republic of Ireland, relationship with his brother, Bobby Charlton, and the unfortunate onset of dementia in his twilight years. The geniuses behind it all are ITV Sport reporter, Gabriel Clarke, who has also produced features on Joe Calzaghe and Brian Clough, and filmmaker Pete Thomas.
But this blows them all out of the water. The way each aspect of Charlton’s life is intertwined over and over again is filmmaking of the highest calibre.
- 6/21/2021
- by Dan Green
- The Cultural Post
Strong totals for Phyllida Lloyd’s ‘Herself’, animation ‘Wolfwalkers’.
Coming-of-age drama Dating Amber, Element Pictures’ Herself, and Oscar nominee Wolfwalkers are among the best film contenders at this year’s Irish Film & Television Awards (IFTAs).
Element and BBC TV series Normal People leads the overall nominations, shortlisted in 15 categories.
Scroll down for the list of nominations
Nominations across 25 categories in film and TV drama have been announced, with the awards to take place virtually and be broadcast on Virgin Media One on Sunday, July 4.
Across all film categories including craft and technical, David Freyne’s Dating Amber, about two closeted teenagers in 1990s Ireland,...
Coming-of-age drama Dating Amber, Element Pictures’ Herself, and Oscar nominee Wolfwalkers are among the best film contenders at this year’s Irish Film & Television Awards (IFTAs).
Element and BBC TV series Normal People leads the overall nominations, shortlisted in 15 categories.
Scroll down for the list of nominations
Nominations across 25 categories in film and TV drama have been announced, with the awards to take place virtually and be broadcast on Virgin Media One on Sunday, July 4.
Across all film categories including craft and technical, David Freyne’s Dating Amber, about two closeted teenagers in 1990s Ireland,...
- 6/15/2021
- by Esther McCarthy
- ScreenDaily
Jack Charlton is, almost certainly, the most popular Englishman in the history of Ireland. Thanks to his direct approach, on and off the pitch, the Irish national football team appeared in three successive major tournaments between 1988 and 1994. It’s a run no manager has come close to replicating since.
How Jack managed this feat is at the heart of directing duo Gabriel Clarke and Pete Thomas’s documentary. They detail what Jack needed to do to make the Irish team successful. How he sought any player with an Irish ancestor to increase the size of his talent pool. How he brought a non-nonsense attitude to the dressing room. How he was driven by the love of the Irish people.
And that’s where the film gets even more interesting. Not limited to on-field antics, this is a piece that investigates Jack’s approach to life, and how the people of Ireland took him in.
How Jack managed this feat is at the heart of directing duo Gabriel Clarke and Pete Thomas’s documentary. They detail what Jack needed to do to make the Irish team successful. How he sought any player with an Irish ancestor to increase the size of his talent pool. How he brought a non-nonsense attitude to the dressing room. How he was driven by the love of the Irish people.
And that’s where the film gets even more interesting. Not limited to on-field antics, this is a piece that investigates Jack’s approach to life, and how the people of Ireland took him in.
- 11/27/2020
- by Richard Phippen
- HeyUGuys.co.uk
As manager of Ireland’s national team, the former Leeds United star became one of the country’s most extravagantly loved foreigners
The story of Jack Charlton’s amazing ascent and virtual canonisation as the manager of the Irish Republic’s national football team in the 80s and 90s is retold in this warm and affectionate documentary portrait. He was a vital part of Ireland’s Celtic Tiger modernity and confidence in that era, and a part also of the new mood of the peace process.
These chapters are poignantly juxtaposed with Charlton’s later life (he died in July this year) and his issues with dementia, and these are very emotional, intimate scenes – especially the cheerful, unsentimental interviews with his wife and carer Pat. They are movingly captured.
The story of Jack Charlton’s amazing ascent and virtual canonisation as the manager of the Irish Republic’s national football team in the 80s and 90s is retold in this warm and affectionate documentary portrait. He was a vital part of Ireland’s Celtic Tiger modernity and confidence in that era, and a part also of the new mood of the peace process.
These chapters are poignantly juxtaposed with Charlton’s later life (he died in July this year) and his issues with dementia, and these are very emotional, intimate scenes – especially the cheerful, unsentimental interviews with his wife and carer Pat. They are movingly captured.
- 11/20/2020
- by Peter Bradshaw
- The Guardian - Film News
A new trailer has been launched for the documentary on a legendary football icon ‘Finding Jack Charlton’.
Filmed during the last 18 months of Jack Charlton’s life, the doc is a portrait of an extraordinary man: an English World Cup-winning legend, who became an Irish hero. Shot on location in Ireland and England, the film also explores Jack’s life with dementia. This contemporary narrative forms a central theme of the story, offering an intimate, compelling insight into Jack the man and the challenge faced by thousands of families universally.
The documentary features key characters from throughout Jack’s career, with contributions from Jack’s family for the first time, including his wife Pat and son John. They are supported by major figures in football, music, film and politics, enabling the exploration of the major pillars of Jack’s life: Jack & England, Jack & Ireland, and Jack & his brother, Sir Bobby Charlton.
Filmed during the last 18 months of Jack Charlton’s life, the doc is a portrait of an extraordinary man: an English World Cup-winning legend, who became an Irish hero. Shot on location in Ireland and England, the film also explores Jack’s life with dementia. This contemporary narrative forms a central theme of the story, offering an intimate, compelling insight into Jack the man and the challenge faced by thousands of families universally.
The documentary features key characters from throughout Jack’s career, with contributions from Jack’s family for the first time, including his wife Pat and son John. They are supported by major figures in football, music, film and politics, enabling the exploration of the major pillars of Jack’s life: Jack & England, Jack & Ireland, and Jack & his brother, Sir Bobby Charlton.
- 10/13/2020
- by Zehra Phelan
- HeyUGuys.co.uk
Noah Media Group has acquired international sales rights to Lorton Entertainment’s “Make Us Dream,” the story of soccer star Steven Gerrard, produced by Oscar-winner James Gay-Rees, and “Bleed Out,” HBO’s critically acclaimed documentary investigating medical malpractice in the U.S., produced by Oscar-winner Dan Cogan (“Icarus”).
“Make Us Dream” tells the story of Liverpool and England legend Steven Gerrard, exploring success, failure and Gerrard’s identity as a player who stayed with one club throughout his career. The film is available globally on Amazon Prime, and Noah will be selling free TV rights (excluding U.K.) around the world.
HBO documentary “Bleed Out” follows comedian and filmmaker Steve Burrows’ investigation into the deep flaws within America’s healthcare system and highlights ways the problems could be fixed. “Bleed Out” marks the first non-sport documentary to be represented by Noah.
Noah, the producer of acclaimed sports documentaries like “Bobby Robson: More Than a Manager...
“Make Us Dream” tells the story of Liverpool and England legend Steven Gerrard, exploring success, failure and Gerrard’s identity as a player who stayed with one club throughout his career. The film is available globally on Amazon Prime, and Noah will be selling free TV rights (excluding U.K.) around the world.
HBO documentary “Bleed Out” follows comedian and filmmaker Steve Burrows’ investigation into the deep flaws within America’s healthcare system and highlights ways the problems could be fixed. “Bleed Out” marks the first non-sport documentary to be represented by Noah.
Noah, the producer of acclaimed sports documentaries like “Bobby Robson: More Than a Manager...
- 4/29/2020
- by Leo Barraclough
- Variety Film + TV
Noah Media Group, a specialist in feature-length sports documentaries, has acquired international sales rights to feature documentary “The Australian Dream,” about the Australian Football League star Adam Goodes. The deal excludes rights to Australia, Canada, the U.K. and airlines.
Noah will sell the film through its international sales and distribution arm Noah X. This marks the first time that a third-party project will be sold by the company, and reinforces its commitment to showcasing acclaimed sports documentaries.
Directed by BAFTA award-winning filmmaker Daniel Gordon (“Hillsborough”), written by Walkley award-winning journalist Stan Grant, and produced by Oscar- and BAFTA-winner John Battsek (“Searching for Sugar Man”), “The Australian Dream” tells Goodes’ story through his journey during the 2013-15 Afl season, while also exploring race, identity and belonging in Australian society today.
The critically acclaimed film received a theatrical release in Australia last year and won the Aacta for best documentary. It...
Noah will sell the film through its international sales and distribution arm Noah X. This marks the first time that a third-party project will be sold by the company, and reinforces its commitment to showcasing acclaimed sports documentaries.
Directed by BAFTA award-winning filmmaker Daniel Gordon (“Hillsborough”), written by Walkley award-winning journalist Stan Grant, and produced by Oscar- and BAFTA-winner John Battsek (“Searching for Sugar Man”), “The Australian Dream” tells Goodes’ story through his journey during the 2013-15 Afl season, while also exploring race, identity and belonging in Australian society today.
The critically acclaimed film received a theatrical release in Australia last year and won the Aacta for best documentary. It...
- 3/24/2020
- by Leo Barraclough
- Variety Film + TV
Former Goldcrest, Cornerstone Films exec Catherine Quantschnigg to head sales division.
Noah Media Group, the UK-based sports documentary firm, has launched an international sales division and has kicked off business with UK deals for cricket feature The Edge.
The documentary, directed by Barney Douglas (Warriors), was released theatrically in the UK this summer and is now available on Amazon Prime Video with the BBC taking exclusive TV rights in 2020.
The indie has previously best been known for producing sport documentaries such as Steve McQueen: The Man & Le Mans, which played at Cannes in 2015, and Netflix film Bobby Robson: More Than a Manager.
Noah Media Group, the UK-based sports documentary firm, has launched an international sales division and has kicked off business with UK deals for cricket feature The Edge.
The documentary, directed by Barney Douglas (Warriors), was released theatrically in the UK this summer and is now available on Amazon Prime Video with the BBC taking exclusive TV rights in 2020.
The indie has previously best been known for producing sport documentaries such as Steve McQueen: The Man & Le Mans, which played at Cannes in 2015, and Netflix film Bobby Robson: More Than a Manager.
- 10/2/2019
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Noah Media Group, the London-based producers of sports documentaries Bobby Robson: More Than A Manager and Steve McQueen: The Man & Le Mans, has formally set up an international sales wing ahead of Mipcom.
Catherine Quantschnigg, previously of factual producer Atlantic Productions, sales company Cornerstone Films, and finance and post-production outfit Goldcrest, is heading up the new division, which has struck early deals on its feature cricket documentary The Edge with the BBC for TV and Amazon Prime for UK streaming.
Quantschnigg will be at the upcoming Mipcom to sell further rights on that film, as well as a library that features 2015 Cannes doc Steve McQueen: The Man & Le Mans; Australian comedian Adam Hills’ film Take His Legs, about the formation of the world’s first physical disability rugby league team; and Out Of Their Skin, former England player Ian Wright’s TV doc about the 40-year history of black British soccer.
Catherine Quantschnigg, previously of factual producer Atlantic Productions, sales company Cornerstone Films, and finance and post-production outfit Goldcrest, is heading up the new division, which has struck early deals on its feature cricket documentary The Edge with the BBC for TV and Amazon Prime for UK streaming.
Quantschnigg will be at the upcoming Mipcom to sell further rights on that film, as well as a library that features 2015 Cannes doc Steve McQueen: The Man & Le Mans; Australian comedian Adam Hills’ film Take His Legs, about the formation of the world’s first physical disability rugby league team; and Out Of Their Skin, former England player Ian Wright’s TV doc about the 40-year history of black British soccer.
- 9/30/2019
- by Tom Grater
- Deadline Film + TV
U.K.-based sports film specialist Noah Media has moved into sales and has already sealed eye-catching U.K. deals with Amazon Prime Video and the BBC for its cricket film “The Edge.”
Sports indie Noah’s other projects include “Steve McQueen: The Man & Le Mans” and “Bobby Robson: More Than a Manager.” It has brought on Catherine Quantschnigg to head up international sales. She was formerly head of sales at Atlantic Productions, and has also been at Goldcrest and Cornerstone Films.
Quantschnigg will be at Mipcom in Cannes looking to close further deals on “The Edge,” plus the McQueen-Le Mans feature doc, which played at Cannes.
Other shows on the slate include “Take His Legs,” charting Australian comedian Adam Hills’ formation of the world’s first disabled rugby league team, and “Out of Their Skin,” in which former Arsenal and England star Ian Wright charts the history...
Sports indie Noah’s other projects include “Steve McQueen: The Man & Le Mans” and “Bobby Robson: More Than a Manager.” It has brought on Catherine Quantschnigg to head up international sales. She was formerly head of sales at Atlantic Productions, and has also been at Goldcrest and Cornerstone Films.
Quantschnigg will be at Mipcom in Cannes looking to close further deals on “The Edge,” plus the McQueen-Le Mans feature doc, which played at Cannes.
Other shows on the slate include “Take His Legs,” charting Australian comedian Adam Hills’ formation of the world’s first disabled rugby league team, and “Out of Their Skin,” in which former Arsenal and England star Ian Wright charts the history...
- 9/30/2019
- by Stewart Clarke
- Variety Film + TV
Other openers include cricket doc ‘The Edge’ and ‘Tell It To The Bees’.
CGI animation The Lion King is the latest Disney remake to hit UK cinemas, and will look to challenge the highest openings of the year on its first weekend.
Its target will be the £31.4m three-day gross of Avengers: Endgame in April this year – by some distance the record opening weekend for a film in the UK.
The presence of several other blockbuster titles still in cinemas – Toy Story 4 and Aladdin from Disney, plus Sony’s Spider-Man: Far From Home – make this a lofty goal.
However...
CGI animation The Lion King is the latest Disney remake to hit UK cinemas, and will look to challenge the highest openings of the year on its first weekend.
Its target will be the £31.4m three-day gross of Avengers: Endgame in April this year – by some distance the record opening weekend for a film in the UK.
The presence of several other blockbuster titles still in cinemas – Toy Story 4 and Aladdin from Disney, plus Sony’s Spider-Man: Far From Home – make this a lofty goal.
However...
- 7/19/2019
- by Ben Dalton
- ScreenDaily
Venue: Pge Arena, Gdansk, Poland
Kick-Off: 19:45 BST
At the 2002 World Cup, the last major tournament that they qualified for, the Irish were put out by Spain on penalties in the Last 16. After losing 3-1 in their opening game against Croatia, Giovanni Trapattoni’s men know that once again their fate lies with the Spanish.
Injury News
Spain could be forced to play an orthodox striker in tonight’s match, following signs that Cesc Fabregas won’t be able to shake off a thigh injury he picked up against Italy.
Meanwhile, the Republic of Ireland look set to field the same starting eleven as last Sunday.
Defender Richard Dunne was suffering from blisters at training in the week but has recovered well enough to start the match in Gdansk. Shay Given also missed some of the early sessions but is primed to start his second game of the tournament.
Preview
Shay Given,...
Kick-Off: 19:45 BST
At the 2002 World Cup, the last major tournament that they qualified for, the Irish were put out by Spain on penalties in the Last 16. After losing 3-1 in their opening game against Croatia, Giovanni Trapattoni’s men know that once again their fate lies with the Spanish.
Injury News
Spain could be forced to play an orthodox striker in tonight’s match, following signs that Cesc Fabregas won’t be able to shake off a thigh injury he picked up against Italy.
Meanwhile, the Republic of Ireland look set to field the same starting eleven as last Sunday.
Defender Richard Dunne was suffering from blisters at training in the week but has recovered well enough to start the match in Gdansk. Shay Given also missed some of the early sessions but is primed to start his second game of the tournament.
Preview
Shay Given,...
- 6/14/2012
- by Chris Deacon
- Obsessed with Film
Rating: 3 out of 5 stars
Bucking the trend of releasing completely stripped back versions of their game to temporarily satiate the clamor of the Euro 2012 tournament market, EA Sports instead chose to release the Euro 2012 special comes in the form of a download-only expansion pack. It makes sense, given the scope for a lower price point, and the initial promise of being able to play as every team from the tournament looked a good draw, especially given the sweet comfort offered in virtual reality when the reality of our own tournament will be as stark and disappointing as ever.
Developers occasionally use the opportunity of the tournament special releases to try out new things, in anticipation of the next main release as with EA Sports’ surprisingly good World Cup 2012, but it clearly isn’t the case here. The gameplay, visuals and general experience of the game remain exactly the same as...
Bucking the trend of releasing completely stripped back versions of their game to temporarily satiate the clamor of the Euro 2012 tournament market, EA Sports instead chose to release the Euro 2012 special comes in the form of a download-only expansion pack. It makes sense, given the scope for a lower price point, and the initial promise of being able to play as every team from the tournament looked a good draw, especially given the sweet comfort offered in virtual reality when the reality of our own tournament will be as stark and disappointing as ever.
Developers occasionally use the opportunity of the tournament special releases to try out new things, in anticipation of the next main release as with EA Sports’ surprisingly good World Cup 2012, but it clearly isn’t the case here. The gameplay, visuals and general experience of the game remain exactly the same as...
- 4/26/2012
- by Simon Gallagher
- Obsessed with Film
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