Mubi has announced its lineup of streaming offerings for next month, including Carla Simón’s Golden Bear winner Alcarràs, Ruth Beckermann’s Mutzenbacher, a series celebrating Black cinema with works from Charles Burnett, Julie Dash, Ephraim Asili, Bill Duke, and more.
Additional highlights include Sarah Polley’s Away From Her, Richard Linklater’s Before Midnight, Albert Brooks’ Modern Romance, Bong Joon Ho’s The Host, Lars von Trier’s Nymphomaniac, shorts by Emilija Škarnulytė, and the beginning of a series spotlighting Akio Jissoji’s Buddhist Trilogy.
Check out the lineup below and get 30 days free here.
February 1 – Softie, directed by Samuel Theis | From France with Love
February 2 – The Sleeping Negro, directed by Skinner Myers
February 3 – Before Midnight, directed by Richard Linklater
February 4 – To Sleep with Anger, directed by Charles Burnett
February 5 – Guess Who’s Coming to Dinner, directed by Stanley Kramer | Performers We Love
February 6 – Aphotic Zone, directed by Emilija...
Additional highlights include Sarah Polley’s Away From Her, Richard Linklater’s Before Midnight, Albert Brooks’ Modern Romance, Bong Joon Ho’s The Host, Lars von Trier’s Nymphomaniac, shorts by Emilija Škarnulytė, and the beginning of a series spotlighting Akio Jissoji’s Buddhist Trilogy.
Check out the lineup below and get 30 days free here.
February 1 – Softie, directed by Samuel Theis | From France with Love
February 2 – The Sleeping Negro, directed by Skinner Myers
February 3 – Before Midnight, directed by Richard Linklater
February 4 – To Sleep with Anger, directed by Charles Burnett
February 5 – Guess Who’s Coming to Dinner, directed by Stanley Kramer | Performers We Love
February 6 – Aphotic Zone, directed by Emilija...
- 1/19/2023
- by Jordan Raup
- The Film Stage
Guillermo del Toro's "Hellboy" is indicative of where the filmmaker was at in his career when he made it. Released in 2004, it was the first movie del Toro directed after the financial success of "Blade II" in 2002 but only his third Hollywood project after that film and his 1997 box office flop "Mimic." Because of this, he had yet to gain the creative control he would later come to wield the first time he brought the agents of the Bureau for Paranormal Research and Defense to the big screen.
Perhaps that's why "Hellboy" doesn't feel like an undiluted del Toro joint in the vein of its sequel, 2008's "Hellboy II: The Golden Army." Make no mistake, it's an imaginative, director-driven superhero movie, mixing quirky horror with del Toro's soulful monsters and fun nods to the fantasy films of Ray Harryhausen. But at the same time, del Toro's weirdness seems buttoned down.
Perhaps that's why "Hellboy" doesn't feel like an undiluted del Toro joint in the vein of its sequel, 2008's "Hellboy II: The Golden Army." Make no mistake, it's an imaginative, director-driven superhero movie, mixing quirky horror with del Toro's soulful monsters and fun nods to the fantasy films of Ray Harryhausen. But at the same time, del Toro's weirdness seems buttoned down.
- 11/5/2022
- by Sandy Schaefer
- Slash Film
The first time he made the trip to Europe to take part in U.S. in Progress, an event dedicated to independent American filmmaking launched by Poland’s American Film Festival in 2011, L.A.-based director Pete Ohs admits he was “very green.” “It was my first narrative feature…[and I was] very much getting into this world of independent filmmaking,” Ohs tells Variety.
U.S. in Progress, which this year takes place Nov. 9 – 11 in Wrocław, Poland, presents a selection of roughly half a dozen American indie titles in the final stages of production to European sales agents, distributors and festival programmers.
The event is often a crash course in the European market for directors like Ohs, who participated in 2016 with “Everything Beautiful Is Far Away.” For many it’s the first time that they’re exposed to film industry professionals on the continent, offering insight into an ecosystem of financing, production and...
U.S. in Progress, which this year takes place Nov. 9 – 11 in Wrocław, Poland, presents a selection of roughly half a dozen American indie titles in the final stages of production to European sales agents, distributors and festival programmers.
The event is often a crash course in the European market for directors like Ohs, who participated in 2016 with “Everything Beautiful Is Far Away.” For many it’s the first time that they’re exposed to film industry professionals on the continent, offering insight into an ecosystem of financing, production and...
- 9/12/2022
- by Christopher Vourlias
- Variety Film + TV
A full Free Movie of the Day is posted on the JoBlo Movies YouTube channel every day of the week – but on Fridays things get a little freakier and a little more fun. Get your weekend started the right way by indulging in Friday Fright Nights! Every Friday, we’ll be taking a look at another genre movie you can watch in its entirety, free of charge, either on the YouTube channel linked above or in the video embed here.
Figuring out a way to depict the afterlife on screen may be one of the biggest challenges a filmmaker could take on. How do you live up to the images people have of these places in their minds? The places so many hope to go to on one side, and fear going to on the other. How can a camera capture the glory of one, and the eternal nightmare of another?...
Figuring out a way to depict the afterlife on screen may be one of the biggest challenges a filmmaker could take on. How do you live up to the images people have of these places in their minds? The places so many hope to go to on one side, and fear going to on the other. How can a camera capture the glory of one, and the eternal nightmare of another?...
- 9/2/2022
- by Cody Hamman
- JoBlo.com
Filmmaker and Cu Boulder Film Professor Skinner Myers is in the middle of writing the long proposal for his dissertation, which will offer “a way of fighting Hollywood from one’s own cultural perspective.” Breaking from First, Second, Third and Fourth cinemas, his “Antagonistic Cinema Theory” eschews a numbered designation. In his feature debut, The Sleeping Negro, which he wrote, directed, produced and starred in, Myers pays respect to the Third and Fourth Cinema filmmakers who laid a path for him to stride—his dissertation records his own footsteps along the way. […]
The post “Making Black Cinema ‘Palatable’ Does Zero”: Skinner Myers on The Sleeping Negro first appeared on Filmmaker Magazine.
The post “Making Black Cinema ‘Palatable’ Does Zero”: Skinner Myers on The Sleeping Negro first appeared on Filmmaker Magazine.
- 12/8/2021
- by Aaron Hunt
- Filmmaker Magazine - Blog
As with most festivals in a pandemic world, Slamdance Film Festival is changing things up with their 2021 edition. Moving a few weeks back to February 12-25, no longer directly competing with Sundance Film Festival, the festival will be taking place primarily virtually. In quite a feat of accessibility, a full festival pass is also now available for free––if you secure yours by December 31st. After that, they are going up to $10, which is still a steal.
The festival has also announced its full lineup, with 25 features along with 107 shorts and episodic. Films, Q&As, and panels will be available on Slamdance.com, AppleTV, Roku, Firestick, and YouTube, while in-person events will take place in Joshua Tree with drive-ins open to the public on February 13th and 14th as well as the closing night screening at a Los Angeles drive-in on February 25.
Check out the lineup below and reserve your festival pass here.
The festival has also announced its full lineup, with 25 features along with 107 shorts and episodic. Films, Q&As, and panels will be available on Slamdance.com, AppleTV, Roku, Firestick, and YouTube, while in-person events will take place in Joshua Tree with drive-ins open to the public on February 13th and 14th as well as the closing night screening at a Los Angeles drive-in on February 25.
Check out the lineup below and reserve your festival pass here.
- 12/1/2020
- by Jordan Raup
- The Film Stage
Close-Up is a column that spotlights films now playing on Mubi. Guillermo Del Toro's Hellboy (2004) is showing on Mubi from May 14 - June 13, 2017 in the United Kingdom.It is hard to imagine a more perfect marriage of director and source material than Guillermo Del Toro with Hellboy. Mike Mignola’s graphic novel series about a demon put to work by the Feds could have been tailor-made for the Mexican fantasy auteur. Hellboy’s panels pit brutish monsters against mad visionaries in dank subterranean crypts, drawing on European folklore and making a fetish of clanking machinery, crumbling ruins and otherworldly magic. Mignola’s primary theme is always the past’s unshakeable hold over the present, the dead’s habit of returning to haunt the living. All of the above are the sort of gothic tropes that have recurred again and again in some form or other throughout Del Toro’s filmography too,...
- 5/19/2017
- MUBI
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