Korean sales firm Finecut has inked multiple deals for horror thriller “Noise” and for “A Traveler’s Needs,” the recent Berlin prize-winner directed by Hong Sangsoo.
“Noise” is a “multi-sensory and realistic horror” film that intertwines societal motifs of “floor noise” with suspenseful elements. Directed by Kim Soo-jin, the film centers around a woman with a hearing aid haunted by inexplicable sounds linked to her sister’s disappearance in her own apartment and attracting a malevolent presence. The film is currently in post-production.
Among the pre-completion buyers are France’s Kmbo, Red Castle Group for the Cis region, Indonesia’s Prima Cinema Multimedia and Thailand’s Iris Cinema Thailand. Finecut will screen a promotional extract at its booth and in the Cannes Market.
The Isabelle Huppert-starring, Silver Bear Grand Jury Prize-winner “A Traveler’s Needs” has scored multiple deals since launching at Berlin’s EFM. These include one with The Cinema...
“Noise” is a “multi-sensory and realistic horror” film that intertwines societal motifs of “floor noise” with suspenseful elements. Directed by Kim Soo-jin, the film centers around a woman with a hearing aid haunted by inexplicable sounds linked to her sister’s disappearance in her own apartment and attracting a malevolent presence. The film is currently in post-production.
Among the pre-completion buyers are France’s Kmbo, Red Castle Group for the Cis region, Indonesia’s Prima Cinema Multimedia and Thailand’s Iris Cinema Thailand. Finecut will screen a promotional extract at its booth and in the Cannes Market.
The Isabelle Huppert-starring, Silver Bear Grand Jury Prize-winner “A Traveler’s Needs” has scored multiple deals since launching at Berlin’s EFM. These include one with The Cinema...
- 5/9/2024
- by Patrick Frater
- Variety Film + TV
Jeonju Jaunt
Korea’s second largest generalist film event the Jeonju International Film Festival has set eight fiction films by first or second-time feature directors, for its main competition.
They are “Cu Li Never Cries,” by Pham Ngoc Lan; “Junkyard Dog,” by Jean-Baptiste Durand, “La Palisiada,” by Philip Sotnychenko; “My Endless Numbered Days,” by Shaun Neo; “Oxygen Station,” by Ivan Tymchenko; “Practice,” by Laurens Perol; “The Major Tones,” by Ingrid Pokropek; and “The Permanent Picture,” by Laura Ferres.
Additionally, two documentary features also compete: “After the Snowmelt,” directed by Lo Yi-Shan and “Kix,” by Balint Revesz and David Mikulan.
The Covid-pandemic continues to affect filmmaking and festival selection, organizers said. “Even films planned to be made beforehand had to extend their production period due to the pandemic, and many works highlighted the limitations of the production environments, such as smaller cast numbers and minimal locations,” said chief programmer Chun Jinsu.
Korea’s second largest generalist film event the Jeonju International Film Festival has set eight fiction films by first or second-time feature directors, for its main competition.
They are “Cu Li Never Cries,” by Pham Ngoc Lan; “Junkyard Dog,” by Jean-Baptiste Durand, “La Palisiada,” by Philip Sotnychenko; “My Endless Numbered Days,” by Shaun Neo; “Oxygen Station,” by Ivan Tymchenko; “Practice,” by Laurens Perol; “The Major Tones,” by Ingrid Pokropek; and “The Permanent Picture,” by Laura Ferres.
Additionally, two documentary features also compete: “After the Snowmelt,” directed by Lo Yi-Shan and “Kix,” by Balint Revesz and David Mikulan.
The Covid-pandemic continues to affect filmmaking and festival selection, organizers said. “Even films planned to be made beforehand had to extend their production period due to the pandemic, and many works highlighted the limitations of the production environments, such as smaller cast numbers and minimal locations,” said chief programmer Chun Jinsu.
- 4/12/2024
- by Patrick Frater
- Variety Film + TV
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