Rental Condition: Horowitz Navigates Eerie Scenario in Patchwork Psych Thriller
Gwen Guthrie famously crooned, “Ain’t nothin’ goin on but the rent,” back in 1986, but in the era of Airbnb and private rental services, it turns out there’s often the potential for a whole lot of other things going on when you’re staying in a place not your own. Eli Horowitz, the creator behind the series Homecoming, directs Winona Ryder in his narrative debut Gone in the Night, given one of those generic 1980’s style monikers of menace…...
Gwen Guthrie famously crooned, “Ain’t nothin’ goin on but the rent,” back in 1986, but in the era of Airbnb and private rental services, it turns out there’s often the potential for a whole lot of other things going on when you’re staying in a place not your own. Eli Horowitz, the creator behind the series Homecoming, directs Winona Ryder in his narrative debut Gone in the Night, given one of those generic 1980’s style monikers of menace…...
- 7/15/2022
- by Nicholas Bell
- IONCINEMA.com
The film-maker and installation artist on bridging the gap between art and cinema, and what he learned from the Baader-Meinhof gang
What first drew you to making art?
Punk. When I was about 15, I made friends with some hippies who lived close to the estate where I grew up. One of them turned out to be Astrid Proll (1), although I didn't know it at the time as she had a pseudonym. They taught me about art and photography. I discovered punk, situationism (2), and the connection between art and politics. I never looked back.
What was your big breakthrough?
Attending Central St Martin's, then a sort of Oxbridge of art schools. Also, being funded by Channel 4 to create the Sankofa Film and Video Collective (3), and making the film Looking for Langston (4).
Have you considered becoming a more mainstream film director?
I viewed myself as that when I made Young Soul Rebels...
What first drew you to making art?
Punk. When I was about 15, I made friends with some hippies who lived close to the estate where I grew up. One of them turned out to be Astrid Proll (1), although I didn't know it at the time as she had a pseudonym. They taught me about art and photography. I discovered punk, situationism (2), and the connection between art and politics. I never looked back.
What was your big breakthrough?
Attending Central St Martin's, then a sort of Oxbridge of art schools. Also, being funded by Channel 4 to create the Sankofa Film and Video Collective (3), and making the film Looking for Langston (4).
Have you considered becoming a more mainstream film director?
I viewed myself as that when I made Young Soul Rebels...
- 11/27/2013
- by Laura Barnett
- The Guardian - Film News
"No romance, without finance. 'Cause ain't nothing going on, but the rent!" If you're thirty-plus, you definitely remember the late Gwen Guthrie's 1986 anthem. You couldn't go anywhere without hearing that song on the radio. My memory of the song was from my mother's friend and co-worker, Cre. She was a "fly-girl" and it was clear you had to have a "j-o-b," if you wanted to be with her. Actually, that was a non-negotiable requirement for all of the women who were single while I was growing up. If you were dating a man, he at least better be able to help with some bills...
- 3/8/2011
- Essence
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