Pop open a Puppers Golden Lager, gather your most scathing hockey chirps, and prepare to protect the sanctity of Canada gooses because Letterkenny is heading toward its grand finale! The twelfth and final season of the Ontario-based comedy series is making hay on Hulu and Crave, with all six episodes ready to scrap at once.
Letterkenny Season 12 debuts on Crave on December 25, with the Hulu premiere on December 26.
The official description for the final season of the uproarious comedy series states, “In Season 12, the small town contends with a comedy night at Modean’s, a country music hit, the Degens’ bad influence, a new nightclub, and an encore at the Ag Hall. And that’s just for starters.”
Jared Keeso, who also stars as Wayne, created the series. Joining Keeso for fast-talking observations about life in Canada, the happenings of sexually charged neighbors, the preservation of national treasures of the avian variety,...
Letterkenny Season 12 debuts on Crave on December 25, with the Hulu premiere on December 26.
The official description for the final season of the uproarious comedy series states, “In Season 12, the small town contends with a comedy night at Modean’s, a country music hit, the Degens’ bad influence, a new nightclub, and an encore at the Ag Hall. And that’s just for starters.”
Jared Keeso, who also stars as Wayne, created the series. Joining Keeso for fast-talking observations about life in Canada, the happenings of sexually charged neighbors, the preservation of national treasures of the avian variety,...
- 11/2/2023
- by Steve Seigh
- JoBlo.com
Click here to read the full article.
Today in Hollywood, an out-of-office email message might not be for a vacation — but instead a subtle form of protest.
Some industry workplaces, including most of the major talent agencies, will participate in a nationwide virtual walkout organized by Planned Parenthood to show support for abortion rights Wednesday afternoon at 4 p.m. Pt. Some companies are adding additional programming as well — ahead of the walkout at UTA, client and Hacks star Hannah Einbinder will moderate a conversation with Debasri Ghosh, managing director of the National Network of Abortion Funds, and Alencia Johnson, the founder and chief impact officer of the social impact agency 1063 West Broad.
The virtual walkout is one of the ways, in the nearly three weeks since the Supreme Court overturned Roe v. Wade on June 24, that the entertainment industry has transitioned from shock to activism. There is also the group of power players,...
Today in Hollywood, an out-of-office email message might not be for a vacation — but instead a subtle form of protest.
Some industry workplaces, including most of the major talent agencies, will participate in a nationwide virtual walkout organized by Planned Parenthood to show support for abortion rights Wednesday afternoon at 4 p.m. Pt. Some companies are adding additional programming as well — ahead of the walkout at UTA, client and Hacks star Hannah Einbinder will moderate a conversation with Debasri Ghosh, managing director of the National Network of Abortion Funds, and Alencia Johnson, the founder and chief impact officer of the social impact agency 1063 West Broad.
The virtual walkout is one of the ways, in the nearly three weeks since the Supreme Court overturned Roe v. Wade on June 24, that the entertainment industry has transitioned from shock to activism. There is also the group of power players,...
- 7/13/2022
- by Rebecca Keegan
- The Hollywood Reporter - Movie News
A group of prominent entertainment industry women gathered Saturday for a video conference call to discuss next steps in the reignited fight for reproductive rights in the wake of the Supreme Court’s decision to overturn Roe v. Wade.
The gathering, which included some men, was organized in part by Katie McGrath, a partner in Bad Robot who is married to superproducer J.J. Abrams, and the social impact strategy firm Acora Partners. The presentation was said to have run about two hours. McGrath and Abrams have been vocal and active supporters of pro-choice legislators and organizations.
The discussion was said to have included a presentation from an ob-gyn and medical experts, and a presentation on the complex legalities around abortion triggered by the high court’s decision. With Roe going away, numerous states have or are in the process of enacting highly restrictive laws or outright legal bans on the medical procedure.
The gathering, which included some men, was organized in part by Katie McGrath, a partner in Bad Robot who is married to superproducer J.J. Abrams, and the social impact strategy firm Acora Partners. The presentation was said to have run about two hours. McGrath and Abrams have been vocal and active supporters of pro-choice legislators and organizations.
The discussion was said to have included a presentation from an ob-gyn and medical experts, and a presentation on the complex legalities around abortion triggered by the high court’s decision. With Roe going away, numerous states have or are in the process of enacting highly restrictive laws or outright legal bans on the medical procedure.
- 6/27/2022
- by Cynthia Littleton
- Variety Film + TV
Catherine St-Laurent hasn’t even been in the entertainment industry for a decade yet, but she’s already carved out a solid path for herself. Her acting talent has earned her the admiration of fans and the respect of colleagues. Now she’s well on her way to becoming well known all over the world. Her versatility is one of the many things she has to offer the industry, and it will likely be one of her biggest assets as she continues to grow in her career. Catherine doesn’t have any projects in the works at the moment, but you can trust that
10 Things You Didn’t Know about Catherine St-Laurent...
10 Things You Didn’t Know about Catherine St-Laurent...
- 9/5/2021
- by Camille Moore
- TVovermind.com
Meghan Markle and Prince Harry's Former Chief of Staff Reveals What It's Like Working for the Couple
Prince Harry and Meghan Markle's former chief of staff, Catherine St-Laurent, is opening up about her experience working for the couple. In a recent interview with The Cut, the 40-year-old communications advisor reflected on her time working for the couple with fondness and spoke of their ability to be "influential." "It was an incredible experience," she shared. "They are incredibly talented and creative leaders. I'm grateful to have had the opportunity to do that, to be able to be with them on their journey. The time that I spent with them was incredibly fulfilling." Not only has Catherine had the experience of working as their chief of...
- 7/6/2021
- E! Online
"A colorized acid trip through historic hell." Oscilloscope Labs has unveiled the US trailer for Twentieth Century, a very strange and absurdly weird biopic of sorts. This premiered at the Toronto Film Festival last year, and also played at the Berlin, Cartagena, Bucheon, and L'Étrange Film Festivals this year. Renowned for his mesmerizing, gonzo biographical short films Mynarski Death Plummet and The Tesla World Light, filmmaker Matthew Rankin doubles down on his signature blend of historical and aesthetic abstraction with his debut feature, a bizarre biopic that re-imagines the formative years of the former Canadian Prime Minister William Lyon Mackenzie King as a series of abject humiliations. This uber wacky, expressionism adventure stars Dan Beirne as Mackenzie, plus Sarianne Cormier, Catherine St-Laurent, Mikhaïl Ahooja, Brent Skagford, Seán Cullen, and Louis Negin. It's almost impossible to describe this film - some will hate it, some will go nuts for it. But at least it exists,...
- 10/29/2020
- by Alex Billington
- firstshowing.net
With his perverse (and some might say perverted) look at the early life of Canada’s longest-serving Prime Minister W. L. Mackenzie King, Winnipeg-born, Montreal-based multi-hyphenate Matthew Rankin proves himself far more than simply the artistic heir to fellow Canuck Guy Maddin. His low-budget, high-concept recounting of political life in the Dominion of Canada circa the turn of the 20th century is both satiric and scurrilous; the more familiar one is with Canadian history, the funnier it is. But even without prior knowledge of our neighbor to the north, it can be enjoyed for its combination of supreme creativity, jaw-dropping audacity and amusing tongue-in-cheek dialogue. Following its world premiere at the 2019 Toronto Film Festival, it was named best Canadian first feature and acquired by U.S. distributor Oscilloscope, which will release it in May.
Like Maddin, Rankin ransacks film, theater and art history for his visual style. Here, he creates...
Like Maddin, Rankin ransacks film, theater and art history for his visual style. Here, he creates...
- 3/7/2020
- by Alissa Simon
- Variety Film + TV
Happy Saturday, ladies and gentlemen. Today, we once again bring the review round-up to you fine folks. Today we’re catching up on a pair of films that I simply wasn’t able to get around to and put reviews up of until now. The two movies getting this particular treatment here are independent titles, as you might imagine, and as tends to be the case, they’re quite different from each other. The dueling indies in question are the drama Coda, as well as the historical thriller Incitement. Are either of them worth your time this weekend? Read on to find out what I thought… — Coda Patrick Stewart deserves to get more starring roles in major motion pictures. Even just a small independent drama like this is the sort of thing that he can really sink his teeth into. Sadly, while Coda does have a quality Stewart performance, it...
- 2/1/2020
- by Joey Magidson
- Hollywoodnews.com
Look out: we have a new entry in the “Great Man” biopic subgenre, one that has spawned films as varied as John Ford’s The Long Gray Line and, uh, Jay Roach’s Trumbo. Joining the ranks is Matthew Rankin’s The Twentieth Century, which, with great aplomb, takes the piss out of Canadian history, showing us The (gradual) Taking of Power By William Lyon Mackenzie King, this nation’s 10th Prime Minister.
Already assuming that the majority of people reading this don’t recognize his name, Rankin takes upon a large aesthetic gambit that may alienate non-Canuck viewers further, shooting the movie almost entirely against a green-screen, making the film’s “exteriors” into cartoonish backgrounds. Indulging in geometry to a degree that would make Paul W.S. Anderson blush, the movie at times recalls both ’50s and ’60s animation as well as Soviet propaganda. It’s the most exciting kind of aesthetic pastiche,...
Already assuming that the majority of people reading this don’t recognize his name, Rankin takes upon a large aesthetic gambit that may alienate non-Canuck viewers further, shooting the movie almost entirely against a green-screen, making the film’s “exteriors” into cartoonish backgrounds. Indulging in geometry to a degree that would make Paul W.S. Anderson blush, the movie at times recalls both ’50s and ’60s animation as well as Soviet propaganda. It’s the most exciting kind of aesthetic pastiche,...
- 9/8/2019
- by Ethan Vestby
- The Film Stage
The 20th Century
With over a decade worth of short films to his name, Canadian filmmaker Matthew Rankin heads into feature territory with his debut The 20th Century. Produced by Gabrielle Tougas-Fréchette and Ménaïc Raoul (All You Can Eat Buddha), the project stars Dan Beirne, Mikhail Ahooja, Sarianne Cormier, Catherine St-Laurent (Stéphane Lafleur’s Tu Dors Nicole) and Brent Skagford and lensed by Vincent Biron. Three short films of Rankin’s were selected at Sundance but his last project The Tesla World Light preemed on the Croisette in 2017
Gist: Toronto, 1899.…...
With over a decade worth of short films to his name, Canadian filmmaker Matthew Rankin heads into feature territory with his debut The 20th Century. Produced by Gabrielle Tougas-Fréchette and Ménaïc Raoul (All You Can Eat Buddha), the project stars Dan Beirne, Mikhail Ahooja, Sarianne Cormier, Catherine St-Laurent (Stéphane Lafleur’s Tu Dors Nicole) and Brent Skagford and lensed by Vincent Biron. Three short films of Rankin’s were selected at Sundance but his last project The Tesla World Light preemed on the Croisette in 2017
Gist: Toronto, 1899.…...
- 1/3/2019
- by Nicholas Bell
- IONCINEMA.com
Besides being associated with careless joys and romantic exploits, part of summer’s seductive appeal is that, assuming one gets time off from daily responsibilities, it provides an opportunity to reassess and recharge. During this usually warm and relaxed time of he year people are expected to be more active, to spend time outside, and to utilize their time enjoying activities that their lifestyles don’t always allow them to.
Vacation sounds fun indeed, but when you are a young twenty-something struggling to find a clear path for the rest of your life, summer is more of a difficult transitioning period than a celebratory season. Once the fall comes reality will be there waiting to make its presence known. With unassuming intelligence and modest imagery, Stéphane Lafleur's imaginative Quebecois feature “Tu Dors Nicole” (You're Sleeping, Nicole) encompasses such feelings of youthful uncertainty.
Relishing each day she gets to spend home alone while her parents are out of town, Nicole (Julianne Côté) is a young woman without much going on in her life and in desperate need of purpose. Her suburban neighborhood lacks excitement and new faces to be enticed by. Most days, when she is not working at the local second hand clothing store, Nicole rides her bike and eats ice cream with her best friend Véronique to fight the ravaging heat. In turn, Véronique (Catherine St-Laurent), who is clearly the more colorful and friendly of the two, works in an office for an elderly man in order to afford repairing her true love - her car. It all seems like monotonous simplicity until Nicole decides to use her newly acquired credit card to pay for them to take a trip to the remote Scandinavian nation of Iceland.
To her surprise, however, her older brother Rémi (Marc-André Grondin) has decided to stay at their parents’ house as well, and he’s brought his band along to work on songs for an upcoming album. Instantly Nicole's plans for a few peaceful days before heading out on her adventure have vanished. She needs to get out of this quiet, unnamed town before she blows up. Magnifying her unbearable situation, she also suffers from insomnia and often wanders the streets at night to occupy her restless mind.
Ingenuously written to elicit thoughtful significance from what could be perceived as mundane incidents, “Tu Dors Nicole” is elegantly laced with magical realism that intensify the delicate dreamy atmosphere. In a collection of curiously comedic assets, an indelible highlight is Nicole’s interaction with 10-year-old Martin (Godefroy Reding), a precocious boy with the baritone voice of a seasoned adult man.
Shamelessly outspoken about his feelings for her, Martin tries to convince Nicole that is their destiny to be together. These moments are strangely charming and surreal at once. Lafleur is clever at including other elements along these lines, including whimsical sound effects to denote the endless possibilities his world offers, to make his audience question whether Nicole is walking in a dream or awake in a fantastical reality.
Although certainly not interested in Martin’s adorable advances, Nicole has her own unresolved love issues with and ex-boyfriend and is also tempted to pursue the mysterious Jf (Francis La Haye), one of her brother’s band mates. Everything that’s happening around her is part of growing up, and she is not ready to confront how quickly everything is changing even when it seems to remain static. Is not that she refuses to accept the inevitable obstacles of adulthood, but this summer has tested her loyalties and goals all at once.
Shot on 35mm by Sara Mishara, the film makes use of familiar surroundings and renders them interesting in a minimalist manner. Complementing this is Côté’s tranquil demeanor and almost imperceptible confidence that don’t expose much about how Nicole is feeling, but encourages the viewer to try to find out more about her. Also noteworthy is the way Lafleur, who is also a musician himself, employs the music that exist organically in is story, specifically from Rémi’s band, and the sounds of nature to score his work.
Reminiscent of Baumbach’s “Frances Ha,” both in tone and in its use of evocative black-and-white cinematography in a modern setting, Lafleur's film might come across as slight or unchallenging for those who seek evident philosophical statements or intricate plot twists. But it’s exactly in that unpretentiousness and effortless complexity that “Tu Dors Nicole” becomes more efficient at being memorable and insightful. Just like waking up from a delightful sleep-induced fantasy in which some sequences aren’t fully coherent, but knowing all them say something profound about you.
"Tu Dors Nicole" is now playing in NYC at the Lincoln Plaza Cinema and opens in Miami Beach on June 12th at the Miami Beach Cinematheque...
Vacation sounds fun indeed, but when you are a young twenty-something struggling to find a clear path for the rest of your life, summer is more of a difficult transitioning period than a celebratory season. Once the fall comes reality will be there waiting to make its presence known. With unassuming intelligence and modest imagery, Stéphane Lafleur's imaginative Quebecois feature “Tu Dors Nicole” (You're Sleeping, Nicole) encompasses such feelings of youthful uncertainty.
Relishing each day she gets to spend home alone while her parents are out of town, Nicole (Julianne Côté) is a young woman without much going on in her life and in desperate need of purpose. Her suburban neighborhood lacks excitement and new faces to be enticed by. Most days, when she is not working at the local second hand clothing store, Nicole rides her bike and eats ice cream with her best friend Véronique to fight the ravaging heat. In turn, Véronique (Catherine St-Laurent), who is clearly the more colorful and friendly of the two, works in an office for an elderly man in order to afford repairing her true love - her car. It all seems like monotonous simplicity until Nicole decides to use her newly acquired credit card to pay for them to take a trip to the remote Scandinavian nation of Iceland.
To her surprise, however, her older brother Rémi (Marc-André Grondin) has decided to stay at their parents’ house as well, and he’s brought his band along to work on songs for an upcoming album. Instantly Nicole's plans for a few peaceful days before heading out on her adventure have vanished. She needs to get out of this quiet, unnamed town before she blows up. Magnifying her unbearable situation, she also suffers from insomnia and often wanders the streets at night to occupy her restless mind.
Ingenuously written to elicit thoughtful significance from what could be perceived as mundane incidents, “Tu Dors Nicole” is elegantly laced with magical realism that intensify the delicate dreamy atmosphere. In a collection of curiously comedic assets, an indelible highlight is Nicole’s interaction with 10-year-old Martin (Godefroy Reding), a precocious boy with the baritone voice of a seasoned adult man.
Shamelessly outspoken about his feelings for her, Martin tries to convince Nicole that is their destiny to be together. These moments are strangely charming and surreal at once. Lafleur is clever at including other elements along these lines, including whimsical sound effects to denote the endless possibilities his world offers, to make his audience question whether Nicole is walking in a dream or awake in a fantastical reality.
Although certainly not interested in Martin’s adorable advances, Nicole has her own unresolved love issues with and ex-boyfriend and is also tempted to pursue the mysterious Jf (Francis La Haye), one of her brother’s band mates. Everything that’s happening around her is part of growing up, and she is not ready to confront how quickly everything is changing even when it seems to remain static. Is not that she refuses to accept the inevitable obstacles of adulthood, but this summer has tested her loyalties and goals all at once.
Shot on 35mm by Sara Mishara, the film makes use of familiar surroundings and renders them interesting in a minimalist manner. Complementing this is Côté’s tranquil demeanor and almost imperceptible confidence that don’t expose much about how Nicole is feeling, but encourages the viewer to try to find out more about her. Also noteworthy is the way Lafleur, who is also a musician himself, employs the music that exist organically in is story, specifically from Rémi’s band, and the sounds of nature to score his work.
Reminiscent of Baumbach’s “Frances Ha,” both in tone and in its use of evocative black-and-white cinematography in a modern setting, Lafleur's film might come across as slight or unchallenging for those who seek evident philosophical statements or intricate plot twists. But it’s exactly in that unpretentiousness and effortless complexity that “Tu Dors Nicole” becomes more efficient at being memorable and insightful. Just like waking up from a delightful sleep-induced fantasy in which some sequences aren’t fully coherent, but knowing all them say something profound about you.
"Tu Dors Nicole" is now playing in NYC at the Lincoln Plaza Cinema and opens in Miami Beach on June 12th at the Miami Beach Cinematheque...
- 6/1/2015
- by Carlos Aguilar
- Sydney's Buzz
Quebec based filmmaker Stéphane Lefleur's wry slacker comedy Tu dors Nicole (You Are Sleeping, Nicole) stars Julianne Côté in the title role of Nicole, a 20-something young woman with one foot still firmly lodged in childhood and the other slightly hovering over somewhere else.It's the beginning of summer and her parents are away on vacation. She has a big house and an outdoor pool all to herself. Other than working at a local thrift shop, she spends most of her time either in bed or aimlessly walking/biking around town with her best friend, Véronique (Catherine St-Laurent) who works at an office. Their tranquil existence is shattered when Nicole's moody older brother and his band mates set up shop in their parents' living room to practice....
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 5/28/2015
- Screen Anarchy
Tu Dors Nicole Kino Lorber Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes. Grade: B Director: Stéphane Lafleur Screenwriter: Stéphane Lafleur Cast: Julianne Côté, Catherine St-Laurent, Marc-Andre Grondin, Francis La Haye Screened at: Review 2, NYC, 5/7/15 Opens: May 29, 2015 Coming of age films that take place during most people’s actual coming of age, namely late adolescence, brush shoulders with similar films about people in their thirties, who are concerned about their marriages, about how many kids, if any, they may want, or who are unfortunate enough to be contemplating divorce. “Tu dor Nicole,” which means “You’re sleeping, Nicole,” finds a middle ground, focusing principally on Nicole [ Read More ]
The post Tu dors Nicole Movie Review appeared first on Shockya.com.
The post Tu dors Nicole Movie Review appeared first on Shockya.com.
- 5/25/2015
- by Harvey Karten
- ShockYa
With all the attention foisted upon Xavier Dolan's "Mommy" last year, another film by a Quebecois director was unfortunately overshadowed. Stéphane Lafleur's "Tu Dors Nicole" has screened at Cannes (as part of the Cannes Directors' Fortnight) has earned strong reviews, but didn't get the same boost as Dolan's Jury Prize winning effort. You'll get a chance to check it out this summer when the movie rolls out to cinemas, and a new trailer has arrived. Starring Julianne Cote, Catherine St-Laurent, Marc-Andre Grondin, Francis La Haye, Simon Larouche, Godefroy Reding and Fanny Mallette, the story follows Nicole and Veronique, who find their breezy summer plans interrupted by the arrival of Nicole's older brother Remi and his bandmates. The movie completely bowled over our critic in Cannes last year, who wrote in his A-grade review that the film is "executed with such charm and skill in every gorgeous frame that...
- 5/11/2015
- by Kevin Jagernauth
- The Playlist
Quebec based filmmaker Stéphane Lefleur's wry slacker comedy Tu dors Nicole (You Are Sleeping, Nicole) stars Julianne Côté in the title role of Nicole, a 20 something young woman with one foot still firmly lodged in childhood and the other slightly hovering over somewhere else.It's the beginning of summer and her parents are away on vacation. She has a big house and an outdoor pool all to herself. Other than working at a local thrift shop, she spends most of her time either in bed or aimlessly walking/biking around town with her best friend, Véronique (Catherine St-Laurent) who works at an office. Their tranquil existence is shattered when Nicole's moody older brother and his band mates set up shop in their parents' living room to...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 3/18/2015
- Screen Anarchy
Xavier Dolan tied contemporaries Philippe Falardeau and Denis Villeneuve by winning his second Best Feature award at the 17th annual Jutra Awards. Quebec’s answer to the Oscars was a rather suspense-less affair as Mommy claimed nine (plus the top box office award honor) awards winning in all major categories with the exclusion of Best Supporting Actor category win, which would only end up going to Dolan’s other nominated film, Tom at the Farm. Pierre-Yves Cardinal was sublime in his predatory type role and as was the case for several nominees, was hard at work on another project and therefore not on hand for trophyware. Ricardo Trogi’s throwback to awkward teen years tale 1987 did win a trio of awards, but if there were any surprises in the Dolan camp it was the acceptance speeches: Dolan delivered a keynote speech type quality for the last win of the night...
- 3/16/2015
- by Eric Lavallee
- IONCINEMA.com
Xavier Dolan may have been miffed that his "Mommy" was left off the list of finalists for the Best Foreign Language Film Oscar, but he's surely pleased today that his film led the Academy of Canadian Cinema & Television's film slate. It picked up 13 nominations total. David Cronenberg's "Maps to the Stars" was also strong. Check out the full list of nominees below. Winners will be revealed on March 1. And catch the rest at The Circuit! Best Motion Picture "Cast No Shadow" "Fall" "In Her Place" "Maps to the Stars" "Mommy" "Tu dors Nicole" Achievement in Direction Atom Egoyan, "Captive" Albert Shin, "In Her Place" David Cronenberg, "Maps to the Stars" Xavier Dolan, "Mommy" Stéphane Lafleur, "Tu dors Nicole" Performance by an Actor in a Leading Role Ryan Reynolds, "The Captive" Bruce Greenwood, "Elephant Song" Michael Murphy, "Fall" Evan Bird, "Maps to the Stars" Antoine Olivier-Pilon, "Mommy" Performance by an...
- 1/13/2015
- by Kristopher Tapley
- Hitfix
Tu Dors Nicole
Director: Stéphane Lafleur
Writer: Stéphane Lafleur
Producers: micro_scope’s Luc Déry and Kim McCraw
U.S. Distributor: Rights Available
Cast: Julianne Côté, Catherine St-Laurent, Marc-André Grondin, Francis La Haye and Simon Larouche
The tendency of throwing his Coenesque character set into perilous type of predicaments should continue with his summer set, boys vs. girls titled Tu Dors Nicole. A third feature for Quebecois helmer Stéphane Lafleur, we fully expect to stick to the same black humor template found in his previous pair: the festival favorites Continental, un film and En terrain connu.
Gist: Enjoying the family home while her parents are away, Nicole (22 years old) is quietly spending the first weeks of her year off until her older brother Rémi shows up with his music group. The summer then takes an unexpected turn for Nicole and her best friend Véronique.
Release Date: Filming took place last...
Director: Stéphane Lafleur
Writer: Stéphane Lafleur
Producers: micro_scope’s Luc Déry and Kim McCraw
U.S. Distributor: Rights Available
Cast: Julianne Côté, Catherine St-Laurent, Marc-André Grondin, Francis La Haye and Simon Larouche
The tendency of throwing his Coenesque character set into perilous type of predicaments should continue with his summer set, boys vs. girls titled Tu Dors Nicole. A third feature for Quebecois helmer Stéphane Lafleur, we fully expect to stick to the same black humor template found in his previous pair: the festival favorites Continental, un film and En terrain connu.
Gist: Enjoying the family home while her parents are away, Nicole (22 years old) is quietly spending the first weeks of her year off until her older brother Rémi shows up with his music group. The summer then takes an unexpected turn for Nicole and her best friend Véronique.
Release Date: Filming took place last...
- 2/4/2014
- by Eric Lavallee
- IONCINEMA.com
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