Spain’s Latido Films has boarded international sales on Carlos Marques-Marcet’s drama They Will Be Dust (Polvo serán). Elástica Films will handle distribution in Spain.
It tells the story of a woman, Claudia (Angela Molina) diagnosed with an incurable brain tumour who takes a last trip to Switzerland to decide how and when to end her life with the help of an assisted dying association. Her partner (Alfredo Castro), and daughter (Mònica Almirall) must work out where they fit in.
The screenplay is by long-time co-writer Clara Roquet, director of 2021 Cannes Critics Week title Libertad, who wrote Marques-Marcet’s previous film Long Distance.
It tells the story of a woman, Claudia (Angela Molina) diagnosed with an incurable brain tumour who takes a last trip to Switzerland to decide how and when to end her life with the help of an assisted dying association. Her partner (Alfredo Castro), and daughter (Mònica Almirall) must work out where they fit in.
The screenplay is by long-time co-writer Clara Roquet, director of 2021 Cannes Critics Week title Libertad, who wrote Marques-Marcet’s previous film Long Distance.
- 5/3/2024
- ScreenDaily
Spain’s Latido Films has boarded international sales on Carlos Marques-Marcet’s musical They Will Be Dust (Polvo serán). Elástica Films will handle distribution in Spain.
It tells the story of a woman, Claudia (Angela Molina) diagnosed with an incurable brain tumour who takes a last trip to Switzerland to decide how and when to end her life with the help of an assisted dying association. Her partner (Alfredo Castro), and daughter (Mònica Almirall) must work out where they fit in.
The screenplay is by long-time co-writer Clara Roquet, director of 2021 Cannes Critics Week title Libertad, who wrote Marques-Marcet’s previous film Long Distance.
It tells the story of a woman, Claudia (Angela Molina) diagnosed with an incurable brain tumour who takes a last trip to Switzerland to decide how and when to end her life with the help of an assisted dying association. Her partner (Alfredo Castro), and daughter (Mònica Almirall) must work out where they fit in.
The screenplay is by long-time co-writer Clara Roquet, director of 2021 Cannes Critics Week title Libertad, who wrote Marques-Marcet’s previous film Long Distance.
- 5/3/2024
- ScreenDaily
Valladolid International Film Week’s Independent Film Market saw Spanish distributors showcase acquired films to local streamers, TV networks and exhibitors.
Merci, Valladolid International Film Week’s Independent Film Market, enjoyed a 20% rise in the number of professionals attending this year.
Merci, which ran from October 25-27, provides an opportunity for Spanish independent distributors to meet with platforms, TV networks and distributors, and to show them selection of their recent acquisitions.
Among the 24 titles being screened by distributors at Merci Valladolid this year were Tran Anh Hung’s The Pot Au Feu, Ken Loach’s The Old Oak, Aki Kaurismäki...
Merci, Valladolid International Film Week’s Independent Film Market, enjoyed a 20% rise in the number of professionals attending this year.
Merci, which ran from October 25-27, provides an opportunity for Spanish independent distributors to meet with platforms, TV networks and distributors, and to show them selection of their recent acquisitions.
Among the 24 titles being screened by distributors at Merci Valladolid this year were Tran Anh Hung’s The Pot Au Feu, Ken Loach’s The Old Oak, Aki Kaurismäki...
- 10/30/2023
- by Elisabet Cabeza
- ScreenDaily
“As a distributor you need to build a brand,” said Enrique Costa of Spain’s Elastica Films.
“Everyone says that the pandemic changed everything, but it also opened my eyes to look for the audience in a different way,” said Spanish distributor Enrique Costa of Elastica Films who received the best international innovation distribution award at the second edition of the International Distribution Summit (Ids) in Cologne last week.
“As a distributor you need to build a brand which allows you to create an audience that knows about the company even before a particular film is released. We are not...
“Everyone says that the pandemic changed everything, but it also opened my eyes to look for the audience in a different way,” said Spanish distributor Enrique Costa of Elastica Films who received the best international innovation distribution award at the second edition of the International Distribution Summit (Ids) in Cologne last week.
“As a distributor you need to build a brand which allows you to create an audience that knows about the company even before a particular film is released. We are not...
- 10/24/2023
- by Martin Blaney
- ScreenDaily
Spanish distributors will present their international titles to exhibitors, broadcasters and platforms st the Merci market.
Seminci, the Valladolid International Film Week, will host an expanded third edition of Spain’s Independent Film Market for the first time from October 25-27.
Known as Merci Valladolid, the market is jointly organised by Seminci and the Association of Independent Film Distributors (Adicine).
The market used to be held at the Seville European Film Festival, which was previously run by Seminici’s new director José Luis Cienfuegos.
Sixteen Spanish independent distributors will present their international titles to exhibitors, television networks and platforms at Merci Valladolid.
Seminci, the Valladolid International Film Week, will host an expanded third edition of Spain’s Independent Film Market for the first time from October 25-27.
Known as Merci Valladolid, the market is jointly organised by Seminci and the Association of Independent Film Distributors (Adicine).
The market used to be held at the Seville European Film Festival, which was previously run by Seminici’s new director José Luis Cienfuegos.
Sixteen Spanish independent distributors will present their international titles to exhibitors, television networks and platforms at Merci Valladolid.
- 10/24/2023
- by Emilio Mayorga
- ScreenDaily
Sixth edition of European Work in Progress in Cologne ran October 16-18.
Projects from China, Ethiopia, Croatia and Germany were among the prize-winners at the sixth edition of European Work in Progress (Ewip) in Cologne (October 16-18).
A jury comprising Michael Stütz, head of the Berlinale’s Panorama section, Zdf commissioning editor Holger Stern, Magnolia Pictures’ head of international sales Lorina Lee Torres, Zurich Film Festival head of programme and industry Reta Guetg, and Chinese film producer Haixia “Hattie” Yu, awarded in-kind prizes worth a total of €61,500 at an awards ceremony on Tuesday evening (October 17).
Swiss-American director Jasmin Gordon’s...
Projects from China, Ethiopia, Croatia and Germany were among the prize-winners at the sixth edition of European Work in Progress (Ewip) in Cologne (October 16-18).
A jury comprising Michael Stütz, head of the Berlinale’s Panorama section, Zdf commissioning editor Holger Stern, Magnolia Pictures’ head of international sales Lorina Lee Torres, Zurich Film Festival head of programme and industry Reta Guetg, and Chinese film producer Haixia “Hattie” Yu, awarded in-kind prizes worth a total of €61,500 at an awards ceremony on Tuesday evening (October 17).
Swiss-American director Jasmin Gordon’s...
- 10/19/2023
- by Martin Blaney
- ScreenDaily
Andrey Zvyagintsev, the two-time Oscar-nominated Russian filmmaker of “Loveless” and “Leviathan,” will next direct “Jupiter,” a politically-minded movie set to shoot in Spain and France next spring.
The movie will tell the story of a Russian oligarch’s reckoning with the harsh reality of his family’s future.
Anonymous Content and Lorem Ipsum Entertainment (“War on Everyone”) are producing “Jupiter” alongside Les Films du Losange (“A Silence”) in France and Elastica Films (“Anatomy of a Fall”) in Spain. Zvyagintsev will reteam with his regular crew, including cinemtographer Mikhail Krichman and production designer Andrey Ponkratov, who worked “Loveless” and “Leviathan.”
“Jupiter” is set in the seemingly impenetrable world of the ultra-wealthy and is being described by the producers as an “unrelenting exploration of power and corruption.”
Zvyagintsev said “Jupiter” will be a “very modern story” which “goes beyond today’s political context.” “The nature of absolute power is a universal theme,...
The movie will tell the story of a Russian oligarch’s reckoning with the harsh reality of his family’s future.
Anonymous Content and Lorem Ipsum Entertainment (“War on Everyone”) are producing “Jupiter” alongside Les Films du Losange (“A Silence”) in France and Elastica Films (“Anatomy of a Fall”) in Spain. Zvyagintsev will reteam with his regular crew, including cinemtographer Mikhail Krichman and production designer Andrey Ponkratov, who worked “Loveless” and “Leviathan.”
“Jupiter” is set in the seemingly impenetrable world of the ultra-wealthy and is being described by the producers as an “unrelenting exploration of power and corruption.”
Zvyagintsev said “Jupiter” will be a “very modern story” which “goes beyond today’s political context.” “The nature of absolute power is a universal theme,...
- 9/28/2023
- by Elsa Keslassy
- Variety Film + TV
In what marks a departure in her filmmaking, Carla Simon, director of Berlin Golden Bear winner “Alcarràs,” is preparing a flamenco musical for her fourth feature.
Like “Alcarràs,” the project is set to be produced by María Zamora at her Valencia-based production-distribution house Elastica Films.
“Romería,” the third part of Simón’s trilogy begun by 2017’s “Summer 1993,” is still set to shoot in Summer 2024, Zamora told Variety.
“But we can’t wait to start shaping this fascinating proposal that excites me as a producer,”she added.
Simón describes the new film as a “neorealist flamenco musical in the neighbourhood of La Mina, Barcelona.”
“Since I discovered that my biological mother was passionate about flamenco, a great curiosity began to grow in me for this genre, because of its history and its exceptional capacity to connect directly with emotion,” she explained to Variety.
“This time music and dance will become the...
Like “Alcarràs,” the project is set to be produced by María Zamora at her Valencia-based production-distribution house Elastica Films.
“Romería,” the third part of Simón’s trilogy begun by 2017’s “Summer 1993,” is still set to shoot in Summer 2024, Zamora told Variety.
“But we can’t wait to start shaping this fascinating proposal that excites me as a producer,”she added.
Simón describes the new film as a “neorealist flamenco musical in the neighbourhood of La Mina, Barcelona.”
“Since I discovered that my biological mother was passionate about flamenco, a great curiosity began to grow in me for this genre, because of its history and its exceptional capacity to connect directly with emotion,” she explained to Variety.
“This time music and dance will become the...
- 9/22/2023
- by Pablo Sandoval and John Hopewell
- Variety Film + TV
Spanish cinema has undoubtedly been making a strong imprint on the international film festival circuit throughout the last few years and, crucially, there’s a new wave of female filmmakers that are driving this charge.
Carla Simon’s Alcarràs took the Golden Bear in Berlin last year, while Elena Lopez Riera and Clara Roquet debuted their respective films The Water and Libertad in Cannes as well as Elena Martin’s feature debut Creatura, which played in the festival’s Directors Fortnight section this year.
So at this year’s San Sebastian International Film Festival, it’s unsurprising that the trend is continuing as three Spanish films in official competition this year are directed and produced by women: Isabel Coixet’s Un Amor, based on a bestselling novel by Sara Mesa, which is produced by Marisa Fernández Armenteros and Sandra Hermida; Sultana’s Dream, the debut feature from Isabel Herguera which...
Carla Simon’s Alcarràs took the Golden Bear in Berlin last year, while Elena Lopez Riera and Clara Roquet debuted their respective films The Water and Libertad in Cannes as well as Elena Martin’s feature debut Creatura, which played in the festival’s Directors Fortnight section this year.
So at this year’s San Sebastian International Film Festival, it’s unsurprising that the trend is continuing as three Spanish films in official competition this year are directed and produced by women: Isabel Coixet’s Un Amor, based on a bestselling novel by Sara Mesa, which is produced by Marisa Fernández Armenteros and Sandra Hermida; Sultana’s Dream, the debut feature from Isabel Herguera which...
- 9/19/2023
- by Diana Lodderhose
- Deadline Film + TV
Georgia Oakley’s ‘Blue Jean’ won the audience award.
French cinema is this year the true winner at Seville European Film Festival (Seff), as France’s production companies are involved in the production of the eight main prizes at the Seville’s event which wrapped on Saturday.
Alice Diop’s first fiction feature Saint Omer adds Seville’s best feature award, the Golden Giraldillo to its brilliant career kicking off at Venice where it took the Silver Lion award.
The film has also been nomimated for France’s prestigiousLouis Delluc prize in both best feature and best debut categories and...
French cinema is this year the true winner at Seville European Film Festival (Seff), as France’s production companies are involved in the production of the eight main prizes at the Seville’s event which wrapped on Saturday.
Alice Diop’s first fiction feature Saint Omer adds Seville’s best feature award, the Golden Giraldillo to its brilliant career kicking off at Venice where it took the Silver Lion award.
The film has also been nomimated for France’s prestigiousLouis Delluc prize in both best feature and best debut categories and...
- 11/13/2022
- by Emilio Mayorga
- ScreenDaily
Every country chooses one film to submit to the Oscar race for the Best International Feature category, and many of them make obvious selections, but Spain’s process can be especially unpredictable. While many countries rely on a small committee to make the decision, Spain’s selection stems from a voting process by the 1,500 members of its Academy of Cinematic Arts and Sciences. That has yielded the occasional preference for a commercial title over more celebrated possibilities, such as last year’s decision to submit the Javier Bardem corporate comedy “The Good Boss” over Pedro Almodóvar’s acclaimed “Parallel Mothers,” which still managed to secure a Best Actress nomination for Penelope Cruz.
This time, the Spanish Academy went in a more ambitious direction. Many expected the movie industry satire “Official Competition,” which stars Antonio Banderas as a pompous actor and Cruz as his director, to take the spot. Instead, Spain has selected “Alcarrás,...
This time, the Spanish Academy went in a more ambitious direction. Many expected the movie industry satire “Official Competition,” which stars Antonio Banderas as a pompous actor and Cruz as his director, to take the spot. Instead, Spain has selected “Alcarrás,...
- 9/14/2022
- by Eric Kohn
- Indiewire
Focusing on female protagonists, Spanish director Elena López Riera shies away from old tropes of promiscuity, desire, and the sealed fates they typically dictate in her first feature film, “El Agua.”
Sold by Adeline Fontan-Tessau-headed Elle Driver for international and distributed in Spain by Filmin (“Lucas”) and producer Maria Zamora and distributor Enrique Costa’s Elastica Films (“Alcarrès”), the film keeps one foot planted firmly in reality, using found and documentary-style footage dispersed throughout to highlight a raw narrative. The other foot loosely traces the boundaries of ominous lore that’s woven through the narrative like fine thread, ever-beneath the surface of scenes dealing with young love, strong feminine bonds, and the urge to escape it all and begin anew.
“El Agua” is a co-production between Switzerland’s Alina FIlms (“Azor”), Spain’s Suica Films (“Lobster Soup”) and France’s Les Films du Worso (“Tumbuktu”), in conjunction with Swiss public broadcaster Radio Télévision Suisse.
Sold by Adeline Fontan-Tessau-headed Elle Driver for international and distributed in Spain by Filmin (“Lucas”) and producer Maria Zamora and distributor Enrique Costa’s Elastica Films (“Alcarrès”), the film keeps one foot planted firmly in reality, using found and documentary-style footage dispersed throughout to highlight a raw narrative. The other foot loosely traces the boundaries of ominous lore that’s woven through the narrative like fine thread, ever-beneath the surface of scenes dealing with young love, strong feminine bonds, and the urge to escape it all and begin anew.
“El Agua” is a co-production between Switzerland’s Alina FIlms (“Azor”), Spain’s Suica Films (“Lobster Soup”) and France’s Les Films du Worso (“Tumbuktu”), in conjunction with Swiss public broadcaster Radio Télévision Suisse.
- 5/19/2022
- by Holly Jones
- Variety Film + TV
María Zamora is the Spanish producer of Carla Simón’s Golden Bear winner ’Alcarras’.
María Zamora, the Spanish producer of Carla Simón’s Golden Bear winner Alcarràs, has acquired the novel Miss Marte and is developing the screenplay as a TV series.
It will be a collaboration between Zamora’s Elastica Films with Matriuska Producciones.
Eduard Solà has written the series bible and script for the pilot. Zamora is now talking to streamers for what is planned to be 30-minute episodes, each with a different character’s perspective.
Miss Marte is set in Galicia over 25 years from the early 1990s.
María Zamora, the Spanish producer of Carla Simón’s Golden Bear winner Alcarràs, has acquired the novel Miss Marte and is developing the screenplay as a TV series.
It will be a collaboration between Zamora’s Elastica Films with Matriuska Producciones.
Eduard Solà has written the series bible and script for the pilot. Zamora is now talking to streamers for what is planned to be 30-minute episodes, each with a different character’s perspective.
Miss Marte is set in Galicia over 25 years from the early 1990s.
- 5/19/2022
- by Elisabet Cabeza
- ScreenDaily
Welcome to International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. This week, as the 75th edition of the Cannes Film Festival has just kicked off, we’re talking to Enrique Costa and María Zamora, co-founders of Spanish distribution and production banner Elastica Films. At just a year old, the company is already making waves in the independent sector. They tell us about the company’s first year, their love of cinema and how they build films that connect with audiences.
At last year’s pared-down Cannes Film Festival, Enrique Costa and María Zamora touched down on the Croisette having just launched their new Spanish distribution-production banner Elastica Films. The pandemic continued to wreak havoc on the theatrical business and that usual buzzy market feeling felt notably muted compared to previous years.
But that didn...
At last year’s pared-down Cannes Film Festival, Enrique Costa and María Zamora touched down on the Croisette having just launched their new Spanish distribution-production banner Elastica Films. The pandemic continued to wreak havoc on the theatrical business and that usual buzzy market feeling felt notably muted compared to previous years.
But that didn...
- 5/18/2022
- by Diana Lodderhose
- Deadline Film + TV
Madrid-based Avalon is transforming from a prestige producer-distributor into an industrial force.
Founded by CEO Stefan Schmitz in 1996, Avalon has carved a reputation most recently for co-producing and releasing in Spain Carla Simon’s “Summer 1993,” a Berlin 2017 First Feature Award winner. It co-produced Clara Roquet’s Cannes Critics’ Week entry “Libertad.”
The shingle, set to distribute “Benedetta” and “Bergman Island” in Spain, now has an 11-title production slate, both features and drama series, taking in new titles from leading lights in a new generation of female Catalan cineastes.
Simón herself has rural family drama “Alcarrás” in shooting and is developing her third feature, “Romería,” “a kind of continuation of ‘Summer 93,’” Schmitz said. “Alcarrás“ – “a highly cinematographic, and bigger budgeted Spanish independent film,” said Schmitz – is being sold by MK2.
“Libertad” director Clara Roquet is co-writing “Creatura,” set up at San Sebastian project lab Ikusmira Berriak, from Malaga best director...
Founded by CEO Stefan Schmitz in 1996, Avalon has carved a reputation most recently for co-producing and releasing in Spain Carla Simon’s “Summer 1993,” a Berlin 2017 First Feature Award winner. It co-produced Clara Roquet’s Cannes Critics’ Week entry “Libertad.”
The shingle, set to distribute “Benedetta” and “Bergman Island” in Spain, now has an 11-title production slate, both features and drama series, taking in new titles from leading lights in a new generation of female Catalan cineastes.
Simón herself has rural family drama “Alcarrás” in shooting and is developing her third feature, “Romería,” “a kind of continuation of ‘Summer 93,’” Schmitz said. “Alcarrás“ – “a highly cinematographic, and bigger budgeted Spanish independent film,” said Schmitz – is being sold by MK2.
“Libertad” director Clara Roquet is co-writing “Creatura,” set up at San Sebastian project lab Ikusmira Berriak, from Malaga best director...
- 7/11/2021
- by John Hopewell
- Variety Film + TV
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