To borrow a phrase from Jack London’s 1909 novel Martin Eden, which is a book that Twilight Singers frontman Greg Dulli once found profoundly inspirational, the Black Out the Windows box set represents the band’s “work performed.” Did you appreciate these recordings when they were new? Or are you interested in them based on their reputation? Unlike Eden, a proletarian striver-turned-famous author who chided latecomers for sucking up to him after he achieved fame for work already performed, Dulli is more understanding of latecomer. If you weren’t around...
- 11/10/2023
- by Kory Grow
- Rollingstone.com
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
- 9/22/2023
- by Jordan Raup
- The Film Stage
by Cláudio Alves
Whether documentary or fiction, Pietro Marcello's films always convey the quality of artworks lost somewhere between modernity and an undefined past. 2019's much-lauded Martin Eden took this aspect to its peak, evoking the palpable authenticity of Neorealist cinema while playing fast and loose with history in its design. That film's relationship with the past circumvents reactionary nostalgia. The anachronistic scenography suggests an atemporal milieu, breaching the porous membrane separating the narrative's period and the viewer's sense of now. This further underlined the piece's political gestures, turning retrospective into a direct address. In comparison, Scarlet represents a more conventional object though it shares many qualities with its predecessor.
Like Martin Eden, Scarlet is a literary adaptation looking back to Europe in the first half of the 20th century. The raw material is Alexander Grin's 1923 novella Scarlet Sails, once brought to the big screen by Soviet filmmaker Alexandr Ptushko.
Whether documentary or fiction, Pietro Marcello's films always convey the quality of artworks lost somewhere between modernity and an undefined past. 2019's much-lauded Martin Eden took this aspect to its peak, evoking the palpable authenticity of Neorealist cinema while playing fast and loose with history in its design. That film's relationship with the past circumvents reactionary nostalgia. The anachronistic scenography suggests an atemporal milieu, breaching the porous membrane separating the narrative's period and the viewer's sense of now. This further underlined the piece's political gestures, turning retrospective into a direct address. In comparison, Scarlet represents a more conventional object though it shares many qualities with its predecessor.
Like Martin Eden, Scarlet is a literary adaptation looking back to Europe in the first half of the 20th century. The raw material is Alexander Grin's 1923 novella Scarlet Sails, once brought to the big screen by Soviet filmmaker Alexandr Ptushko.
- 6/11/2023
- by Cláudio Alves
- FilmExperience
Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some of the most recognizable covers of all time. It features new interviews with Paul McCartney, Roger Waters, Jimmy Page, Robert Plant, Noel Gallagher and others.
Turnout was backed by a multi-generational crowd of music, design and cinema enthusiasts, Utopia said, with multiple sold-out shows and in-person appearances by Corbijn along with Hipgnosis co-founder Aubrey “Po” Powell. Head of marketing and distribution Kyle Greenberg said the doc drew drom the distributor’s traditional Gen Z fans, along with older demos “that grew up with that music and those albums.”
“Kids are discovering new music all the time.
Turnout was backed by a multi-generational crowd of music, design and cinema enthusiasts, Utopia said, with multiple sold-out shows and in-person appearances by Corbijn along with Hipgnosis co-founder Aubrey “Po” Powell. Head of marketing and distribution Kyle Greenberg said the doc drew drom the distributor’s traditional Gen Z fans, along with older demos “that grew up with that music and those albums.”
“Kids are discovering new music all the time.
- 6/11/2023
- by Jill Goldsmith
- Deadline Film + TV
Two from Magnolia Pictures, the story of an iconic record album design firm back and a sighting of Brian Cox usher in a specialty weekend with smoke clearing over New York City. Acrid plumes from Canadian wildfires have smothered the key arthouse market over the past few days in an unusual air quality event that had Mayor Eric Adams urging people to home.
Friday the sky was visible and air fresher, a boon for all — including the ongoing Tribeca Festival, which opened Wednesday night and will be unspooling 100+ features and events through June 17.
New openings: From Magnolia, Dalíland by Mary Harron starring Ben Kingsley as the iconic artist in 20 markets (including Quad in NYC and Nuart in LA) and on VOD. Written by John C. Walsh. With Christopher Briney, Barbara Sukowa, Ezra Miller, Andreja Pejic. Premiered as TIFF’s closing night film, see Deadline review here. Follows the later years...
Friday the sky was visible and air fresher, a boon for all — including the ongoing Tribeca Festival, which opened Wednesday night and will be unspooling 100+ features and events through June 17.
New openings: From Magnolia, Dalíland by Mary Harron starring Ben Kingsley as the iconic artist in 20 markets (including Quad in NYC and Nuart in LA) and on VOD. Written by John C. Walsh. With Christopher Briney, Barbara Sukowa, Ezra Miller, Andreja Pejic. Premiered as TIFF’s closing night film, see Deadline review here. Follows the later years...
- 6/9/2023
- by Jill Goldsmith
- Deadline Film + TV
Editors note: This review originally was originally published on May 18, 2022 after its world premiere in the Directors’ Fortnight section of the Cannes Film Festival. Kino Lorber releases it in theaters Friday.
Italian director Pietro Marcello (Martin Eden) shifts his focus to France in Scarlet (L’Envol), a period drama in Directors’ Fortnight at the Cannes Film Festival. Set in the rural north after the First World War, it’s a decade-spanning story of family, small-town politics and — ultimately — romance.
When Raphaël (Raphaël Thiéry) returns from war, his wife has died, leaving their baby daughter, Juliette, in the care of farmer Adeline (Noémie Lvovsky). Adeline gives Raphaël lodgings and helps him gain work as a carpenter. Juliette grows up close to her father, but this unconventional family is ostracized by many in the community, sealing Juliette’s fate as something of a loner. But she’s also a happy dreamer. The...
Italian director Pietro Marcello (Martin Eden) shifts his focus to France in Scarlet (L’Envol), a period drama in Directors’ Fortnight at the Cannes Film Festival. Set in the rural north after the First World War, it’s a decade-spanning story of family, small-town politics and — ultimately — romance.
When Raphaël (Raphaël Thiéry) returns from war, his wife has died, leaving their baby daughter, Juliette, in the care of farmer Adeline (Noémie Lvovsky). Adeline gives Raphaël lodgings and helps him gain work as a carpenter. Juliette grows up close to her father, but this unconventional family is ostracized by many in the community, sealing Juliette’s fate as something of a loner. But she’s also a happy dreamer. The...
- 6/9/2023
- by Anna Smith
- Deadline Film + TV
Pietro Marcello with Anne-Katrin Titze on his Scarlet end credit thanks: “Renato Berta, in addition to being a friend, he is also a teacher. Thanks to Caroline Champetier we were able to shoot in 35mm. And finally Gianfranco Rosi, he’s an old friend.”
In the second instalment with Pietro Marcello on Scarlet (L'envol), his adaptation with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin, we discuss the influence of Vittorio De Sica’s Miracle In Milan, the chance discovery of Louise Michel’s poetry, fathers as mothers, dethroning princes and knights in shining armour, being an archivist, Louis Garrel’s crocodile entrance, Pietro’s new project on the question what is war, and the end credit thanks in Scarlet to Renato Berta, Caroline Champetier and Gianfranco Rosi.
Raphaël (Raphaël Thiéry) with his daughter Juliette...
In the second instalment with Pietro Marcello on Scarlet (L'envol), his adaptation with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin, we discuss the influence of Vittorio De Sica’s Miracle In Milan, the chance discovery of Louise Michel’s poetry, fathers as mothers, dethroning princes and knights in shining armour, being an archivist, Louis Garrel’s crocodile entrance, Pietro’s new project on the question what is war, and the end credit thanks in Scarlet to Renato Berta, Caroline Champetier and Gianfranco Rosi.
Raphaël (Raphaël Thiéry) with his daughter Juliette...
- 6/7/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Alice Rohrwacher’s “La Chimera,” in which “The Crown” star Josh O’Connor plays a British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s, has sold worldwide after premiering positively in Cannes.
The Match Factory has inked deals for the film in the U.K. and Ireland (Curzon); Australia and New Zealand (Palace Entertainement); Benelux (September Film); Germany (Piffl Medien); Hong Kong (Edko); Spain (Elastica); South Korea (M&m International); China (Jetsen); Japan (Bitters End); Taiwan (Swallow Wings); Austria (Stadtkino); Baltics (A-One); Bulgaria (Art Fest); Cis (Mauris Film); Czech Republic & Slovakia (Aerofilms); Finland (B-Plan Distribution); Denmark (Filmbazar); Former Yugoslavia (McF): Greece (Cinobo); Hungary (Cirko); Middle East and North Africa (Moving Turtle); Poland (Aurora Films); Portugal (Midas); Romania (Independenta); Singapore (Anticipate Pictures); Thailand (Documentary Club); and Ukraine (Arthouse Traffic).
As previously announced, North American rights were sold while the film was in production to Neon.
The Match Factory has inked deals for the film in the U.K. and Ireland (Curzon); Australia and New Zealand (Palace Entertainement); Benelux (September Film); Germany (Piffl Medien); Hong Kong (Edko); Spain (Elastica); South Korea (M&m International); China (Jetsen); Japan (Bitters End); Taiwan (Swallow Wings); Austria (Stadtkino); Baltics (A-One); Bulgaria (Art Fest); Cis (Mauris Film); Czech Republic & Slovakia (Aerofilms); Finland (B-Plan Distribution); Denmark (Filmbazar); Former Yugoslavia (McF): Greece (Cinobo); Hungary (Cirko); Middle East and North Africa (Moving Turtle); Poland (Aurora Films); Portugal (Midas); Romania (Independenta); Singapore (Anticipate Pictures); Thailand (Documentary Club); and Ukraine (Arthouse Traffic).
As previously announced, North American rights were sold while the film was in production to Neon.
- 6/7/2023
- by Nick Vivarelli
- Variety Film + TV
As filmmaking gets further relegated to smaller screens, it’s a breath of fresh air to have a director like Pietro Marcello crafting cinema that is best experienced on a vast canvas. While the release of his stunning 2019 drama Martin Eden was unfortunately dampened by the pandemic, he’s now returned with the gorgeous fable Scarlet (aka L’Envol). Premiering just about a year ago at Cannes, the tale of a woman’s family and romantic journey in post-wwi France will now arrive in U.S. theaters starting this Friday. Starring Juliette Jouan, Raphaël Thierry, Louis Garrel, Noémie Lvovsky, Ernst Umhauer, François Négret, and Yolande Moreau.
While he stopped by NYC for last fall’s New York Film Festival premiere, I had the opportunity to speak with Marcello about his experience working in France, the silent film connections to Scarlet, how his latest work marked a transitional point for his career,...
While he stopped by NYC for last fall’s New York Film Festival premiere, I had the opportunity to speak with Marcello about his experience working in France, the silent film connections to Scarlet, how his latest work marked a transitional point for his career,...
- 6/6/2023
- by Jordan Raup
- The Film Stage
Following a number of disappointing blockbusters in May, there are a few promising ones this month (as glimpsed in our honorable mentions below), but it feels like we’ll have to wait until July for a trio of heavy hitters. In the meantime, June brings an eclectic mix of sturdy debuts, auteur-driven offerings, and accomplished documentaries.
15. Shadow Kingdom (Alma Har’el; June 6)
Technically released in limited capacity a couple years ago, the Bob Dylan concert film Shadow Kingdom is now getting proper distribution. As Nick Newman said in our summer movie preview, “Your local Bob Dylan obsessive has surely mentioned Shadow Kingdom, the 2021 concert film that saw him rework an assortment of earlier songs––some established, some deeper in the back catalogue. One case (‘To Be Alone with You’) marked an almost-total rewrite, and courtesy the end credits (which we now know is called ‘Sierra’s Theme’) an entirely new track.
15. Shadow Kingdom (Alma Har’el; June 6)
Technically released in limited capacity a couple years ago, the Bob Dylan concert film Shadow Kingdom is now getting proper distribution. As Nick Newman said in our summer movie preview, “Your local Bob Dylan obsessive has surely mentioned Shadow Kingdom, the 2021 concert film that saw him rework an assortment of earlier songs––some established, some deeper in the back catalogue. One case (‘To Be Alone with You’) marked an almost-total rewrite, and courtesy the end credits (which we now know is called ‘Sierra’s Theme’) an entirely new track.
- 6/2/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score. Directed by Matt Johnson, it tells the true story of Mike Lazaridis and Douglas Fregin, software engineers who founded the company Rim in the mid-80s and later invented a cellphone that could handle email. The film begins on the day when they meet Jim Basillie (Glenn Howerton), a Rottweiler who, alongside Lazaridis’ genius, turned Rim’s invention (only later christened BlackBerry) into the world’s most ubiquitous mobile device––at least for a time. – Rory O. (full review)
Where to Stream: VOD
The Hole in the Fence (Joaquín del Paso...
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score. Directed by Matt Johnson, it tells the true story of Mike Lazaridis and Douglas Fregin, software engineers who founded the company Rim in the mid-80s and later invented a cellphone that could handle email. The film begins on the day when they meet Jim Basillie (Glenn Howerton), a Rottweiler who, alongside Lazaridis’ genius, turned Rim’s invention (only later christened BlackBerry) into the world’s most ubiquitous mobile device––at least for a time. – Rory O. (full review)
Where to Stream: VOD
The Hole in the Fence (Joaquín del Paso...
- 6/2/2023
- by Jordan Raup
- The Film Stage
Alice Rohrwacher is in the Cannes competition for the third time with “La Chimera,” in which “The Crown” star Josh O’Connor plays a young British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s.
For Rohrwacher, the film is connected to growing up in Umbria, once the center of the Etruscan civilization. But it’s also the final piece of a triptych on a territory that she started with her previous Cannes entries: “The Wonders” and “Happy as Lazzaro.” Three works that, as she has put it, pose a central question: “What to do with the past?”
Also starring in “La Chimera,” which can be loosely translated as “The Unrealizable Dream,” are Isabella Rossellini as a retired opera singer; Brazil’s Carol Duarte (“The Invisible Life”) as non-Italian woman who intersects with Arthur; Alba Rohrwacher as an international artifacts trafficker; and Vincenzo Nemolato...
For Rohrwacher, the film is connected to growing up in Umbria, once the center of the Etruscan civilization. But it’s also the final piece of a triptych on a territory that she started with her previous Cannes entries: “The Wonders” and “Happy as Lazzaro.” Three works that, as she has put it, pose a central question: “What to do with the past?”
Also starring in “La Chimera,” which can be loosely translated as “The Unrealizable Dream,” are Isabella Rossellini as a retired opera singer; Brazil’s Carol Duarte (“The Invisible Life”) as non-Italian woman who intersects with Arthur; Alba Rohrwacher as an international artifacts trafficker; and Vincenzo Nemolato...
- 5/23/2023
- by Nick Vivarelli
- Variety Film + TV
Fittingly premiering at Venice, Italy’s most famous film festival, last fall, Abel Ferrara’s latest film Padre Pio will now arrive in the U.S. in a few weeks. With Shia Labeouf playing the title figure, the story follows him as the young priest who begins his ministry at a remote monastery in Italy right after WWI has ended. As events surrounding the first free election in Italy threaten to tear the village apart, Padre Pio struggles with his own personal demons, ultimately emerging from his spiritual anguish to become one of Catholicism’s most venerated figures. “Padre Pio is a film about the spiritual journey of the great saint in parallel with that of Shia Labeouf who portrays him,” said Ferrara. Ahead of a June 2 release by Gravitas Ventures, the first trailer has arrived.
David Katz said in his review, “The film is grounded in the reality of...
David Katz said in his review, “The film is grounded in the reality of...
- 5/10/2023
- by Jordan Raup
- The Film Stage
Almost exactly a year after it made its world premiere as the Opening Film of the 2022 Cannes Directors’ Fortnight, the trailer arrives for Italian director Pietro Marcello’s Scarlet (L’Envol). Marcello’s French-language debut follows his previous effort Martin Eden, which made waves on the festival circuit in 2020 (despite the pandemic). Kino Lorber will release Scarlet in New York theaters next month. An official synopsis reads: Shortly after World War I, veteran Raphaël (Raphaël Thiéry) returns home from the frontlines to find himself a widower, and father to an infant daughter. Raised by her father in rural Normandy, the child […]
The post Trailer Watch: Pietro Marcello’s Scarlet first appeared on Filmmaker Magazine.
The post Trailer Watch: Pietro Marcello’s Scarlet first appeared on Filmmaker Magazine.
- 5/8/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Almost exactly a year after it made its world premiere as the Opening Film of the 2022 Cannes Directors’ Fortnight, the trailer arrives for Italian director Pietro Marcello’s Scarlet (L’Envol). Marcello’s French-language debut follows his previous effort Martin Eden, which made waves on the festival circuit in 2020 (despite the pandemic). Kino Lorber will release Scarlet in New York theaters next month. An official synopsis reads: Shortly after World War I, veteran Raphaël (Raphaël Thiéry) returns home from the frontlines to find himself a widower, and father to an infant daughter. Raised by her father in rural Normandy, the child […]
The post Trailer Watch: Pietro Marcello’s Scarlet first appeared on Filmmaker Magazine.
The post Trailer Watch: Pietro Marcello’s Scarlet first appeared on Filmmaker Magazine.
- 5/8/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Unless you were lucky enough to catch it on the 2019 festival circuit, the pandemic unfortunately led to most viewers seeing Pietro Marcello’s stunning drama Martin Eden at home. Thankfully his next feature, the gorgeous fable Scarlet (aka L’Envol), will be primed for theatrical viewing. The Cannes selection will get a U.S. release from Kino Lorber on June 9. An adaptation of Scarlet Sails by Alexander Grin, the tale of a woman’s family and romantic journey stars Juliette Jouan, Raphaël Thierry, Louis Garrel, Noémie Lvovsky, Ernst Umhauer, François Négret, and Yolande Moreau.
As David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s also something that runs through Jim Jarmusch’s Paterson, about the poetry-penning bus driver of the same name:...
As David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s also something that runs through Jim Jarmusch’s Paterson, about the poetry-penning bus driver of the same name:...
- 5/8/2023
- by Leonard Pearce
- The Film Stage
British director Joe Wright, who helmed Winston Churchill drama “Darkest Hour” – which earned Gary Oldman an Oscar for his portrayal as the British prime minister – has now changed historical sides.
Wright is at Rome’s Cinecittà Studios shooting high-end TV drama “M. Son of the Century” which chronicles Benito Mussolini’s rise to power. A timely tale because, as he puts it: “Populist leaders are sprouting up all over the world.”
Aesthetically, the show will be “quite outlandish” with deeply saturated colors, punctuated by a “kind of techno score,” the director said during a recent set visit. Though “It’s not told in a vérité style,” Wright pointed out that “All the facts of what happened, they’re all there.”
Luca Marinelli plays Mussolini during the period between 1919, when he founded the fascist party in Italy, and 1925 when – having gained power with the 1922 March on Rome – Mussolini made an infamous...
Wright is at Rome’s Cinecittà Studios shooting high-end TV drama “M. Son of the Century” which chronicles Benito Mussolini’s rise to power. A timely tale because, as he puts it: “Populist leaders are sprouting up all over the world.”
Aesthetically, the show will be “quite outlandish” with deeply saturated colors, punctuated by a “kind of techno score,” the director said during a recent set visit. Though “It’s not told in a vérité style,” Wright pointed out that “All the facts of what happened, they’re all there.”
Luca Marinelli plays Mussolini during the period between 1919, when he founded the fascist party in Italy, and 1925 when – having gained power with the 1922 March on Rome – Mussolini made an infamous...
- 4/17/2023
- by Nick Vivarelli
- Variety Film + TV
Exclusive: Wild Bunch International has made an eleventh-hour addition to its European Film Market slate, signing international sales on Swedish Morbius director Daniel Espinosa’s upcoming drama Madame Luna.
Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia.
When she is forced to flee to Italy due to a change in fortunes, she experiences the same hardships endured by the people she exploited.
Desperate to find a way out of the situation before she is recognized and brought to justice, she forms a bond with a younger version of herself.
The film was shot in Sicily and Calabria last August and September and is now in post-production.
Wbi has teased a first image of newcomers Meninet Abraha and Hilyam Weldemichael, who are both of Eritrean origin, in...
Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia.
When she is forced to flee to Italy due to a change in fortunes, she experiences the same hardships endured by the people she exploited.
Desperate to find a way out of the situation before she is recognized and brought to justice, she forms a bond with a younger version of herself.
The film was shot in Sicily and Calabria last August and September and is now in post-production.
Wbi has teased a first image of newcomers Meninet Abraha and Hilyam Weldemichael, who are both of Eritrean origin, in...
- 2/17/2023
- by Melanie Goodfellow
- Deadline Film + TV
Kino Lorber hired former AMC Networks execs Ed Carroll and Lisa Schwartz to bolster its executive suite.
Carroll becomes chief strategy officer at the New York-based arthouse film group after three decades at AMC Networks, which included a stint as COO and overseeing series like The Walking Dead, Mad Men and Breaking Bad. Schwartz, who worked for two decades at the premium cable channel, most recently ran IFC Films and becomes chief revenue officer at Kino Lorber.
The departures of Carroll and Schwartz from AMC Networks coincided with the recent exit of CEO Christina Spade and company-wife layoffs as chairman James Dolan assumed control of the restructuring media player on an interim basis.
In their new roles, Carroll and Schwartz will work with Kino Lorber chairman and CEO Richard Lorber and COO Martha Benyam to shape the film group’s content and distribution strategies and push further into digital spaces.
Carroll becomes chief strategy officer at the New York-based arthouse film group after three decades at AMC Networks, which included a stint as COO and overseeing series like The Walking Dead, Mad Men and Breaking Bad. Schwartz, who worked for two decades at the premium cable channel, most recently ran IFC Films and becomes chief revenue officer at Kino Lorber.
The departures of Carroll and Schwartz from AMC Networks coincided with the recent exit of CEO Christina Spade and company-wife layoffs as chairman James Dolan assumed control of the restructuring media player on an interim basis.
In their new roles, Carroll and Schwartz will work with Kino Lorber chairman and CEO Richard Lorber and COO Martha Benyam to shape the film group’s content and distribution strategies and push further into digital spaces.
- 1/9/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Unless you were lucky enough to catch it on the 2019 festival circuit, the pandemic unfortunately led to most viewers seeing Pietro Marcello’s stunning drama Martin Eden at home. Thankfully, when it comes to his next feature, the gorgeous fable Scarlet (aka L’Envol), there will be ample opportunity for a theatrical viewing. The Cannes selection will arrive in France this January, and the first trailer has now arrived, followed by a U.S. release from Kino Lorber in 2023. An adaptation of Scarlet Sails by Alexander Grin, the tale of a woman’s family and romantic journey stars Juliette Jouan, Raphaël Thierry, Louis Garrel, Noémie Lvovsky, Ernst Umhauer, François Négret, and Yolande Moreau.
David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s...
David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s...
- 11/30/2022
- by Jordan Raup
- The Film Stage
Click here to read the full article.
New York-based arthouse distributor Kino Lorber has acquired MHz Networks, the parent company of MHz Choice, an online streaming service dedicated to international television series.
Under the deal, announced Thursday, Kino Lorber will add its library of more than 5,000 titles to MHz Choice, which specializes in non-u.S. TV series, streaming such shows as Scandinavian crime dramas Wallander and Beck, or French period procedural Paris Police 1900. The entire staff of both MHz Networks and Kino Lorber will remain in place, with CEO Frederick Thomas and SVP of Content Strategy Lance Schwulst continuing to lead MHz Networks within Kino Lorber Media Group.
“MHz’s track record of curating best-in-class series from around the world has helped it build one of the most loyal subscriber audiences in streaming,” said Kino Lorber president and CEO Richard Lorber in a statement. “At a time when Hollywood...
New York-based arthouse distributor Kino Lorber has acquired MHz Networks, the parent company of MHz Choice, an online streaming service dedicated to international television series.
Under the deal, announced Thursday, Kino Lorber will add its library of more than 5,000 titles to MHz Choice, which specializes in non-u.S. TV series, streaming such shows as Scandinavian crime dramas Wallander and Beck, or French period procedural Paris Police 1900. The entire staff of both MHz Networks and Kino Lorber will remain in place, with CEO Frederick Thomas and SVP of Content Strategy Lance Schwulst continuing to lead MHz Networks within Kino Lorber Media Group.
“MHz’s track record of curating best-in-class series from around the world has helped it build one of the most loyal subscriber audiences in streaming,” said Kino Lorber president and CEO Richard Lorber in a statement. “At a time when Hollywood...
- 11/3/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Kino Lorber has acquired MHz Networks, the owner and operator of subscription streaming outlet MHz Choice and a specialist in bringing international TV series to North American audiences.
After the transaction, Kino Lorber Media Group has more than 5,000 titles and 10,000 hours of programming, much of it prestige and arthouse fare. It is the biggest push yet into streaming for Kino Lorber, which was formed in 2009 after Lorber Ht Digital acquired and merged with Kino International, though it has has had a presence in streaming with transactional VOD purveyor Kino Now and virtual cinema hub Kino Marquee. The company has been a fixture of the festival circuit and Oscar season in recent years, releasing films like Martin Eden, Bacurau and Taxi.
Terms of the acquisition were not disclosed.
Kino Lorber President & CEO Richard Lorber said the sensibilities and business strategy of MHz are a fit with his company. “MHz’s track...
After the transaction, Kino Lorber Media Group has more than 5,000 titles and 10,000 hours of programming, much of it prestige and arthouse fare. It is the biggest push yet into streaming for Kino Lorber, which was formed in 2009 after Lorber Ht Digital acquired and merged with Kino International, though it has has had a presence in streaming with transactional VOD purveyor Kino Now and virtual cinema hub Kino Marquee. The company has been a fixture of the festival circuit and Oscar season in recent years, releasing films like Martin Eden, Bacurau and Taxi.
Terms of the acquisition were not disclosed.
Kino Lorber President & CEO Richard Lorber said the sensibilities and business strategy of MHz are a fit with his company. “MHz’s track...
- 11/3/2022
- by Dade Hayes
- Deadline Film + TV
Wright will direct all eight episodes.
Joe Wright is set to direct M. Son Of The Century, a new Sky Original eight-part series about the rise to power of Benito Mussolini.
The project is based on Antonio Scurati’s book, and will star Luca Marinelli, a Venice best actor winner for Martin Eden, as Mussolini.
Wright will direct all eight episodes. Filming is set to begin at Italy’s Cinecittà Studios over the next few weeks.
The project is produced by Sky Studios and Lorenzo Mieli for Fremantle’s The Apartment Pictures, in collaboration with Pathé. It is written by Stefano Bises and Davide Serino.
Joe Wright is set to direct M. Son Of The Century, a new Sky Original eight-part series about the rise to power of Benito Mussolini.
The project is based on Antonio Scurati’s book, and will star Luca Marinelli, a Venice best actor winner for Martin Eden, as Mussolini.
Wright will direct all eight episodes. Filming is set to begin at Italy’s Cinecittà Studios over the next few weeks.
The project is produced by Sky Studios and Lorenzo Mieli for Fremantle’s The Apartment Pictures, in collaboration with Pathé. It is written by Stefano Bises and Davide Serino.
- 10/19/2022
- by Orlando Parfitt
- ScreenDaily
Click here to read the full article.
The European Works in Progress Cologne (Ewip) couldn’t have come at a better time.
For a European art house industry in crisis — box office revenues for specialty films remain well below pre-pandemic levels while the cost of producing films has only gone up —the need for exciting new “content” in the form of films that will draw audiences back to the theatres, has arguably never been greater.
For the past three days, some of Europe’s top festival programmers and international sales agents have gathered in the western German city to check out arthouse productions at various stages of development that promise to be the breakout projects of the coming months.
Programmers from the Cannes, Berlin, Venice and San Sebastián festivals, as well as from Karlovy Vary, Locarno, Tribeca and elsewhere, as well as sales heavyweights including mk2, The Match Factory, Charades...
The European Works in Progress Cologne (Ewip) couldn’t have come at a better time.
For a European art house industry in crisis — box office revenues for specialty films remain well below pre-pandemic levels while the cost of producing films has only gone up —the need for exciting new “content” in the form of films that will draw audiences back to the theatres, has arguably never been greater.
For the past three days, some of Europe’s top festival programmers and international sales agents have gathered in the western German city to check out arthouse productions at various stages of development that promise to be the breakout projects of the coming months.
Programmers from the Cannes, Berlin, Venice and San Sebastián festivals, as well as from Karlovy Vary, Locarno, Tribeca and elsewhere, as well as sales heavyweights including mk2, The Match Factory, Charades...
- 10/19/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Luca Marinelli to Play Mussolini in Joe Wright’s Historic Series ‘M. Son of the Century’ (Exclusive)
Click here to read the full article.
Italian star Luca Marinelli (The Old Guard, Eight Mountains, Martin Eden) has signed on to play Benito Mussolini in M. Son of the Century, the new eight-part series from Atonement director Joe Wright, which traces the rise to power of the fascist leader.
The series, commissioned as a Sky Original, is based on Antonio Scurati’s bestselling novel. The series will cover the time period from the founding of Italian fascist party in 1919 through to 1925, just before Mussolini seized power in Italy, when he gave his infamous speech in parliament following the murder of socialist MP Giacomo Matteotti. Like the novel, the series aims to tell the history of a country that surrendered to dictatorship and the story of a man who was able to rise from the ashes time and time again.
Marinelli, who has just wrapped filming on the sequel to Netflix’s The Old Guard,...
Italian star Luca Marinelli (The Old Guard, Eight Mountains, Martin Eden) has signed on to play Benito Mussolini in M. Son of the Century, the new eight-part series from Atonement director Joe Wright, which traces the rise to power of the fascist leader.
The series, commissioned as a Sky Original, is based on Antonio Scurati’s bestselling novel. The series will cover the time period from the founding of Italian fascist party in 1919 through to 1925, just before Mussolini seized power in Italy, when he gave his infamous speech in parliament following the murder of socialist MP Giacomo Matteotti. Like the novel, the series aims to tell the history of a country that surrendered to dictatorship and the story of a man who was able to rise from the ashes time and time again.
Marinelli, who has just wrapped filming on the sequel to Netflix’s The Old Guard,...
- 10/18/2022
- by Gianmaria Tammaro
- The Hollywood Reporter - Movie News
Scarlet (L'envol) director Pietro Marcello with Anne-Katrin Titze (in scarlet Haider Ackermann) on Gabriel Yared: “He was both a guide and for me it was a new experience to be flanked and to be working alongside a composer of that high level.” Photo: Kate Patterson
Pietro Marcello’s Scarlet (L'envol), which is an adaptation by the director with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin stars Raphaël Thiéry, Juliette Jouan, Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Pietro Marcello on costume designer Pascaline Chavanne (pictured Juliette Jouan as Juliette in Scarlet): “For me it was a privilege to work not only with her but with the many masters of their crafts that I worked with.”
The film is a celebration of craft, both on screen and in the making, Pascaline Chavanne’s...
Pietro Marcello’s Scarlet (L'envol), which is an adaptation by the director with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin stars Raphaël Thiéry, Juliette Jouan, Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Pietro Marcello on costume designer Pascaline Chavanne (pictured Juliette Jouan as Juliette in Scarlet): “For me it was a privilege to work not only with her but with the many masters of their crafts that I worked with.”
The film is a celebration of craft, both on screen and in the making, Pascaline Chavanne’s...
- 10/12/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Injustice and longing, the rules of the game of country life, cruelty and kindness, progress and nature are addressed in Pietro Marcello’s Scarlet (L'envol), which is an adaptation by the director with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin, an antimilitarist and adventure writer. Archival footage of soldiers returning from the Great War on Armistice Day at the Somme, sets the tone for this remarkable tale of different kinds of love and everyday magic.
Scarlet (a highlight of the 60th New York Film Festival) tells the story of Raphaël (Raphaël Thiéry) returning from the front to the village where he lived. He is a big man with strong hands, a woodworker with great artistic talent and a love of music....
Scarlet (a highlight of the 60th New York Film Festival) tells the story of Raphaël (Raphaël Thiéry) returning from the front to the village where he lived. He is a big man with strong hands, a woodworker with great artistic talent and a love of music....
- 10/8/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Something has happened in Abel Ferrara’s working life that aligns him with Stanley Kubrick’s later career journey. The latter shot all his features from 2001 onwards in the UK and eventually settled there—thus he came to be seen as an authentic “British” filmmaker. Their casts are festooned with British faces and British accents; the streets of London famously masquerade as New York City’s very own in Eyes Wide Shut. They feel as utterly British as dry irony and shortbread biscuits—seriously, have you rewatched Clockwork or Barry Lyndon recently?
Previously considered a grotty New York poet laureate, Ferrara now permanently resides in Rome, and the sense of him as an American lying low (and sobering up) in the land of his roots is pleasingly ebbing away. This shines chiefly in the set-up of his latest feature, Padre Pio, which has just premiered in Venice’s Giornate section.
Previously considered a grotty New York poet laureate, Ferrara now permanently resides in Rome, and the sense of him as an American lying low (and sobering up) in the land of his roots is pleasingly ebbing away. This shines chiefly in the set-up of his latest feature, Padre Pio, which has just premiered in Venice’s Giornate section.
- 9/3/2022
- by David Katz
- The Film Stage
Continuing his prolific, run-and-gun style of filmmaking, we reported about a year ago that Abel Ferrara was following his pandemic thriller Zeros and Ones with a biopic of Italian saint Padre Pio. Starring none other than Shia Labeouf in casting that takes on a certain level of perverse meta context considering his recent abuse allegations, Padre Pio is now readying a premiere next week at the Venice Film Festival. Ahead of that debut, the first trailer and clip have arrived.
Ferrara, who explored Pio’s life in a 2015 documentary Searching for Padre Pio, scripted the film with Maurizio Braucci (Martin Eden), and it will follow Padre Pio’s status as a symbol of hope for the Italian people during the country’s difficult inter-war period and exhibition of stigmata.
“This is not a film about miracles, but about a man, born Francesco Forgione, in Pietralcina, a farming village outside Naples,...
Ferrara, who explored Pio’s life in a 2015 documentary Searching for Padre Pio, scripted the film with Maurizio Braucci (Martin Eden), and it will follow Padre Pio’s status as a symbol of hope for the Italian people during the country’s difficult inter-war period and exhibition of stigmata.
“This is not a film about miracles, but about a man, born Francesco Forgione, in Pietralcina, a farming village outside Naples,...
- 8/25/2022
- by Jordan Raup
- The Film Stage
Next festival stop is NYFF.
Kino Lorber has picked up North American rights from Orange Studio to Scarlet, which opened this year’s Cannes Directors’ Fortnight.
Pietro Marcello’s French-language drama is based loosely on Alexander Grin’s novel Scarlet Sails and centres on a girl growing up with her widower father in Normandy between the two world wars at a time of dramatic innovation.
Raphaël Thiery and Juliette Jouan star alongside Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Marcello, who directed Venice and TIFF prize-winning narrative Martin Eden, co-wrote the screenplay with regular collaborator Maurizio Braucci and Maud Ameline,...
Kino Lorber has picked up North American rights from Orange Studio to Scarlet, which opened this year’s Cannes Directors’ Fortnight.
Pietro Marcello’s French-language drama is based loosely on Alexander Grin’s novel Scarlet Sails and centres on a girl growing up with her widower father in Normandy between the two world wars at a time of dramatic innovation.
Raphaël Thiery and Juliette Jouan star alongside Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Marcello, who directed Venice and TIFF prize-winning narrative Martin Eden, co-wrote the screenplay with regular collaborator Maurizio Braucci and Maud Ameline,...
- 8/10/2022
- by Jeremy Kay
- ScreenDaily
Continuing his prolific, run-and-gun style of filmmaking, we reported about a year ago that Abel Ferrara was following his pandemic thriller Zeros and Ones with a biopic of Italian saint Padre Pio. Starring none other than Shia Labeouf in casting that takes on a certain level of perverse meta context considering his recent abuse allegations, the film now looks to be completed and the first images have surfaced.
Ferrara, who explored Pio’s life in a 2015 documentary, Searching for Padre Pio, scripted the film with Maurizio Braucci (Martin Eden) and it will follow Padre Pio’s status as a symbol of hope for the Italian people during the country’s difficult inter-war period and exhibition of stigmata. “For Shia, he began to know Pio just as he was discovering his own Christianity. With this film he took a dip in the dark, he threw himself. He went to live in a monastery for months,...
Ferrara, who explored Pio’s life in a 2015 documentary, Searching for Padre Pio, scripted the film with Maurizio Braucci (Martin Eden) and it will follow Padre Pio’s status as a symbol of hope for the Italian people during the country’s difficult inter-war period and exhibition of stigmata. “For Shia, he began to know Pio just as he was discovering his own Christianity. With this film he took a dip in the dark, he threw himself. He went to live in a monastery for months,...
- 7/13/2022
- by Jordan Raup
- The Film Stage
Sideshow and Janus Films have acquired North American rights to Cannes Jury Prize winner “The Eight Mountains” by Belgian directors Felix van Groeningen and Charlotte Vandermeersch.
The Italian-language film, which tracks the decades-long friendship between two Italian boys named Pietro and Bruno — one from the city, the other a shepherd boy from the Alps — was praised as “quietly magnificent” by Variety critic Jessica Kiang.
Kiang also praised the pic’s “slow, gradual accretion of detail that builds to a spectacular vista across the ridges and troughs, the spires and valleys of a lifelong, life-defining friendship.”
The drama about friendship, mountains, growing up, and our changed rapport with the planet in the wake of the pandemic stars Italian A-lister Luca Marinelli (“Martin Eden”) and Alessandro Borghi (“Devils”) — respectively as Pietro and Bruno — as well as Filippo Timi (“Vincere”) and Elena Lietti (“Three Floors”).
Based on an Italian novel of the same title by Paolo Cognetti,...
The Italian-language film, which tracks the decades-long friendship between two Italian boys named Pietro and Bruno — one from the city, the other a shepherd boy from the Alps — was praised as “quietly magnificent” by Variety critic Jessica Kiang.
Kiang also praised the pic’s “slow, gradual accretion of detail that builds to a spectacular vista across the ridges and troughs, the spires and valleys of a lifelong, life-defining friendship.”
The drama about friendship, mountains, growing up, and our changed rapport with the planet in the wake of the pandemic stars Italian A-lister Luca Marinelli (“Martin Eden”) and Alessandro Borghi (“Devils”) — respectively as Pietro and Bruno — as well as Filippo Timi (“Vincere”) and Elena Lietti (“Three Floors”).
Based on an Italian novel of the same title by Paolo Cognetti,...
- 7/12/2022
- by Nick Vivarelli
- Variety Film + TV
Notebook is covering the Cannes Film Festival with an on going correspondence between critics Leonoardo Goi and Lawrence Garcia, and editor Daniel Kasman.Scarlet.Dear Danny, dear Lawrence,The blue-white-red smoke of the French Air Force aerobatic team is still smearing the sky as I begin typing, and for a moment there, as the planes packed the sky with noise to honor the Top Gun: Maverick premiere, I’ve had to pinch myself to remind me where I was. A welcome side effect of last year’s edition being held in mid-July was that the 75th Cannes Film Festival would take place only ten months later, but if there’s one thing the past two years have taught me is to handle my optimism and festival plans with caution. And yet, strolling around town on Day Zero, the eve of the fiesta, everything was right as I left it. The...
- 5/28/2022
- MUBI
For his follow-up to the 2018 addiction drama “Beautiful Boy,” Belgian filmmaker Felix van Groeningen and his life-and-creative partner, Charlotte Vandermeersch, have delivered an Italian-language literary adaptation that might sound at first like a rather familiar song, especially if you’ve seen that other melancholy tale about two men forming and fostering a life-defining love at a steep elevation.
Van Groeningen and Vandermeersch’s “The Eight Mountains” – which premiered in competition at the 2022 Cannes Film Festival on Wednesday – is more than just a Dudes Rock “Brokeback Mountain.” Still, there is something to the comparison. Not for any narrative likeness – as a story about friendship, “The Eight Mountains” explores a bond more fraternal than romantic. But on a thematic front, the two very different titles share a bittersweet belief that while our most profound relationships may lift us up, they all too rarely save us.
Adapted from Paolo Cognetti’s bestseller, this...
Van Groeningen and Vandermeersch’s “The Eight Mountains” – which premiered in competition at the 2022 Cannes Film Festival on Wednesday – is more than just a Dudes Rock “Brokeback Mountain.” Still, there is something to the comparison. Not for any narrative likeness – as a story about friendship, “The Eight Mountains” explores a bond more fraternal than romantic. But on a thematic front, the two very different titles share a bittersweet belief that while our most profound relationships may lift us up, they all too rarely save us.
Adapted from Paolo Cognetti’s bestseller, this...
- 5/18/2022
- by Ben Croll
- The Wrap
Neapolitan director Pietro Marcello, who made the transition from high-profile docs to fiction with his Naples-set 2019 adaptation of Jack London’s Martin Eden – that made a splash on the international art-house scene – has now tackled a France-set tale inspired by a Russian novel in his new film “Scarlet” (see review) that mixes fable, musical, historical and magical realism elements.
The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away.
Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.
There is a strong sense of matriarchy in this film. You’ve underlined its feminine aspect.
I’ve always made films that are quite masculine. “Martin Eden” certainly was.
The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away.
Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.
There is a strong sense of matriarchy in this film. You’ve underlined its feminine aspect.
I’ve always made films that are quite masculine. “Martin Eden” certainly was.
- 5/18/2022
- by Nick Vivarelli
- Variety Film + TV
In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s also something that runs through Jim Jarmusch’s Paterson, about the poetry-penning bus driver of the same name: both filmmakers have helped demystify our idea of the artist as a potential “great man of history” and the deification often accorded them. The would-be literary maven of Martin Eden and two artist-craftsmen of Scarlet are engaged instead in a noble struggle, a bit like the eternal workers’ struggle of Marcello’s other chief interest: that of leftist political thought.
Scarlet, a quasi-fairytale adapted from Russian author Aleksandr Grin’s Scarlet Skies, is a more even-tempered work than Martin Eden, and less likely to command the same ardor directed towards that film. But it finds Marcello acing another high-end literary adaptation,...
Scarlet, a quasi-fairytale adapted from Russian author Aleksandr Grin’s Scarlet Skies, is a more even-tempered work than Martin Eden, and less likely to command the same ardor directed towards that film. But it finds Marcello acing another high-end literary adaptation,...
- 5/18/2022
- by David Katz
- The Film Stage
Friendship, mountains, growing up, and our changed rapport with the planet in the wake of the pandemic are the main elements in Cannes competition title “The Eight Mountains” by Belgian directors Felix van Groeningen (“Beautiful Boy”) and Charlotte Vandermeersch. (Watch the trailer above.)
The film is based on an Italian novel of the same title by Paolo Cognetti. It has won multiple awards in Italy and France and is also the author’s first book published in the U.S.
“The Eight Mountains” is a coming-of-age tale set over three decades about two young Italian boys — one, named Pietro, who is the son of a chemist, the other, Bruno, of a stonemason — who spend their childhoods together in a secluded Alpine village roaming the surrounding peaks and valleys before their paths diverge. Many years later, they reconnect in the same place.
The film marks the first foray into Italian-language filmmaking for Van Groeningen who,...
The film is based on an Italian novel of the same title by Paolo Cognetti. It has won multiple awards in Italy and France and is also the author’s first book published in the U.S.
“The Eight Mountains” is a coming-of-age tale set over three decades about two young Italian boys — one, named Pietro, who is the son of a chemist, the other, Bruno, of a stonemason — who spend their childhoods together in a secluded Alpine village roaming the surrounding peaks and valleys before their paths diverge. Many years later, they reconnect in the same place.
The film marks the first foray into Italian-language filmmaking for Van Groeningen who,...
- 5/12/2022
- by Nick Vivarelli
- Variety Film + TV
Welcome to the latest edition of our regular crowdfunding feature here on Nerdly – Back This! – where we take a look at some of the cool content taking the crowdfunding route on sites such as Indiegogo and Kickstarter. This time we’re taking a look at a new comic campaign from a brand new UK company, Wild River Comics… Daughters of Albion #1!
Having established themselves as a presence at UK comic cons over the last six months, Wild River Comics have launched their Kickstarter campaign for their first title, Daughters of Albion #1. Co-creators Denis Phan and Trevor Jayakody have been working tirelessly behind the scenes with artist Matt Timson, colourist Marco Lesko, letterer Jim Campbell, and editor Martin Eden to get this first issue ready for the launch.
Daughters of Albion #1 introduces readers to an alternate London where magic and technology co-exist. When cyberpunk hacker Hashani discovers a magical amulet dropped by two strange beings,...
Having established themselves as a presence at UK comic cons over the last six months, Wild River Comics have launched their Kickstarter campaign for their first title, Daughters of Albion #1. Co-creators Denis Phan and Trevor Jayakody have been working tirelessly behind the scenes with artist Matt Timson, colourist Marco Lesko, letterer Jim Campbell, and editor Martin Eden to get this first issue ready for the launch.
Daughters of Albion #1 introduces readers to an alternate London where magic and technology co-exist. When cyberpunk hacker Hashani discovers a magical amulet dropped by two strange beings,...
- 4/22/2022
- by Phil Wheat
- Nerdly
Following the main lineup, Quinzaine des Réalisateurs aka Directors’ Fortnight at the Cannes Film Festival has unveiled their 2022 slate. Featuring the already-announced opening film, Scarlet, from Martin Eden director Pietro Marcello, the lineup also includes Mia Hansen-Løve’s One Fine Morning, Alice Winocour’s Paris Memories, Mark Jenkin’s Bait follow-up Enys Men, Anna Rose Holmer & Saela Davis’ God’s Creatures, João Pedro Rodrigues’ Will-o’-the-Wisp, Véréna Paravel & Lucien Castaing-Taylor’s De Humani Corporis Fabrica, and Alex Garland’s Men, which will arrive in the U.S. soon after its Cannes premiere.
See the lineup below.
Scarlet by Pietro Marcello – Opening Film
1976 by Manuela Martelli
The Water by Elena López Riera
The Dam by Ali Cherri
The Super 8 Years by Annie Ernaux & David Ernaux-Briot
Ashkal by Youssef Chebbi
The Five Devils by Léa Mysius
De Humani Corporis Fabrica by Véréna Paravel & Lucien Castaing-Taylor
Continental Drift (South) by Lionel Baier
Enys...
See the lineup below.
Scarlet by Pietro Marcello – Opening Film
1976 by Manuela Martelli
The Water by Elena López Riera
The Dam by Ali Cherri
The Super 8 Years by Annie Ernaux & David Ernaux-Briot
Ashkal by Youssef Chebbi
The Five Devils by Léa Mysius
De Humani Corporis Fabrica by Véréna Paravel & Lucien Castaing-Taylor
Continental Drift (South) by Lionel Baier
Enys...
- 4/19/2022
- by Jordan Raup
- The Film Stage
Juliette Jouan in Cannes Directors’ Fortnight opener Scarlet Photo: Courtesy of Cannes Directors' Fortnight Hot on the heels of the announcement yesterday of the Cannes Film Festival’s official selection the Directors’ Fortnight (La Quinzaine des réalisateurs) have revealed that the opening title will be a world premiere on 18 May of Scarlet (L'envol) by critically acclaimed Italian film-maker Petro Marcello.
The director was noted for Venice prize-winning Martin Eden.
His new film stars Juliette Jouan, Louis Garrel, Noémie Lvovsky and Raphaël Thierry.
Set In northern France, Juliette grows up alone with her father, Raphaël, a First World War veteran. She spends all her days between music and literature. Once, she meets a witch who reveals to her that some scarlet sails will appear to take her away from the village. The young girl will then never stop believing in the prophecy.
The script has been freely inspired by the tale...
The director was noted for Venice prize-winning Martin Eden.
His new film stars Juliette Jouan, Louis Garrel, Noémie Lvovsky and Raphaël Thierry.
Set In northern France, Juliette grows up alone with her father, Raphaël, a First World War veteran. She spends all her days between music and literature. Once, she meets a witch who reveals to her that some scarlet sails will appear to take her away from the village. The young girl will then never stop believing in the prophecy.
The script has been freely inspired by the tale...
- 4/15/2022
- by Richard Mowe
- eyeforfilm.co.uk
Part Herzogian ecstatic ethnography, part Pasolinian picaresque, “The Tale of King Crab” finds directors Alessio Rigo de Righi and Matteo Zoppis traveling from Italy to Argentina in a two-pronged folktale. The film, which has strands of ’70s arthouse in its DNA — including its immersive shot-on-film imagery — world-premiered at Cannes Directors’ Fortnight in summer 2021 and enjoyed a solid run on the festival circuit, including at the New York Film Festival.
Now, Oscilloscope Laboratories will open the film April 15 in New York exclusively at Film at Lincoln Center, followed by a Los Angeles opening April 29. Exclusively on IndieWire, you can watch the trailer for the film below ahead of its stateside release.
The film centers on Luciano (Gabriele Silli), a meandering outcast in a far-off, late-19th-century Italian village. His life is marred by all manner of conflict, from the dangers of drink to forbidden love, as well as unrest with the...
Now, Oscilloscope Laboratories will open the film April 15 in New York exclusively at Film at Lincoln Center, followed by a Los Angeles opening April 29. Exclusively on IndieWire, you can watch the trailer for the film below ahead of its stateside release.
The film centers on Luciano (Gabriele Silli), a meandering outcast in a far-off, late-19th-century Italian village. His life is marred by all manner of conflict, from the dangers of drink to forbidden love, as well as unrest with the...
- 3/24/2022
- by Ryan Lattanzio
- Indiewire
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Antlers (Scott Cooper)
Scott Cooper is comfortable in the mud. The American director routinely finds himself in the confines of the lowdown and dirty, in gritty landscapes with working-class characters overcoming their shortcomings and often turning to violence to solve their problems. While his previous two features Black Mass and Hostiles failed to find tension in their deliberately tedious pacing, Antlers strikes the balance between methodology, terror, and blue-collar dynamics. – Erik N. (full review)
Where to Stream: HBO Max
Blackhat (Michael Mann)
Michael Mann is one of the few directors still making thoughtfully composed and visceral action films for an audience that refuses to turn its brain off. That Mann also chooses to tackle concerns of the modern world while still maintaining...
Antlers (Scott Cooper)
Scott Cooper is comfortable in the mud. The American director routinely finds himself in the confines of the lowdown and dirty, in gritty landscapes with working-class characters overcoming their shortcomings and often turning to violence to solve their problems. While his previous two features Black Mass and Hostiles failed to find tension in their deliberately tedious pacing, Antlers strikes the balance between methodology, terror, and blue-collar dynamics. – Erik N. (full review)
Where to Stream: HBO Max
Blackhat (Michael Mann)
Michael Mann is one of the few directors still making thoughtfully composed and visceral action films for an audience that refuses to turn its brain off. That Mann also chooses to tackle concerns of the modern world while still maintaining...
- 2/18/2022
- by Jordan Raup
- The Film Stage
Emmy-winning “The Crown” star Josh O’Connor will be the protagonist of Italian auteur Alice Rohrwacher’s next film “La Chimera,” which is set in the world of archeological looting and is currently shooting in and around Southern Tuscany.
O’Connor, who in “The Crown” played the young Prince Charles, in “La Chimera” is playing a young British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s.
Also starring in “La Chimera,” which can be loosely translated as “The Unrealizable Dream,” are Isabella Rossellini as a retired opera singer; Brazilian actor Carole Duarte (“The Invisible Life”) who plays another non-Italian woman who intersects with Arthur; Alba Rohrwacher as an international artifacts trafficker; and Vincenzo Nemolato (“Martin Eden”) who plays one of the “tombaroli,” literally grave robbers, as artifacts thieves are known in Italy.
“‘La Chimera’ is the story of a young English archaeologist...
O’Connor, who in “The Crown” played the young Prince Charles, in “La Chimera” is playing a young British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s.
Also starring in “La Chimera,” which can be loosely translated as “The Unrealizable Dream,” are Isabella Rossellini as a retired opera singer; Brazilian actor Carole Duarte (“The Invisible Life”) who plays another non-Italian woman who intersects with Arthur; Alba Rohrwacher as an international artifacts trafficker; and Vincenzo Nemolato (“Martin Eden”) who plays one of the “tombaroli,” literally grave robbers, as artifacts thieves are known in Italy.
“‘La Chimera’ is the story of a young English archaeologist...
- 2/14/2022
- by Nick Vivarelli
- Variety Film + TV
Italy’s Torino Film Festival, the pre-eminent event for young directors and indie cinema — now being revamped after going virtual due to the pandemic — will somewhat symbolically kick off its upcoming 39th edition with the international premiere of “Sing 2” with director Garth Jennings in tow.
“It’s a hymn to going back into movie theaters,” says Torino artistic director Stefano Francia di Celle on choosing the animated musical comedy, featuring more than 40 rock, rap and pop tunes, as opener for the Nov. 26-Dec. 4 event. It will be Italy’s first festival held in venues with 100% seating capacity since Covid-19 struck.
“Sing 2,” he points out, is also only the second feature helmed by Jennings, who cut his teeth in the indie world making videos for many of the best pop acts of the 1990s such as Blur, Radiohead and Beck, before he was able to get Universal on board for his impressive “Sing” debut.
“It’s a hymn to going back into movie theaters,” says Torino artistic director Stefano Francia di Celle on choosing the animated musical comedy, featuring more than 40 rock, rap and pop tunes, as opener for the Nov. 26-Dec. 4 event. It will be Italy’s first festival held in venues with 100% seating capacity since Covid-19 struck.
“Sing 2,” he points out, is also only the second feature helmed by Jennings, who cut his teeth in the indie world making videos for many of the best pop acts of the 1990s such as Blur, Radiohead and Beck, before he was able to get Universal on board for his impressive “Sing” debut.
- 11/25/2021
- by Nick Vivarelli
- Variety Film + TV
The 39th edition of Torino Film Festival, Italy’s preeminent event for young directors and indie cinema, kicks off Friday with the international premiere of “Sing 2.” It is the country’s first festival held in venues with 100% seating capacity since Covid-19 struck, and it will also be the first in-person edition assembled by artistic director Stefano Francia di Celle, who debuted last year with an online event, due to the pandemic. Di Celle is now rebooting Torino for the present-day digital age.
The festival, which rose to international prominence under current Venice topper Alberto Barbera, has always been geared toward giving visibility to promising newcomers. These have included Luca Guadagnino, Michelangelo Frammartino (“Il Buco”) and Pietro Marcello (“Martin Eden”), who got a crucial early boost from their launches there. Di Celle’s vision going forward, he told Variety, is rooted in what he calls its “militant” tradition, but he...
The festival, which rose to international prominence under current Venice topper Alberto Barbera, has always been geared toward giving visibility to promising newcomers. These have included Luca Guadagnino, Michelangelo Frammartino (“Il Buco”) and Pietro Marcello (“Martin Eden”), who got a crucial early boost from their launches there. Di Celle’s vision going forward, he told Variety, is rooted in what he calls its “militant” tradition, but he...
- 11/24/2021
- by Nick Vivarelli
- Variety Film + TV
For their narrative debut, documentary filmmakers Alessio Rigo de Righi and Matteo Zoppis tackle a two-pronged film whose two halves share visions of one another, as well as a few familiar faces, but only ever-so-gently collide across disparate worlds. “The Tale of King Crab” divides its time between 19th-century rural Italy and the coast of the southernmost tip of Argentina. Part Herzogian ecstatic ethnography given the verisimilitude at play in the film’s naturalistic settings, and part Pasolinian picaresque in its portrayal of a louche, sotted antihero tumbling through folly upon folly,, despite a bifurcated structure that makes for two occasionally tantalizing films in one.
At its core, the film is about the feint of storytelling itself, a well-worn topic that can make for a frustrating viewing experience when the directors are trying to go too deep inside their own heads. There’s a framing device that sets up the...
At its core, the film is about the feint of storytelling itself, a well-worn topic that can make for a frustrating viewing experience when the directors are trying to go too deep inside their own heads. There’s a framing device that sets up the...
- 9/30/2021
- by Ryan Lattanzio
- Indiewire
Teenagers think about the future without hesitation. They worry about what jobs they’ll get, where they’ll go to school, who they will marry, who they might sleep with, and how they will make the money needed to live a comfortable life. In Futura, the documentary from Pietro Marcello (Martin Eden), Francesco Munzi (Black Souls), and Alice Rohrwacher (Happy as Lazzaro), those worries become talking points, a central thesis of Italian teens without a filter. These three established directors cannot move past the general shrug of teenagehood, though, making a film that remains interesting only for its initial stretch, so long as the teens stay provocative.
Featuring interviews from 10-somethings throughout Italy with ranging socioeconomic statuses, Futura often feels one-note, a reminder that teens today are still talking about the same things as teens from 10 years ago, from 30 years ago, and so forth. They’re worried about the future,...
Featuring interviews from 10-somethings throughout Italy with ranging socioeconomic statuses, Futura often feels one-note, a reminder that teens today are still talking about the same things as teens from 10 years ago, from 30 years ago, and so forth. They’re worried about the future,...
- 9/29/2021
- by Michael Frank
- The Film Stage
Fremantle, which is at Venice with two films in competition –– Paolo Sorrentino’s “The Hand of God” and “America Latina” by Damiano and Fabio D’Innocenzo –– is ramping up its film side.
The Rtl Group-owned company “that everyone used to associate with [TV franchise] ‘Got Talent’ is becoming one of the biggest independent film production studios in Europe” says its COO Andrea Scrosati.
It’s rising power in feature films isn’t being noticed because of Fremantle’s model of owning a panoply of indie companies, many of which are in Europe, including two in Italy, 12 in the Nordics, German studio UFA and Fiction Valley in the Netherlands.
But “nobody is connecting the dots,” Scrosati says.
Fremantle, besides having some 60 TV series in the works, in 2021 produced 14 movies. Most of these are being made through its Italian labels The Apartment and Wildside; others are via several other European outfits that Fremantle...
The Rtl Group-owned company “that everyone used to associate with [TV franchise] ‘Got Talent’ is becoming one of the biggest independent film production studios in Europe” says its COO Andrea Scrosati.
It’s rising power in feature films isn’t being noticed because of Fremantle’s model of owning a panoply of indie companies, many of which are in Europe, including two in Italy, 12 in the Nordics, German studio UFA and Fiction Valley in the Netherlands.
But “nobody is connecting the dots,” Scrosati says.
Fremantle, besides having some 60 TV series in the works, in 2021 produced 14 movies. Most of these are being made through its Italian labels The Apartment and Wildside; others are via several other European outfits that Fremantle...
- 9/3/2021
- by Nick Vivarelli
- Variety Film + TV
Including previews, the film set a new record opening for a film this year.
RankFilm (Distributor)Three-day gross (July 9-11)Total gross to dateWeek 1 Black Widow (Disney) £4.6m £6.9m 1 2 Fast And Furious 9 (Universal) £1.1m £13m 3 3 Peter Rabbit 2 (Sony) £510,000 £18.2m 8 4 In The Heights (Warner Bros) £232,000 £3.8m 6 5 Cruella (Disney) £232,000 £8.9m 4
Gbp to Usd conversion rate: 1.39
Disney’s Marvel title Black Widow stormed the UK-Ireland box office this weekend, opening in top spot with a £4.6m Friday to Sunday session.
This was the second-highest opening of the year behind the £4.8m of Fast And Furious 9 last month. Including two days of previews,...
RankFilm (Distributor)Three-day gross (July 9-11)Total gross to dateWeek 1 Black Widow (Disney) £4.6m £6.9m 1 2 Fast And Furious 9 (Universal) £1.1m £13m 3 3 Peter Rabbit 2 (Sony) £510,000 £18.2m 8 4 In The Heights (Warner Bros) £232,000 £3.8m 6 5 Cruella (Disney) £232,000 £8.9m 4
Gbp to Usd conversion rate: 1.39
Disney’s Marvel title Black Widow stormed the UK-Ireland box office this weekend, opening in top spot with a £4.6m Friday to Sunday session.
This was the second-highest opening of the year behind the £4.8m of Fast And Furious 9 last month. Including two days of previews,...
- 7/12/2021
- by Ben Dalton
- ScreenDaily
Belgian director Felix van Groeningen (“Beautiful Boy”) and Charlotte Vandermeersch have started shooting in the Alps on “The Eight Mountains,” an Italian drama based on a bestseller about male bonding set against a mountainous backdrop.
Vision Distribution will launch international sales of the film at the upcoming Cannes virtual market.
The film will be released in France by Pyramide Distribution and in Benelux by Kinepolis Film Distribution and Dutch FilmWorks.
Pic marks the first foray into Italian-language filmmaking for Van Groeningen who prior to “Beautiful Boy,” his English-language debut, broke out with Oscar-nominated “The Broken Circle Breakdown,” which is in Dutch, followed by “Belgica” winner of a prize at Sundance.
Van Groeningen has teamed up on “Eight Montains” with Vandermeersch, his partner in life, an actor and writer now making her directorial debut. They previously collaborated professionally on “Breakdown” on which she served as a co-writer.
“Bringing this deeply human,...
Vision Distribution will launch international sales of the film at the upcoming Cannes virtual market.
The film will be released in France by Pyramide Distribution and in Benelux by Kinepolis Film Distribution and Dutch FilmWorks.
Pic marks the first foray into Italian-language filmmaking for Van Groeningen who prior to “Beautiful Boy,” his English-language debut, broke out with Oscar-nominated “The Broken Circle Breakdown,” which is in Dutch, followed by “Belgica” winner of a prize at Sundance.
Van Groeningen has teamed up on “Eight Montains” with Vandermeersch, his partner in life, an actor and writer now making her directorial debut. They previously collaborated professionally on “Breakdown” on which she served as a co-writer.
“Bringing this deeply human,...
- 6/15/2021
- by Nick Vivarelli
- Variety Film + TV
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