Mega
Hunter Biden, 54, is currently on trial for gun-related charges dating back to October 2018. The President's son is facing accusations of deceiving a gun dealer with a federal license, providing false information on the gun application, and unlawfully possessing the gun for 11 days.
A jury was selected on Monday, opening statements were delivered on Tuesday, and the first witnesses took the stand later that afternoon.
Outside the courtroom where Hunter Biden is on trial for gun charges, Melissa Cohen Biden, 38, the wife of Hunter, lashed out at Garrett Ziegler, 28, a former Trump aide.
Hunter Biden Goes To Trial For Gun Charges Mega
As The Blast reported, Hunter Biden is currently facing trial for allegedly lying on the paperwork needed to buy a Colt Cobra revolver in 2018. He is accused of giving false information during the gun purchase regarding his drug addiction.
Despite being open and honest about his addiction in the past,...
Hunter Biden, 54, is currently on trial for gun-related charges dating back to October 2018. The President's son is facing accusations of deceiving a gun dealer with a federal license, providing false information on the gun application, and unlawfully possessing the gun for 11 days.
A jury was selected on Monday, opening statements were delivered on Tuesday, and the first witnesses took the stand later that afternoon.
Outside the courtroom where Hunter Biden is on trial for gun charges, Melissa Cohen Biden, 38, the wife of Hunter, lashed out at Garrett Ziegler, 28, a former Trump aide.
Hunter Biden Goes To Trial For Gun Charges Mega
As The Blast reported, Hunter Biden is currently facing trial for allegedly lying on the paperwork needed to buy a Colt Cobra revolver in 2018. He is accused of giving false information during the gun purchase regarding his drug addiction.
Despite being open and honest about his addiction in the past,...
- 6/4/2024
- by Kelly Coffey-Behrens
- The Blast
Click here to read the full article.
Yahya Abdul-Mateen II and Corey Hawkins will star in Pulitzer Prize winner Suzan-Lori Parks’ play Topdog/Underdog on Broadway this fall.
Directed by Tony winner Kenny Leon, the limited 16-week engagement — which doubles as the 20th anniversary of its original Broadway run — will open on Oct. 20 at the John Golden Theatre, with previews set to begin Sept. 27.
Tony nominee Hawkins and Emmy winner Abdul-Mateen II will star in the show, described as a darkly comic fable of brotherly love and family identity, as brothers Lincoln and Booth — names given to the duo as a joke by their father. When Lincoln comes to live with his younger brother after being thrown out by his wife, he’s working as a whiteface Abraham Lincoln impersonator, something he finds embarrassing but that serves as the duo’s only source of income until his job is suddenly...
Yahya Abdul-Mateen II and Corey Hawkins will star in Pulitzer Prize winner Suzan-Lori Parks’ play Topdog/Underdog on Broadway this fall.
Directed by Tony winner Kenny Leon, the limited 16-week engagement — which doubles as the 20th anniversary of its original Broadway run — will open on Oct. 20 at the John Golden Theatre, with previews set to begin Sept. 27.
Tony nominee Hawkins and Emmy winner Abdul-Mateen II will star in the show, described as a darkly comic fable of brotherly love and family identity, as brothers Lincoln and Booth — names given to the duo as a joke by their father. When Lincoln comes to live with his younger brother after being thrown out by his wife, he’s working as a whiteface Abraham Lincoln impersonator, something he finds embarrassing but that serves as the duo’s only source of income until his job is suddenly...
- 6/14/2022
- by Abbey White
- The Hollywood Reporter - Movie News
“Borat Subsequent Moviefilm,” “Minari,” “One Night in Miami,” “Soul” and “The Trial of the Chicago 7” were among the feature films honored by the Casting Society of America at the 2021 Artios Awards.
The 36th annual Artios Awards, held by the Casting Society of America in its first-ever worldwide virtual ceremony, honored excellence in casting across feature films, television and theater on Thursday night.
Television winners included “A Black Lady Sketch Show,” “Euphoria,” “Normal People,” “Queer Eye,” “Succession” and “What We Do in the Shadows.”
The Hoyt Bowers Award went to Robi Reed and Tara Rubin, the first time two casting directors were honored for this award.
The European Chapter Artios Awards also made a presentation to Suzanne Smith with the Capelier-Shaw Award for Excellence in Casting.
The Associate Spotlight Award was presented to associate casting directors Michael Rios and Gianna Butler.
“Tonight’s Artios Award ceremony once again celebrated the...
The 36th annual Artios Awards, held by the Casting Society of America in its first-ever worldwide virtual ceremony, honored excellence in casting across feature films, television and theater on Thursday night.
Television winners included “A Black Lady Sketch Show,” “Euphoria,” “Normal People,” “Queer Eye,” “Succession” and “What We Do in the Shadows.”
The Hoyt Bowers Award went to Robi Reed and Tara Rubin, the first time two casting directors were honored for this award.
The European Chapter Artios Awards also made a presentation to Suzanne Smith with the Capelier-Shaw Award for Excellence in Casting.
The Associate Spotlight Award was presented to associate casting directors Michael Rios and Gianna Butler.
“Tonight’s Artios Award ceremony once again celebrated the...
- 4/16/2021
- by Jazz Tangcay
- Variety Film + TV
Two films starring Sacha Baron Cohen, “Borat Subsequent Moviefilm” and “The Trial of the Chicago 7,” were among the film winners at the Casting Society of America’s 36th annual Artios Awards, which were presented on Thursday evening in a virtual ceremony hosted by Yvette Nicole Brown.
“Borat” won in the big-budget comedy category, while “Chicago 7” won for big-budget drama.
In other film categories, the award for casting studio or independent films went to “The 40-Year-Old Version” for comedy and “One Night in Miami” for drama. “Minari” won the award for a low-budget film, while “The Surrogate” won for micro budget. “Soul” won the award for casting an animated film.
Television winners included “The Great,” “Euphoria,” “What We Do in the Shadows,” “Succession” and “Normal People.”
Awards for theater, which was closed for most of 2020, included the Broadway shows “Slave Play,” “Tina: The Tina Turner Musical” and “A Soldier’s Play.
“Borat” won in the big-budget comedy category, while “Chicago 7” won for big-budget drama.
In other film categories, the award for casting studio or independent films went to “The 40-Year-Old Version” for comedy and “One Night in Miami” for drama. “Minari” won the award for a low-budget film, while “The Surrogate” won for micro budget. “Soul” won the award for casting an animated film.
Television winners included “The Great,” “Euphoria,” “What We Do in the Shadows,” “Succession” and “Normal People.”
Awards for theater, which was closed for most of 2020, included the Broadway shows “Slave Play,” “Tina: The Tina Turner Musical” and “A Soldier’s Play.
- 4/16/2021
- by Steve Pond
- The Wrap
The Casting Society of America will host a town hall on Thursday to explore diversity, equity and inclusion in the casting process. The virtual gathering is co-sponsored by the Csa’s Black, Indigenous and People of Color Alliance and will be moderated by Dr. Darnisa Amante-Jackson, CEO of the Disruptive Equity Education Project and a lecturer at Harvard’s Graduate School of Education.
The town hall, which starts at noon Pt, is the first in a new series of panel discussions called “Closer to Equity” that the Csa will host. The town hall is open to all casting professionals, including Csa members and non-members. To register, email: BIPOCAlliance@CastingSociety.com
Thursday’s panelists will include casting directors Angelique Midthunder, Erica Jensen, Kim Coleman and Zora DeHorter; casting director and producer Kim Heil (San Diego Repertory Theatre); Kim Williams, VP Casting at Touchstone Television; and casting associates Margie Vargas and Xavier Rubiano.
“The objective of this first conversation,” Csa says, “is to provide a space for casting professionals to have the difficult conversations around diversity, belonging, equity and inclusion, and move toward healing and change.” Dr. Amante-Jackson said that she strives to create “space and experiences that foster conversations around equity and dismantling systemic oppression and racism in pursuit of advancing equitable outcomes for all.”
The panelists had this to say in advance of Thursday’s town hall:
Angelique Midthunder: “As people of color ourselves, Bipoc casting directors have an intimate understanding of the complexities of different cultures as well as an ingrained obligation to represent them with integrity. We are the bridge between producers and the Bipoc acting community.”
Kim Heil: “Many Bipoc professionals in the arts and entertainment industry like ourselves have been working for years – if not decades – with equity, diversity, and inclusion in mind. So what’s different about now? This moment now demands that we examine not just those principles, but the infrastructure and the systems that those principles are circulated. The systems themselves are flawed. So how can we restructure a better way of working?”
Kim Williams: “I’m excited to go beyond just talking and, with the help of Dr. Darnisa, move towards addressing the critical issues and changes that are necessary to bring about true progress towards equity both in front of and behind the camera.”
Margie Vargas: “Diversity and inclusion in casting is about bringing something unique to the table that no one else can. Each unique perspective can only build a better, stronger, and more unified casting community.”
Zora DeHorter: “As a woman, a black woman, I have dealt with my share of assumptions and presumptions; at times an unnecessary burden to carry. Being part of an open, safe space to have dialogues about how to affect changes is so exciting. I am so looking forward to having discussions about hiring practices, workplace practices, and how we, as Bipoc casting professionals, can effectively and positively move forward to a better, enlightened, hopeful future.”
Erica Jensen: “I’m encouraged by the continued conversation happening in the casting community. The only way to achieve equity in casting is if we operate as a unit rather than individuals. We need to have consistency on this topic from office to office and be positive examples to the rest of the entertainment industry.”
Xavier Rubiano: “It’s a privilege and an honor to be able to speak on this panel and I look forward to amplifying the voices of our Bipoc colleagues in casting and to educate our White peers to help create a safer, inclusive and anti-racist casting community both in our audition rooms and in our offices.”...
The town hall, which starts at noon Pt, is the first in a new series of panel discussions called “Closer to Equity” that the Csa will host. The town hall is open to all casting professionals, including Csa members and non-members. To register, email: BIPOCAlliance@CastingSociety.com
Thursday’s panelists will include casting directors Angelique Midthunder, Erica Jensen, Kim Coleman and Zora DeHorter; casting director and producer Kim Heil (San Diego Repertory Theatre); Kim Williams, VP Casting at Touchstone Television; and casting associates Margie Vargas and Xavier Rubiano.
“The objective of this first conversation,” Csa says, “is to provide a space for casting professionals to have the difficult conversations around diversity, belonging, equity and inclusion, and move toward healing and change.” Dr. Amante-Jackson said that she strives to create “space and experiences that foster conversations around equity and dismantling systemic oppression and racism in pursuit of advancing equitable outcomes for all.”
The panelists had this to say in advance of Thursday’s town hall:
Angelique Midthunder: “As people of color ourselves, Bipoc casting directors have an intimate understanding of the complexities of different cultures as well as an ingrained obligation to represent them with integrity. We are the bridge between producers and the Bipoc acting community.”
Kim Heil: “Many Bipoc professionals in the arts and entertainment industry like ourselves have been working for years – if not decades – with equity, diversity, and inclusion in mind. So what’s different about now? This moment now demands that we examine not just those principles, but the infrastructure and the systems that those principles are circulated. The systems themselves are flawed. So how can we restructure a better way of working?”
Kim Williams: “I’m excited to go beyond just talking and, with the help of Dr. Darnisa, move towards addressing the critical issues and changes that are necessary to bring about true progress towards equity both in front of and behind the camera.”
Margie Vargas: “Diversity and inclusion in casting is about bringing something unique to the table that no one else can. Each unique perspective can only build a better, stronger, and more unified casting community.”
Zora DeHorter: “As a woman, a black woman, I have dealt with my share of assumptions and presumptions; at times an unnecessary burden to carry. Being part of an open, safe space to have dialogues about how to affect changes is so exciting. I am so looking forward to having discussions about hiring practices, workplace practices, and how we, as Bipoc casting professionals, can effectively and positively move forward to a better, enlightened, hopeful future.”
Erica Jensen: “I’m encouraged by the continued conversation happening in the casting community. The only way to achieve equity in casting is if we operate as a unit rather than individuals. We need to have consistency on this topic from office to office and be positive examples to the rest of the entertainment industry.”
Xavier Rubiano: “It’s a privilege and an honor to be able to speak on this panel and I look forward to amplifying the voices of our Bipoc colleagues in casting and to educate our White peers to help create a safer, inclusive and anti-racist casting community both in our audition rooms and in our offices.”...
- 10/13/2020
- by David Robb
- Deadline Film + TV
Theatrical producers Pam Laudenslager and Colleen Lober have announced the launch of a new entertainment company – Center Stage Capital, Inc. – to present a portfolio of productions that includes the previously announced Broadway-hopeful Green Acres the Musical, a contemporary musical comedy by Tor Hyams and Lisa Rothauser based on the classic sitcom.
And yes, the new musical will include the old theme song, which, thanks to syndication, has taught at least several generations of Americans why Green Acres is the place to be.
Other productions in the Center Stage portfolio are the musicals Mother Eve’s Secret Garden of Sensual Sisterhood, Empyrea, and In the Room.
In its announcement, Center Stage Capital describes itself as featuring “an innovative new disruptive business model for funding by allowing the investor to engage directly in a portfolio of four original theatrical productions. This will mitigate risk through diversification and could reduce the risk...
And yes, the new musical will include the old theme song, which, thanks to syndication, has taught at least several generations of Americans why Green Acres is the place to be.
Other productions in the Center Stage portfolio are the musicals Mother Eve’s Secret Garden of Sensual Sisterhood, Empyrea, and In the Room.
In its announcement, Center Stage Capital describes itself as featuring “an innovative new disruptive business model for funding by allowing the investor to engage directly in a portfolio of four original theatrical productions. This will mitigate risk through diversification and could reduce the risk...
- 7/11/2018
- by Greg Evans
- Deadline Film + TV
While the Oscars have yet to make room for casting directors — a pivotal part of the Best Picture equation — the oversight isn't stopping the Casting Society of America from readying its third decade of picking up the Academy's slack. Csa announced Monday morning that the 30th Annual Artios Awards will honor Academy Award-nominated and Emmy Award-winning director Rob Marshall and Emmy Award-winning casting director Ellen Lewis for their individual work in the world of casting. The news arrives with nominations in categories of television, theater, new media and short film, and on the heels of the ceremony's move from November to Jan. 22, the thick of the awards season. Feature film nominations will be announced closer to the show date. Marshall, whose adaptation of Stephen Sondheim's "Into the Woods" bows Dec. 25, will receive the New York Apple Award, "recognizing individuals who have made special contributions to the New York entertainment...
- 9/22/2014
- by Matt Patches
- Hitfix
Long Wharf Theatre, under the leadership of Artistic Director Gordon Edelstein and Managing Director Ray Cullom, will present the beloved musical The Fantasticks, directed by Amanda Dehnert, from October 7 through November 1, 2009, on the Mainstage.
Press night is Wednesday, October 14 at 7:30 p.m. Curtain times are Tuesdays at 7 p.m., Wednesdays at 2 and 7 p.m., Thursdays and Fridays at 8pm, Saturdays at 3p.m. and 8p.m., and Sundays at 2p.m. and 7p.m. Tickets are $30-$70.
"I have loved The Fantasticks since I was a little kid," said Artistic Director Gordon Edelstein. "This will be so much fun for the entire family."
This hit musical with book and lyrics by Tom Jones and music by Harvey Schmidt, the longest running Off-Broadway musical in history, tells the story of Luisa and Matt, a pair entering the bloom of their youth. Their fathers, scheming to encourage their budding love, hire...
Press night is Wednesday, October 14 at 7:30 p.m. Curtain times are Tuesdays at 7 p.m., Wednesdays at 2 and 7 p.m., Thursdays and Fridays at 8pm, Saturdays at 3p.m. and 8p.m., and Sundays at 2p.m. and 7p.m. Tickets are $30-$70.
"I have loved The Fantasticks since I was a little kid," said Artistic Director Gordon Edelstein. "This will be so much fun for the entire family."
This hit musical with book and lyrics by Tom Jones and music by Harvey Schmidt, the longest running Off-Broadway musical in history, tells the story of Luisa and Matt, a pair entering the bloom of their youth. Their fathers, scheming to encourage their budding love, hire...
- 11/1/2009
- BroadwayWorld.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.