IndieWire and Paramount+ are proud to announce a Consider This FYC event to take place in Los Angeles on June 8, featuring Kelsey Grammer, David Oyelowo, and Matt Bomer, plus creators and talent from “Star Trek: Discovery” and “Star Trek: Strange New Worlds,” “A Gentleman in Moscow,” “Colin from Accounts,” “Fellow Travelers,” “Frasier,” and “Lawmen: Bass Reeves.”
Emmy voters and guild members can request an invitation to attend here.
The event will feature a reception with food and drinks. It will begin at 10:00am Pt and run until 2:30pm Pt, including lunch.
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“We’re thrilled to bring back Consider This Live exclusively with Paramount+,” said IndieWire SVP & Publisher James Israel.
Emmy voters and guild members can request an invitation to attend here.
The event will feature a reception with food and drinks. It will begin at 10:00am Pt and run until 2:30pm Pt, including lunch.
“Consider This Live is essential to our growing collection of creator- and artisan-driven live events that include IndieWire Honors and Pass the Remote,” said Dana Harris-Bridson, senior VP and Editor-in-Chief of IndieWire. “We’re proud to celebrate the Paramount+ lineup.”
“We’re thrilled to bring back Consider This Live exclusively with Paramount+,” said IndieWire SVP & Publisher James Israel.
- 5/22/2024
- by Christian Blauvelt
- Indiewire
Billie Eilish and Finneas O’Connell won the award for Original Song for a Comedy or Musical for their Oscar-nominated “Barbie” tune “What Was I Made For?” while past Academy Award winner and 2024 nominee Ludwig Göransson took home the Original Score for a Studio Film honor for “Oppenheimer” to pace the Society of Composers & Lyricists Scl Awards tonight at the Skirball Cultural Center in Los Angeles in a ceremony hosted by singer-songwriter Siedah Garrett.
Also picking up trophies were Olivia Rodrigo and Dan Nigro for Original Song for a Drama or Documentary for their tune “Can’t Catch Me Now” from “The Hunger Games: The Ballad of Songbirds & Snakes,” while John Powell was awarded the prize for Original Score for an Independent Film for scoring the documentary feature “Still: A Michael J. Fox Movie.”
SEE5th Annual Scl Awards Nominations: Billie Eilish, Olivia Rodrigo and Lenny Kravitz among contenders [Full List]
Director...
Also picking up trophies were Olivia Rodrigo and Dan Nigro for Original Song for a Drama or Documentary for their tune “Can’t Catch Me Now” from “The Hunger Games: The Ballad of Songbirds & Snakes,” while John Powell was awarded the prize for Original Score for an Independent Film for scoring the documentary feature “Still: A Michael J. Fox Movie.”
SEE5th Annual Scl Awards Nominations: Billie Eilish, Olivia Rodrigo and Lenny Kravitz among contenders [Full List]
Director...
- 2/14/2024
- by Ray Richmond
- Gold Derby
Billie Eilish, Finneas, Ludwig Göransson and Nicholas Britell were among the winners Tuesday evening at the 5th annual Society of Composers & Lyricists Awards.
Eilish and Finneas took home the award for outstanding original song for a comedy or musical for “What Was I Made For?” from “Barbie.” The win continued their sweep of the season from the Golden Globes and the Grammy Awards.
Olivia Rodrigo and Dan Nigro won outstanding original song for a drama or documentary for “Can’t Catch Me Now” from “Hunger Games: The Ballad of Songbirds and Snakes.” Britell took home the prize for outstanding original score for a television production for “Succession.”
Göransson, who was honored with Variety’s Artisans Award in Santa Barbara this past weekend, won outstanding original score for a studio film for “Oppenheimer.” John Powell won outstanding original score for an independent film, “Still: A Michael J. Fox Movie,” and Stephen Barton...
Eilish and Finneas took home the award for outstanding original song for a comedy or musical for “What Was I Made For?” from “Barbie.” The win continued their sweep of the season from the Golden Globes and the Grammy Awards.
Olivia Rodrigo and Dan Nigro won outstanding original song for a drama or documentary for “Can’t Catch Me Now” from “Hunger Games: The Ballad of Songbirds and Snakes.” Britell took home the prize for outstanding original score for a television production for “Succession.”
Göransson, who was honored with Variety’s Artisans Award in Santa Barbara this past weekend, won outstanding original score for a studio film for “Oppenheimer.” John Powell won outstanding original score for an independent film, “Still: A Michael J. Fox Movie,” and Stephen Barton...
- 2/14/2024
- by Jazz Tangcay and Diego Ramos Bechara
- Variety Film + TV
Billie Eilish, Olivia Rodrigo, Lenny Kravitz, Diane Warren and Jon Batiste are among the nominees announced Thursday morning for the Fifth Annual Scl Awards from the Society of Composers & Lyricists honoring scores and songs in visual media. The five music titans were all nominated in the Best Song categories for Drama/Documentary or Comedy/Musical, Eilish with her brother Finneas for their tune “What Was I Made For?” from “Barbie,” Rodrigo along with Dan Nigro for “Can’t Catch Me Now” from “The Hunger Games: Ball of Songbirds and Snakes,” Kravitz for “Road to Freedom” from “Rustin,” Warren for “The Fire Inside” from “Flamin’ Hot” and Batiste along with Dan Wilson for “It Never Went Away” from “American Symphony.”
Rounding out the Drama/Documentary nominees are Nicholas Britell and Laura Stinson for “Slip Away” from “Carmen” along with Sharon Farber and Noah Benshea for “Better Times” from “Jacob the Baker.
Rounding out the Drama/Documentary nominees are Nicholas Britell and Laura Stinson for “Slip Away” from “Carmen” along with Sharon Farber and Noah Benshea for “Better Times” from “Jacob the Baker.
- 12/22/2023
- by Denton Davidson
- Gold Derby
The Society of Composers and Lyricists (Scl) has announced the nominees for the 2024 Scl Awards, including songwriters Billie Eilish, Olivia Rodrigo, Lenny Kravitz, Diane Warren, and Jon Batiste, all who earned spots on the Academy Awards shortlist for Best Original Song.
Also among the dual nominees are composers Anthony Willis for Saltburn, Mark Ronson and Andrew Wyatt for Barbie, Laura Karpman for American Fiction, the late Robbie Robertson for Killers of the Flower Moon, and Mica Levi for The Zone of Interest.
The awards will be presented on February 13, 2024, at the Skirball Cultural Center in Los Angeles.
Other categories still to be announced include the Spirit of Collaboration Award which honors the long relationship between a composer and a director.
The Society of Composers & Lyricists is for professional film, television, video game, and musical theater composers and songwriters. The 78-year-old organization is focused on education and addressing the creative, technological...
Also among the dual nominees are composers Anthony Willis for Saltburn, Mark Ronson and Andrew Wyatt for Barbie, Laura Karpman for American Fiction, the late Robbie Robertson for Killers of the Flower Moon, and Mica Levi for The Zone of Interest.
The awards will be presented on February 13, 2024, at the Skirball Cultural Center in Los Angeles.
Other categories still to be announced include the Spirit of Collaboration Award which honors the long relationship between a composer and a director.
The Society of Composers & Lyricists is for professional film, television, video game, and musical theater composers and songwriters. The 78-year-old organization is focused on education and addressing the creative, technological...
- 12/22/2023
- by Bruce Haring
- Deadline Film + TV
We will update all our Oscar predictions throughout the season, so keep checking IndieWire for the latest news from the 2023 Oscar race. The nomination round of voting will take place from January 12 to January 17, 2023, with the official Oscar nominations announced on January 24, 2023. The final voting is between March 2 and 7, 2023. Finally, the 95th Oscars telecast will be broadcast on Sunday, March 12 and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
See our initial thoughts for what to expect at the 95th Academy Awards here.
The State of the Race
The Oscar nominees for Best Original Score on Tuesday were led by 90-year-old John Williams, who received his 53rd nomination for Steven Spielberg’s semi-autobiographical “The Fabelmans.” The remainder of the field is composed of two-time “La La Land” winner (score and original song) Justin Hurwitz for “Babylon,” three-time nominee Carter Burwell for “The Banshees of Inisherin,...
See our initial thoughts for what to expect at the 95th Academy Awards here.
The State of the Race
The Oscar nominees for Best Original Score on Tuesday were led by 90-year-old John Williams, who received his 53rd nomination for Steven Spielberg’s semi-autobiographical “The Fabelmans.” The remainder of the field is composed of two-time “La La Land” winner (score and original song) Justin Hurwitz for “Babylon,” three-time nominee Carter Burwell for “The Banshees of Inisherin,...
- 1/26/2023
- by Bill Desowitz
- Indiewire
Ninety-year-old John Williams received his 53rd nomination, and a team of composers was nominated for original score for only the eighth time in Oscar history during this morning’s Academy Awards nominations.
Yet, despite the presence of two women and three African-American composers on this year’s 15-film shortlist, none made the final five. So Chanda Dancy (“Devotion”) and Hildur Guðnadóttir (“Women Talking”) were left off, as were Michael Abels (“Nope”) and Terence Blanchard (“The Woman King”).
With his nomination for “The Fabelmans,” the venerable Williams, scoring his 29th film over the past 50 years for director Steven Spielberg, retains his record as the most-nominated composer and most-nominated living person.
He already has five Oscars, including three for Spielberg, and according to Academy statistics is also believed to be the oldest nominee in a competitive award category.
Son Lux’s nomination for “Everything Everywhere All at Once” is especially interesting as...
Yet, despite the presence of two women and three African-American composers on this year’s 15-film shortlist, none made the final five. So Chanda Dancy (“Devotion”) and Hildur Guðnadóttir (“Women Talking”) were left off, as were Michael Abels (“Nope”) and Terence Blanchard (“The Woman King”).
With his nomination for “The Fabelmans,” the venerable Williams, scoring his 29th film over the past 50 years for director Steven Spielberg, retains his record as the most-nominated composer and most-nominated living person.
He already has five Oscars, including three for Spielberg, and according to Academy statistics is also believed to be the oldest nominee in a competitive award category.
Son Lux’s nomination for “Everything Everywhere All at Once” is especially interesting as...
- 1/24/2023
- by Jon Burlingame
- Variety Film + TV
Composer Chanda Dancy had roughly two months to create more than four hours of orchestra music for The Defeated, the Netflix series about life in Berlin following World War II.
She recorded with an 85-piece orchestra in Prague as well as solo elements in her studio in Pasadena. She crafted music of that time but added modern sensibilities. She mixed the sound of a grand, sweeping orchestra with synthesizers and elements of Edm.
And she met that incredibly short deadline.
“This was essentially like being asked to swim from Los Angeles to Japan,” Dancy tells The Hollywood Reporter. “Me not knowing how long that distance is — I was like, ‘I can do that in a couple hours. I’m a good swimmer.’ It really didn’t sink in until I was done, honestly.”
“It was wild. I didn’t see my son for a month. I had my parents drive...
She recorded with an 85-piece orchestra in Prague as well as solo elements in her studio in Pasadena. She crafted music of that time but added modern sensibilities. She mixed the sound of a grand, sweeping orchestra with synthesizers and elements of Edm.
And she met that incredibly short deadline.
“This was essentially like being asked to swim from Los Angeles to Japan,” Dancy tells The Hollywood Reporter. “Me not knowing how long that distance is — I was like, ‘I can do that in a couple hours. I’m a good swimmer.’ It really didn’t sink in until I was done, honestly.”
“It was wild. I didn’t see my son for a month. I had my parents drive...
- 1/13/2023
- by Mesfin Fekadu
- The Hollywood Reporter - Movie News
Variety’s second annual FYC Fest: The Shortlist kicked off Oscar voting this Thursday, Jan. 12. The virtual event featured 13 panels with the top contending filmmakers and artisans that were shortlisted by the Academy in the documentary film, international film, song, hair and makeup, animated short, live-action short film and visual effects categories including creators from “Wakanda Forever,” “Avatar: The Way of Water,” “Spirited” and a lot more.
Below, we gathered all the conversations with the short listers for your consideration.
Original Song: ‘My Mind & Me,’ Selena Gomez (Co-Writer)
Selena Gomez knew she wanted to craft an original song to complement her Apple TV+ documentary “My Mind & Me,” opting to share her journals with a close-knit group of collaborators to bring the song to life. “We didn’t even have a name for the documentary…. the song is definitely where everything came from,” Gomez remarked. Of the eponymous track, Gomez felt...
Below, we gathered all the conversations with the short listers for your consideration.
Original Song: ‘My Mind & Me,’ Selena Gomez (Co-Writer)
Selena Gomez knew she wanted to craft an original song to complement her Apple TV+ documentary “My Mind & Me,” opting to share her journals with a close-knit group of collaborators to bring the song to life. “We didn’t even have a name for the documentary…. the song is definitely where everything came from,” Gomez remarked. Of the eponymous track, Gomez felt...
- 1/12/2023
- by Meredith Woerner, Michaela Zee, Katie Reul and EJ Panaligan
- Variety Film + TV
Squadrons of F4U Corsair aircraft swarming the sky in perfect formation, bullets dancing past and through them, explosions and crashes galore: J.D. Dillard’s “Devotion” is a strikingly attractive war film. Although making war look this pretty may undermine the whole “war is hell” vibe that most movies go for, “Devotion” has a more romantic notion of its central conflict. Dillard paints the Korean War as the backdrop for heroic deeds and masculine bonding, never mind the complexities of the geopolitical stage.
Never mind a lot of complexity, actually. As a war story, it’s oddly rah-rah for the contemporary cinematic landscape. The Korean War was a conflict that, as far as “Devotion” is concerned, had to be fought and had nothing to debate. Indeed, the aviators at the center of “Devotion” were mostly flyboys from World War II who finished training too late to see action in the so-called “Big Show,...
Never mind a lot of complexity, actually. As a war story, it’s oddly rah-rah for the contemporary cinematic landscape. The Korean War was a conflict that, as far as “Devotion” is concerned, had to be fought and had nothing to debate. Indeed, the aviators at the center of “Devotion” were mostly flyboys from World War II who finished training too late to see action in the so-called “Big Show,...
- 1/7/2023
- by William Bibbiani
- The Wrap
The narratives of an awards season tend to unfold over months as festival winners and various film groups anoint front-runners and winners, but this is a year that couldn’t settle on just one storyline. And that’s an encouraging and hopeful message and story for everyone to latch onto.
One trend: The return of the blockbuster. “Avatar: The Way of Water,” from 20th Century Studios and distributed by Disney, and Paramount’s “Top Gun: Maverick” are two films that can re-engage the public with the Oscars, which used to have a strong track record with big-budget spectacles. Indeed, 25 years ago, the highest-grossing film of all time, “Titanic” (1997), ran away with 11 statuettes. Even afterward, the Academy didn’t hesitate to reward epics including “Gladiator” (2000) and “The Lord of the Rings: The Return of the King” (2003) or crime sagas ranging from “The Departed” (2006) to “No Country for Old Men” (2007). Sprinkle in...
One trend: The return of the blockbuster. “Avatar: The Way of Water,” from 20th Century Studios and distributed by Disney, and Paramount’s “Top Gun: Maverick” are two films that can re-engage the public with the Oscars, which used to have a strong track record with big-budget spectacles. Indeed, 25 years ago, the highest-grossing film of all time, “Titanic” (1997), ran away with 11 statuettes. Even afterward, the Academy didn’t hesitate to reward epics including “Gladiator” (2000) and “The Lord of the Rings: The Return of the King” (2003) or crime sagas ranging from “The Departed” (2006) to “No Country for Old Men” (2007). Sprinkle in...
- 12/22/2022
- by Clayton Davis
- Variety Film + TV
Kasi Lemmons had quite a few reservations prior to boarding the biopic Whitney Houston: I Wanna Dance with Somebody. For starters, she’d run in similar circles to the iconic musician in the ‘80s and early ‘90s, back when Lemmons was acting in films like School Daze and The Silence of the Lambs. After transitioning to filmmaking with her remarkable debut Eve’s Bayou, she met with Whitney to pitch a screenplay she’d written for her about the International Sweethearts of Rhythm, a trailblazing all-women swing and jazz group in the ‘30s and ‘40s,...
- 12/22/2022
- by Marlow Stern
- Rollingstone.com
It could be a star-studded musical evening at the Academy Awards come March 12, as Taylor Swift, Lady Gaga, Rhianna and the Weeknd are all up for best-song Oscar nominations following today’s announcement of the shortlists in music.
Fifteen songs and 15 scores from 2022 movies were selected by the 389 voting members of Oscar’s music branch, and there were few surprises in the song category. The score category made history, however, with two women and three African-American composers on the list.
The music branch will vote again in January to select five nominees in each category.
Taylor Swift could, at long last, become an Oscar nominee, for her song “Carolina” from “Where the Crawdads Sing,” and Rhianna could score with her song “Lift Me Up” from “Black Panther: Wakanda Forever.” Gaga, already an Oscar winner for “Shallow” from 2018’s “A Star Is Born,” could score again with her “Top Gun: Maverick” anthem “Hold My Hand.
Fifteen songs and 15 scores from 2022 movies were selected by the 389 voting members of Oscar’s music branch, and there were few surprises in the song category. The score category made history, however, with two women and three African-American composers on the list.
The music branch will vote again in January to select five nominees in each category.
Taylor Swift could, at long last, become an Oscar nominee, for her song “Carolina” from “Where the Crawdads Sing,” and Rhianna could score with her song “Lift Me Up” from “Black Panther: Wakanda Forever.” Gaga, already an Oscar winner for “Shallow” from 2018’s “A Star Is Born,” could score again with her “Top Gun: Maverick” anthem “Hold My Hand.
- 12/21/2022
- by Jon Burlingame
- Variety Film + TV
“Devotion,” says composer Chanda Dancy, “is about true eternal love. How do you translate love for family, love for your fellow man, love for your country, into music? That’s what the director and I wanted to create.”
Dancy’s score for the J.D. Dillard film about an African-American pilot who became a Korean War hero is among its biggest assets: a work for massive orchestra that underlines the thrill of flight, the dangers of war, and the close emotional ties forged between fellow airmen along with their families waiting back home.
It took 109 Nashville musicians eight days of recording to complete the score for “Devotion,” and if Academy voters recognize the accomplishment, Dancy could become the first Black woman to be nominated for best original score.
Dillard hired her more than two years ago, even before shooting began. The first theme she wrote (titled “Measure of a Man”) was...
Dancy’s score for the J.D. Dillard film about an African-American pilot who became a Korean War hero is among its biggest assets: a work for massive orchestra that underlines the thrill of flight, the dangers of war, and the close emotional ties forged between fellow airmen along with their families waiting back home.
It took 109 Nashville musicians eight days of recording to complete the score for “Devotion,” and if Academy voters recognize the accomplishment, Dancy could become the first Black woman to be nominated for best original score.
Dillard hired her more than two years ago, even before shooting began. The first theme she wrote (titled “Measure of a Man”) was...
- 11/28/2022
- by Jon Burlingame
- Variety Film + TV
The box office woes are far from the whole story about the three awards-worthy films that opened or expanded over Thanksgiving weekend – MGM/Uar’s “Bones and All,” Sony Pictures’ “Devotion” and Walt Disney’s “Strange World.” Despite low financial returns, the studios are forging ahead in their bids for Academy Awards attention, as they should.
The cannibal feature “Bones and All” struggled to bring audiences to the theaters despite the star power of Timothée Chalamet. Still, for those who love it (spoiler alert: me), it’s one of the year’s best films, with its bloody embodiment of teenage love, meticulous crafts and high-caliber performances that elicit a passionate response.
It might not work for voters who are squeamish about severed fingers and blood dripping on nice furniture, but the film won prizes for its director Luca Guadganino and best young actress for star Taylor Russell when premiered at the Venice Film Festival.
The cannibal feature “Bones and All” struggled to bring audiences to the theaters despite the star power of Timothée Chalamet. Still, for those who love it (spoiler alert: me), it’s one of the year’s best films, with its bloody embodiment of teenage love, meticulous crafts and high-caliber performances that elicit a passionate response.
It might not work for voters who are squeamish about severed fingers and blood dripping on nice furniture, but the film won prizes for its director Luca Guadganino and best young actress for star Taylor Russell when premiered at the Venice Film Festival.
- 11/25/2022
- by Clayton Davis
- Variety Film + TV
Click here to read the full article.
If you believe the marketing, then Devotion, an inspirational aerial combat epic set during the Korean War, would like very much to be thought of as Top Gun: Corsair.
Strip away the IMAX scope, the booming score and the flyboy swagger, however, and all that remains is a hollow shell of bland, beaten-down war movie tropes that leave Jonathan Majors to effectively fend for himself with his deeply-rooted lead portrayal of the first Black aviator in Navy history.
Based on the book of the same name by Adam Makos, which described the friendship between Majors’ Jesse Brown and his fellow wingman, Tom Hudner (played by Glen Powell), the story has been brought to the screen by director J.D. Dillard (himself the son of only the second African American member of the U.S. Navy’s Blue Angels squadron) with a great deal of respect but insufficient dramatic depth.
If you believe the marketing, then Devotion, an inspirational aerial combat epic set during the Korean War, would like very much to be thought of as Top Gun: Corsair.
Strip away the IMAX scope, the booming score and the flyboy swagger, however, and all that remains is a hollow shell of bland, beaten-down war movie tropes that leave Jonathan Majors to effectively fend for himself with his deeply-rooted lead portrayal of the first Black aviator in Navy history.
Based on the book of the same name by Adam Makos, which described the friendship between Majors’ Jesse Brown and his fellow wingman, Tom Hudner (played by Glen Powell), the story has been brought to the screen by director J.D. Dillard (himself the son of only the second African American member of the U.S. Navy’s Blue Angels squadron) with a great deal of respect but insufficient dramatic depth.
- 9/13/2022
- by Michael Rechtshaffen
- The Hollywood Reporter - Movie News
Director Jd Dillard says he grew up hearing all about his own father’s experiences as the second African American Blue Angels pilot, so naturally when Adam Makos’ book Devotion came out he was instantly intrigued about adapting it to the screen. The book tells the story of the friendship and, yes, devotion (where the title comes from in part) of two elite U.S. Navy fighter pilots who made a big difference in one of the Korean War’s most intense battles in the early 1950s. But the story has great significance as it really tells the extraordinary tale of Jesse Brown, who became the first Black aviator in Navy history, and together with his unique friendship and working relationship with Tom Hudner the pair became legend as authentic Navy wingmen heroes.
Coming just a few months after the gigantic success of Top Gun: Maverick, this Sony Pictures release, which...
Coming just a few months after the gigantic success of Top Gun: Maverick, this Sony Pictures release, which...
- 9/13/2022
- by Pete Hammond
- Deadline Film + TV
The film scoring community continues to find new ways to support emerging composers — especially women and people of color — to the tune of more than $100,000 annually, according to announcements this week by Reel Change: The Fund for Diversity in Film Scoring and the Society of Composers & Lyricists.
Reel Change, a project of Sesac and composer Christophe Beck (“WandaVision”) and administered by New Music USA, has announced the first four recipients of grants averaging $20,000 each for “film projects currently in production, providing additional funding and mentoring to assist composers at a pivotal moment in their careers.”
They are Sultana Isham, a New Orleans-based violinist and ethnomusicologist working on “The Neutral Ground,” a documentary about the removal of Confederate monuments to air on PBS; Cali Wang, Taipei-raised “best score” winner at the L.A. Live Score Film Festival, for “The Island of Lost Girls”; Emer Kinsella, Dublin-born composer (“Sense8”) currently scoring “She...
Reel Change, a project of Sesac and composer Christophe Beck (“WandaVision”) and administered by New Music USA, has announced the first four recipients of grants averaging $20,000 each for “film projects currently in production, providing additional funding and mentoring to assist composers at a pivotal moment in their careers.”
They are Sultana Isham, a New Orleans-based violinist and ethnomusicologist working on “The Neutral Ground,” a documentary about the removal of Confederate monuments to air on PBS; Cali Wang, Taipei-raised “best score” winner at the L.A. Live Score Film Festival, for “The Island of Lost Girls”; Emer Kinsella, Dublin-born composer (“Sense8”) currently scoring “She...
- 5/5/2021
- by Jon Burlingame
- Variety Film + TV
Starr Parodi was elected new president of the Alliance for Women Film Composers on Sunday, succeeding Lolita Ritmanis.
Parodi — who first came to prominence as a member of the “Arsenio Hall Show” house band — has extensive television credits including “The Division,” “The Starter Wife,” “G.I. Joe: Renegades” and “Transformers: Rescue Bots,” along with film credits including “Conversations With Other Women” and music for hundreds of movie trailers.
Her version of the James Bond Theme, created for the “GoldenEye” trailer with composing partner Jeff Eden Fair, was widely acclaimed and earned gold-record status in 2004 as part of the “Best of Bond” CD collection.
Parodi was the first woman to compose orchestral music for the 85-year-old Pageant of the Masters in Laguna Beach, where she continues to be a featured composer. Her recent neoclassical album “The Heart of Frida,” celebrating the spirit of Mexican artist Frida Kahlo, won Solo Piano Album of...
Parodi — who first came to prominence as a member of the “Arsenio Hall Show” house band — has extensive television credits including “The Division,” “The Starter Wife,” “G.I. Joe: Renegades” and “Transformers: Rescue Bots,” along with film credits including “Conversations With Other Women” and music for hundreds of movie trailers.
Her version of the James Bond Theme, created for the “GoldenEye” trailer with composing partner Jeff Eden Fair, was widely acclaimed and earned gold-record status in 2004 as part of the “Best of Bond” CD collection.
Parodi was the first woman to compose orchestral music for the 85-year-old Pageant of the Masters in Laguna Beach, where she continues to be a featured composer. Her recent neoclassical album “The Heart of Frida,” celebrating the spirit of Mexican artist Frida Kahlo, won Solo Piano Album of...
- 3/3/2019
- by Jon Burlingame
- Variety Film + TV
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