Alireza Khatami and Ali Asgari‘s “Terrestrial Verses,” the sole Iranian film which premiered in Cannes’ official selection, has been acquired by KimStim for North American distribution. The movie, represented in international markets by Films Boutique, will soon play at U.S. festivals, including Chicago, Mill Valley and AFI Fest.
A satire of the Iranian regime, “Terrestrial Verses” follows everyday people from all walks of life as they navigate the cultural, religious and institutional constraints imposed on them by various social authorities, from school teachers to bureaucrats.
“We were struck by the film’s intelligence, thought-provoking ideas and elegant commentary on the experiences of ordinary citizens in Iran,” said Ian Stimmler, KimStim’s co-president. “The film will surely provoke spirited conversations with its dark sense of humor and its depiction of the cultural and religious constraints placed on everyday people there, especially women,” Stimmler continued.
Asgari, who attended the Cannes...
A satire of the Iranian regime, “Terrestrial Verses” follows everyday people from all walks of life as they navigate the cultural, religious and institutional constraints imposed on them by various social authorities, from school teachers to bureaucrats.
“We were struck by the film’s intelligence, thought-provoking ideas and elegant commentary on the experiences of ordinary citizens in Iran,” said Ian Stimmler, KimStim’s co-president. “The film will surely provoke spirited conversations with its dark sense of humor and its depiction of the cultural and religious constraints placed on everyday people there, especially women,” Stimmler continued.
Asgari, who attended the Cannes...
- 10/13/2023
- by Elsa Keslassy
- Variety Film + TV
Selvajara
With what feels like the start of a new decade with one too many overlapping projects, Portuguese filmmaker Miguel Gomes finally laid the long-gestating Savagery to bed. Written by Gomes alongside The Tsugua Diaries co-director Maureen Fazendeiro, along with Telmo Churro and Mariana Ricardo, Selvajara is an adaptation of the Brazilian novel Rebellion in the Backlands by Euclides da Cunha. production companies include: O Som e a Fúria (Portugal), Shellac Sud (France), Bananeira Filmes (Brazil), Komplizen Film (Germany) and Piano (Mexico).
Gist: This is a chronicle of a bloody war that pitted the inhabitants of the hamlet of Canudos, led by their prophet, against the army of the young Brazilian Republic in 1897.…...
With what feels like the start of a new decade with one too many overlapping projects, Portuguese filmmaker Miguel Gomes finally laid the long-gestating Savagery to bed. Written by Gomes alongside The Tsugua Diaries co-director Maureen Fazendeiro, along with Telmo Churro and Mariana Ricardo, Selvajara is an adaptation of the Brazilian novel Rebellion in the Backlands by Euclides da Cunha. production companies include: O Som e a Fúria (Portugal), Shellac Sud (France), Bananeira Filmes (Brazil), Komplizen Film (Germany) and Piano (Mexico).
Gist: This is a chronicle of a bloody war that pitted the inhabitants of the hamlet of Canudos, led by their prophet, against the army of the young Brazilian Republic in 1897.…...
- 1/17/2023
- by Eric Lavallée
- IONCINEMA.com
As Estações
We look forward to charting the future filmography of Maureen Fazendeiro – the French filmmaker based in Lisbon who recently gave us The Tsugua Diaries – the Director’s Fortnight selected film directed alongside Miguel Gomes. Her latest project (and solo debut) project blurs the lines between fic and docu. The Seasons is produced by Norte Productions’ Valentina Novati and O Som e a Fúria’s Luís Urbano. A FIDLab project in Marseille, this digs back into the history books.
Gist: The film travels at the pace of the seasons through the real and fictional story of a region in Portugal, the Alentejo, and the peoples who have lived there.…...
We look forward to charting the future filmography of Maureen Fazendeiro – the French filmmaker based in Lisbon who recently gave us The Tsugua Diaries – the Director’s Fortnight selected film directed alongside Miguel Gomes. Her latest project (and solo debut) project blurs the lines between fic and docu. The Seasons is produced by Norte Productions’ Valentina Novati and O Som e a Fúria’s Luís Urbano. A FIDLab project in Marseille, this digs back into the history books.
Gist: The film travels at the pace of the seasons through the real and fictional story of a region in Portugal, the Alentejo, and the peoples who have lived there.…...
- 1/16/2023
- by Eric Lavallée
- IONCINEMA.com
After crafting one of the most playfully inventive lockdown films with this year’s The Tsugua Diaries (co-directed by Maureen Fazendeiro), Portuguese director Miguel Gomes has ventured back into the world with two upcoming projects.
First up, Cineuropa confirms his upcoming feature Selvajaria is “in the can” after being delayed by the pandemic. “The imaginative gaze of filmmaker Miguel Gomes brings to the screen a fundamental text of Brazilian literature, Rebellion in the Backlands, Euclides da Cunha’s account of the 1897 war between the nascent Republic’s army and the native inhabitants of Canudos,” Locarno Film Festival noted. “This epic movie on the end of the symbiosis between humans and nature has faced major obstacles due to the complex political situation in Brazil, with a protracted pre-production phase that involves historical reconstruction of the village and close collaboration with the descendants of the Canudos.”
While we await a 2023 festival premiere for his latest,...
First up, Cineuropa confirms his upcoming feature Selvajaria is “in the can” after being delayed by the pandemic. “The imaginative gaze of filmmaker Miguel Gomes brings to the screen a fundamental text of Brazilian literature, Rebellion in the Backlands, Euclides da Cunha’s account of the 1897 war between the nascent Republic’s army and the native inhabitants of Canudos,” Locarno Film Festival noted. “This epic movie on the end of the symbiosis between humans and nature has faced major obstacles due to the complex political situation in Brazil, with a protracted pre-production phase that involves historical reconstruction of the village and close collaboration with the descendants of the Canudos.”
While we await a 2023 festival premiere for his latest,...
- 12/6/2022
- by Jordan Raup
- The Film Stage
Mubi has announced its lineup of streaming offerings for next month and amongst the highlights is a tribute to Tilda Swinton, featuring I Am Love and a trio of early films: Cycling Frame, The Box, and Egomania: Island Without Hope. There’s also a handful of notable festival favorites and new releases from the past year or so, including Maureen Fazendeiro and Miguel Gomes’ The Tsugua Diaries, Charlotte Gainsbourg’s Jane by Charlotte, Ted Fendt’s Outside Noise, Émilie Aussel’s Our Eternal Summer, and Kofi Ofosu-Yeboah’s Public Toilet Africa.
Also including films by Takashi Miike, Fatih Akin, Zhang Yimou, Albert Maysles, Andrew Dominik, Rick Alverson, and more check out the lineup below and get 30 days free here.
August 1 – Ichi the Killer, directed by Takashi Miike | Takashi Miike: A Double Bill
August 2 – Nest, directed by Hlynur Palmason | Brief Encounters
August 3 – Our Eternal Summer, directed by Émilie Aussel | Festival Focus:...
Also including films by Takashi Miike, Fatih Akin, Zhang Yimou, Albert Maysles, Andrew Dominik, Rick Alverson, and more check out the lineup below and get 30 days free here.
August 1 – Ichi the Killer, directed by Takashi Miike | Takashi Miike: A Double Bill
August 2 – Nest, directed by Hlynur Palmason | Brief Encounters
August 3 – Our Eternal Summer, directed by Émilie Aussel | Festival Focus:...
- 7/26/2022
- by Jordan Raup
- The Film Stage
Projects from across Europe and Asia receive post-production prizes.
Upcoming projects from Romanian filmmaker Cristi Puiu and Laotian director Kiyé Simon Luang have won prizes at FIDLab, the co-production incubator of French festival FIDMarseille.
The 14th edition of the showcase, known for its focus on experimental documentary and fiction features, spread its awards of post-production prizes or residency places across all 11 selected projects.
Scroll down for full list of prizes
The Micro Climat Studios prize, offering a range of post-production services, went to Mmxx, an ensemble drama from Romanian director Puiu. The film, which revolves around a therapist, her younger brother,...
Upcoming projects from Romanian filmmaker Cristi Puiu and Laotian director Kiyé Simon Luang have won prizes at FIDLab, the co-production incubator of French festival FIDMarseille.
The 14th edition of the showcase, known for its focus on experimental documentary and fiction features, spread its awards of post-production prizes or residency places across all 11 selected projects.
Scroll down for full list of prizes
The Micro Climat Studios prize, offering a range of post-production services, went to Mmxx, an ensemble drama from Romanian director Puiu. The film, which revolves around a therapist, her younger brother,...
- 7/11/2022
- by Michael Rosser
- ScreenDaily
Romania’s Puiu competed for the Palme d’Or in 2016 with ‘Sieranevada’.
The next feature from feted Romanian filmmaker Cristi Puiu is among 12 titles selected for FIDLab, the co-production incubator of French festival FIDMarseille.
The 14th edition of the showcase, known for its focus on experimental documentary and fiction features, is set to be held from July 7-8 and will return as an in-person for the first time since 2019.
Scroll down for full list of titles
The selection includes Mmxx, an ensemble drama from Romanian director Puiu that revolves around a therapist, her younger brother, husband and an organised crime investigator.
The next feature from feted Romanian filmmaker Cristi Puiu is among 12 titles selected for FIDLab, the co-production incubator of French festival FIDMarseille.
The 14th edition of the showcase, known for its focus on experimental documentary and fiction features, is set to be held from July 7-8 and will return as an in-person for the first time since 2019.
Scroll down for full list of titles
The selection includes Mmxx, an ensemble drama from Romanian director Puiu that revolves around a therapist, her younger brother, husband and an organised crime investigator.
- 5/27/2022
- by Michael Rosser
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Sylvia Kristel in Emmanuelle (1974). Audrey Diwan, whose film Happening won last year's Golden Lion at Venice, will be directing an English-language adaptation of the erotic novel Emmanuelle. The film will star Léa Seydoux in the titular role, which was first played by the great Sylvia Kristel. Ahead of this new iteration of Emmanuelle, we also recommend reading Abbey Bender's reappraisal of the subversive softcore series.Lynne Ramsay has announced her next feature: an adaptation of Margaret Atwood's short story Stone Mattress, starring Julianne Moore and Sandra Oh. The story takes place on a cruise into the Arctic Passage, where protagonist Verna (to be played by Moore) encounters a man from her past.Recommended VIEWINGThe trailer for Three Thousand Years of Longing, George Miller's first film since 2015's Mad Max: Fury Road.
- 5/25/2022
- MUBI
As filmmakers grapple with the pandemic and life during lockdown, few filmmakers have created a work as artfully expressive as The Tsugua Diaries, Maureen Fazendeiro and Miguel Gomes’ study of movie-making. Ahead of a theatrical release beginning on May 27 at Film at Lincoln Center, before expanding across the country, KimStim have now released a new trailer as well as a gorgeous poster.
Soham Gadre said in our TIFF review, “Throughout The Tsugua Diaries we see a still shot of two fruit that change color, initially rotting, then in the ripe stage, and then un-ripened. Finally, we see how it was actually picked from the tree. This contextualizes the film in a way that its characters and creators are self-aware of their project and choose to use the fruit as a means of documenting and reminding themselves of the passing of days. This is perhaps the most relatable depiction and examination...
Soham Gadre said in our TIFF review, “Throughout The Tsugua Diaries we see a still shot of two fruit that change color, initially rotting, then in the ripe stage, and then un-ripened. Finally, we see how it was actually picked from the tree. This contextualizes the film in a way that its characters and creators are self-aware of their project and choose to use the fruit as a means of documenting and reminding themselves of the passing of days. This is perhaps the most relatable depiction and examination...
- 5/3/2022
- by Jordan Raup
- The Film Stage
There’s just so much summer in “The Tsugua Diaries” — great lashings of sunlight warming and slightly melting every 16mm frame, tangles of hyper-green foliage that seem to sweat in the heat, a generally horny, indolent air of human mischief — that you’d be forgiven for assuming “Tsugua” is some idyllic holiday spot you’ve never heard of, the best-kept secret on the Algarve. As with many elements of Miguel Gomes and Maureen Fazendeiro’s woozy, insouciant experiment, however, a longer look reveals something both surprising and simple. “Tsugua” is simply “August” spelled backwards, which certainly ties into the film’s humid seasonality, and also clues us into its modus operandi.
Everything unfolds backwards in this film about filmmaking under curious circumstances, only gradually revealing the motivations and points of view driving the enterprise, and playfully withholding any sense of what it might all be about. “The Tsugua Diaries” is...
Everything unfolds backwards in this film about filmmaking under curious circumstances, only gradually revealing the motivations and points of view driving the enterprise, and playfully withholding any sense of what it might all be about. “The Tsugua Diaries” is...
- 10/15/2021
- by Guy Lodge
- Variety Film + TV
A few hours before the 2021 New York Film Festival opened with Joel Coen’s “The Tragedy of Macbeth,” Lady Macbeth herself sat onstage for a press conference in Lincoln Center and unleashed the ultimate understatement. “In 400 years, everybody’s done almost everything,” Frances McDormand said. “It’s not like we’re inventing anything new.”
She was referring to the daunting odds of her director-husband’s stark, expressionistic take on the ultimate Shakespearean tragedy, though she may as well have been addressing the greatest crisis in modern creativity, and one that the movies face more than most other mediums. With its silent cinema aesthetic and gruff, visceral performances, “Macbeth” certainly provides an original take on one very familiar narrative. But NYFF, as a whole, projects an ethos altogether different from other prominent festivals on the fall circuit, as its curatorial strategy heralds the art of the new.
Throughout the winding path...
She was referring to the daunting odds of her director-husband’s stark, expressionistic take on the ultimate Shakespearean tragedy, though she may as well have been addressing the greatest crisis in modern creativity, and one that the movies face more than most other mediums. With its silent cinema aesthetic and gruff, visceral performances, “Macbeth” certainly provides an original take on one very familiar narrative. But NYFF, as a whole, projects an ethos altogether different from other prominent festivals on the fall circuit, as its curatorial strategy heralds the art of the new.
Throughout the winding path...
- 10/2/2021
- by Eric Kohn
- Indiewire
Unfolding like an arthouse version of that joke about what you get when you play a country song backward, Miguel Gomes and Maureen Fazendeiro’s “The Tsugua Diaries” chronicles a fictional 2020 film shoot abandoned due to a Covid protocol breach, in a backward-running narrative. An opening title card reads “Day 22,” and, eventually, a sequence at a time, “The Tsugua Diaries” rewinds to Day 1, the film-within-the-film gets its sound guy back, gets its permits back, and its shared sense of artistic purpose returns…
Read More: New York Film Festival 2021: The 17 Most Anticipated Films
With its inward-turned focus and quasi-incestuous relationships, every film shoot is a “bubble” to use the era-appropriate term.
Continue reading ‘The Tsugua Diaries’: Miguel Gomes & Maureen Fazendeiro Deconstruct Filmmaking In A Meta-Arthouse ‘Tenet’ [NYFF Review] at The Playlist.
Read More: New York Film Festival 2021: The 17 Most Anticipated Films
With its inward-turned focus and quasi-incestuous relationships, every film shoot is a “bubble” to use the era-appropriate term.
Continue reading ‘The Tsugua Diaries’: Miguel Gomes & Maureen Fazendeiro Deconstruct Filmmaking In A Meta-Arthouse ‘Tenet’ [NYFF Review] at The Playlist.
- 9/26/2021
- by Mark Asch
- The Playlist
It is already known to all that 2020 was the year that the earth stopped, a year of limitations and confinement. However, this does not apply to the imagination. The proof for this is The Tsugua Diaries, the “pandemic film” of the marriage formed by Maureen Fazendeiro and Miguel Gomes, a project that was born only a few months after the global emergency lockdown began.During confinement, both directors faced seeing their projects put on hold and were feeling jaded from the sensation of living a Groundhog Day existence. Still, they were unable to stop their creative instincts, so they called upon a series of friends, regular collaborators and some new faces, to embark on this minimalistic film project—the only one which was possible at the time. A kind of meta-fictional social experiment that, from an apparent naivete, seeks to portray a specific historical moment while approaching concepts such as friendship,...
- 9/23/2021
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Kenneth Branagh's Belfast.The Toronto International Film Festival has come to a close, with Kenneth Branagh’s semi-autobiographical drama Belfast claiming the TIFF People’s Choice Award and Kamila Andini's coming-of-age film Yuni taking home the Platform Prize. Hot off of last year's Tenet, Christopher Nolan has made a deal with Universal to back his next film, which is centered on the theoretical physicist and one of the "fathers of the atomic bomb," J. Robert Oppenheimer. The deal marks the end of Nolan's lengthy working relationship with Warner Bros. and gives the auteur "total creative control, at least a 100-day theatrical window, around a $100 million budget, equal marketing spend, 20 percent of first-dollar gross, and a blackout period where the studio would not release another movie for three weeks before and after the feature.
- 9/22/2021
- MUBI
One of the most acclaimed films on this year’s festival circuit has found a North American home. KimStim have acquired The Tsugua Diaries, Maureen Fazendeiro and Miguel Gomes’ wistful, sunny antidote to lockdown blues that blurs the line between cinema and life. Gomes is the acclaimed Portuguese director of the Arabian Nights trilogy, Fazendeiro an accomplished documentary filmmaker who first collaborated with him as casting director for Arabian Nights. The cast of Tsugua Diaries includes Crista Alfaiate and Carloto Cotta, both of whom starred in Arabian Nights, as well as João Nunes Monteiro.
The film, which KimStim will release in early 2022 in theaters, had its world premiere at Cannes Directors’ Fortnight and screened at Karlovy Vary and TIFF, and will next make its U.S. premiere at the New York Film Festival as the opening night of Currents this Saturday, September 25. KimStim’s Ian Stimler negotiated the deal with...
The film, which KimStim will release in early 2022 in theaters, had its world premiere at Cannes Directors’ Fortnight and screened at Karlovy Vary and TIFF, and will next make its U.S. premiere at the New York Film Festival as the opening night of Currents this Saturday, September 25. KimStim’s Ian Stimler negotiated the deal with...
- 9/20/2021
- by Jordan Raup
- The Film Stage
Film at Lincoln Center on Tuesday revealed the slate for the Currents section of the 2021 New York Film Festival, a slate of cutting-edge and experimental works that showcase fresh voices in contemporary cinema. The section’s opening night film is “The Tsugua Diaries,” a pandemic-era tale that premiered at Cannes Directors’ Fortnight about three housemates in lockdown from Maureen Fazendeiro and Miguel Gomes (“Arabian Nights”).
Currents includes 15 features, plus 36 shorts contained in eight programs, and represent 27 countries. In addition to the Portuguese “The Tsugua Diaries,” several films center around the pandemic. Shengze Zhu’s “A River Runs, Turns, Erases, Replaces,” is a meditation on Wuhan’s urban spaces before and after the outbreak, while Denis Côté’s “Social Hygiene” is an absurdist comedy in which characters exchange frank barbs from a humorous distance.
“Currents is the section of the festival that attests to cinema’s continued capacity for reinvention,” said Dennis Lim,...
Currents includes 15 features, plus 36 shorts contained in eight programs, and represent 27 countries. In addition to the Portuguese “The Tsugua Diaries,” several films center around the pandemic. Shengze Zhu’s “A River Runs, Turns, Erases, Replaces,” is a meditation on Wuhan’s urban spaces before and after the outbreak, while Denis Côté’s “Social Hygiene” is an absurdist comedy in which characters exchange frank barbs from a humorous distance.
“Currents is the section of the festival that attests to cinema’s continued capacity for reinvention,” said Dennis Lim,...
- 8/24/2021
- by Chris Lindahl
- Indiewire
Toronto Film Festival Adds Docs and Midnight Titles Including ‘Titane,’ ‘Attica’ and ‘Neptune Frost’
The Toronto International Film Festival announced which films will fill the TIFF Docs, Midnight Madness, and Wavelength sections at this year’s edition of the event, which runs from Sept. 9-18. The festival also added new titles to the Special Presentation and Contemporary World Cinema programs.
Opening TIFF Docs is the world premiere of “Attica” by Stanley Nelson, which tells the story of the 1971 Attica prison riot. Coming about as a result of the prisoners’ fight for more humane living conditions and lasting for five days, it remains the deadliest prison rebellion in U.S. history.
Wavelengths will open with “Neptune Frost” from directors and married couple Saul Williams and Anisia Uzeyman. The film is billed a sci-fi musical romance between an intersex hacker and a coltan miner that will follow the “virtual marvel born as a result of their union.” This marks the North American premiere of the film,...
Opening TIFF Docs is the world premiere of “Attica” by Stanley Nelson, which tells the story of the 1971 Attica prison riot. Coming about as a result of the prisoners’ fight for more humane living conditions and lasting for five days, it remains the deadliest prison rebellion in U.S. history.
Wavelengths will open with “Neptune Frost” from directors and married couple Saul Williams and Anisia Uzeyman. The film is billed a sci-fi musical romance between an intersex hacker and a coltan miner that will follow the “virtual marvel born as a result of their union.” This marks the North American premiere of the film,...
- 8/4/2021
- by Selome Hailu
- Variety Film + TV
BenedictionThe lineup has been unveiled for the 2021 edition of the Toronto International Film Festival, which will take place over 10 days (September 9-18) both in-person and physically in Toronto, and digitally across Canada. Wavelengths - FEATURESFutura (Pietro Marcello, Francesco Munzi, Alice Rohrwacher)The Girl and the Spider (Ramon Zürcher, Silvan Zürcher)Neptune Frost (Saul Williams, Anisia Uzeyman)A Night of Knowing Nothing (Payal Kapadia)Ste. Anne (Rhayne Vermette)The Tsugua Diaries (Maureen Fazendeiro, Miguel Gomes)Wavelengths - SHORTSThe Capacity for Adequate Anger (Vika Kirchenbauer)Dear Chantal (Querida Chantal) (Nicolás Pereda)earthearthearth (Daïchi Saïto)Inner Outer Space (Laida Lertxundi)Polycephaly in D (Michael Robinson)“The red filter is withdrawn.” (Minjung Kim)Train Again (Peter Tscherkassky)Midnight Madness After Blue (Dirty Paradise) (Bertrand Mandico)Dashcam (Rob Savage)Saloum (Jean Luc Herbulot)Titane (Julia Ducournau)You Are Not My Mother (Kate Dolan)Zalava (Arsalan Amiri)TIFF DOCSAttica (Stanley Nelson)Beba (Rebeca Huntt)Becoming Cousteau...
- 8/4/2021
- MUBI
Titles include a new film from ‘Host’ director Rob Savage.
Toronto International Film Festival (TIFF) has added 35 feature titles to its line-up for 2021, predominantly across the TIFF Docs, Midnight Madness and Wavelengths strands.
The new titles include 11 world premieres, consisting of eight in TIFF Docs and three in Midnight Madness.
Titles in the latter include Dashcam, the new film from Rob Savage, director of 2020 pandemic horror hit Host. Savage was named a Screen Star of Tomorrow in 2013.
Also in the Midnight Madness section is Kate Dolan’s You Are Not My Mother, inspired by the mythology of the Changeling, which...
Toronto International Film Festival (TIFF) has added 35 feature titles to its line-up for 2021, predominantly across the TIFF Docs, Midnight Madness and Wavelengths strands.
The new titles include 11 world premieres, consisting of eight in TIFF Docs and three in Midnight Madness.
Titles in the latter include Dashcam, the new film from Rob Savage, director of 2020 pandemic horror hit Host. Savage was named a Screen Star of Tomorrow in 2013.
Also in the Midnight Madness section is Kate Dolan’s You Are Not My Mother, inspired by the mythology of the Changeling, which...
- 8/4/2021
- by Ben Dalton
- ScreenDaily
New nonfiction films from directors Liz Garbus, Stanley Nelson, and E. Chai Vasarhelyi and Jimmy Chin will screen at the Toronto International Film Festival as part of the TIFF Docs program, TIFF organizers announced on Wednesday.
Nelson’s documentary “Attica” will serve as the opening-night film in the section, while other docs at the festival will include Garbus’ “Becoming Cousteau,” Barry Avrich’s “Oscar Peterson: Black + White,” Penny Lane’s “Listening to Kenny G” and Vasarhelyi and Chin’s “Rescue.”
The festival’s Midnight Madness section will open with the Cannes Palme d’Or winner “Titane,” by Julia Ducournau, while TIFF has also added three Special Presentations films that also premiered in Cannes: Nadav Lapid’s “Ahed’s Knee,” Bruno Dumont’s “France” and Ari Folman’s “Where Is Anne Frank?”
In the Contemporary World Cinema section, additions include Juho Kuosmanen’s “Compartment No. 6” and Khadar Ayderus Ahmed’s “The Gravedigger’s Wife.
Nelson’s documentary “Attica” will serve as the opening-night film in the section, while other docs at the festival will include Garbus’ “Becoming Cousteau,” Barry Avrich’s “Oscar Peterson: Black + White,” Penny Lane’s “Listening to Kenny G” and Vasarhelyi and Chin’s “Rescue.”
The festival’s Midnight Madness section will open with the Cannes Palme d’Or winner “Titane,” by Julia Ducournau, while TIFF has also added three Special Presentations films that also premiered in Cannes: Nadav Lapid’s “Ahed’s Knee,” Bruno Dumont’s “France” and Ari Folman’s “Where Is Anne Frank?”
In the Contemporary World Cinema section, additions include Juho Kuosmanen’s “Compartment No. 6” and Khadar Ayderus Ahmed’s “The Gravedigger’s Wife.
- 8/4/2021
- by Steve Pond
- The Wrap
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Pedro Almodóvar's Parallel Mothers (2021). The lineup for the 2021 Venice Film Festival has been unveiled, featuring the latest from Pedro Almodóvar, Maggie Gyllenhaal, Pablo Larraín, Paul Schrader, Ridley Scott, and more. Find the full lineup here. The New York Film Festival has announced that this year's Centerpiece Selection will be Jane Campion's Power of the Dog, an adaptation of Thomas Savage's novel starring Jesse Plemons, Kirsten Dunst, and Benedict Cumberbatch. New additions to the TIFF roster include Joachim Trier's The Worst Person In The World, Masaaki Yuasa's Inu-Oh, and Ho Wi Ding's Terrorizers. A24 has won the rights to Octavia E. Butler's science-fiction novel Parable of the Sower, and Time director Garrett Bradley is set to direct. The novel follows a girl with a unique gift who rises to...
- 7/28/2021
- MUBI
Films in this year’s Cannes (especially the better ones) have been prone to metafiction—demonstrating and examining the process of making movies, creating images, writing and rehearsing scenes, or editing sound, putting the creative process on full display. It’s hardly a new trend in art cinema—make what you know, love and experience, and your livelihood is bound to bleed in some way or another—but self-reflexity is clearly in style, and Miguel Gomes & Maureen Fazendeiro’s structural, faux making-of puzzle film The Tsugua Diaries may be the most exemplary case. True to its title, the diaristic Tsugua fictitiously dramatizes its own production, which disintegrates […]
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
- 7/16/2021
- by Blake Williams
- Filmmaker Magazine - Blog
Films in this year’s Cannes (especially the better ones) have been prone to metafiction—demonstrating and examining the process of making movies, creating images, writing and rehearsing scenes, or editing sound, putting the creative process on full display. It’s hardly a new trend in art cinema—make what you know, love and experience, and your livelihood is bound to bleed in some way or another—but self-reflexity is clearly in style, and Miguel Gomes & Maureen Fazendeiro’s structural, faux making-of puzzle film The Tsugua Diaries may be the most exemplary case. True to its title, the diaristic Tsugua fictitiously dramatizes its own production, which disintegrates […]
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
- 7/16/2021
- by Blake Williams
- Filmmaker Magazine-Director Interviews
by Cláudio Alves
What an exciting day to be at Cannes this must have been. Asghar Farhadi unveiled a new picture to critical acclaim, with some even stating that A Hero is his greatest work since A Separation. In the main competition, Julia Ducournau also presented her sophomore feature, Titane. After Raw, the new film seems like it will continue the director's exploration on the limits of body horror. As for some sidebar prospects, Miguel Gomes opened his latest work in the Director's Fortnight. The Tsugua Diaries was co-directed with Maureen Fazendeiro and represents Gomes' first feature since Arabian Nights. Unfortunately, another project called Savagery remains incomplete since the pandemic forced the production to halt. In any case, for our homebound Cannes alternative, let's explore the past and best works from these filmmakers…...
What an exciting day to be at Cannes this must have been. Asghar Farhadi unveiled a new picture to critical acclaim, with some even stating that A Hero is his greatest work since A Separation. In the main competition, Julia Ducournau also presented her sophomore feature, Titane. After Raw, the new film seems like it will continue the director's exploration on the limits of body horror. As for some sidebar prospects, Miguel Gomes opened his latest work in the Director's Fortnight. The Tsugua Diaries was co-directed with Maureen Fazendeiro and represents Gomes' first feature since Arabian Nights. Unfortunately, another project called Savagery remains incomplete since the pandemic forced the production to halt. In any case, for our homebound Cannes alternative, let's explore the past and best works from these filmmakers…...
- 7/13/2021
- by Cláudio Alves
- FilmExperience
The analog comeback continues for cinematography, as this week’s Cannes Film Festival boasts 19 titles shot on Kodak film, with eight competing for the Palme D’Or, highlighted by Wes Anderson’s “The French Dispatch” (Searchlight Pictures). The multi-layered ode to journalism, with an ensemble cast consisting ofTilda Swinton, Bill Murray, Timothee Chalamet, Lea Seydoux, Benicio del Toro, Elisabeth Moss, Owen Wilson, and Frances McDormand, was shot in both 35mm color and black-and-white by go-to cinematographer Robert Yeoman.
The other Palme D’Or entries shot on film include Sean Baker’s “Red Rocket” (Dp Drew Daniels), Ildikó Enyedi’s “The Story of My Wife,” (Dp Marcell Rév), Mia Hansen-Løve’s “Bergman Island” (Dp Denis Lenoir), Juho Kuosmanen’s “Compartment No. 6” (Dp Jani-Petteri Passi), Sean Penn’s “Flag Day” (Dp Daniel Moder), Joachim Trier’s “The Worst Person in the World” (Dp Kasper Tuxen), and Apichatpong Weerasethakul’s “Memoria” (Dp Sayombhu Mukdeeprom).
Additionally,...
The other Palme D’Or entries shot on film include Sean Baker’s “Red Rocket” (Dp Drew Daniels), Ildikó Enyedi’s “The Story of My Wife,” (Dp Marcell Rév), Mia Hansen-Løve’s “Bergman Island” (Dp Denis Lenoir), Juho Kuosmanen’s “Compartment No. 6” (Dp Jani-Petteri Passi), Sean Penn’s “Flag Day” (Dp Daniel Moder), Joachim Trier’s “The Worst Person in the World” (Dp Kasper Tuxen), and Apichatpong Weerasethakul’s “Memoria” (Dp Sayombhu Mukdeeprom).
Additionally,...
- 7/6/2021
- by Bill Desowitz
- Indiewire
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSWe are proud to debut the first episode of the Mubi Podcast: Encuentros in co-production with La Corriente del Golfo Podcast. This episode inaugurates a new space for dialogues between some of the most interesting voices in Latin American cinema. Despite knowing each other previously through social channels, this is the first time that Gael García Bernal and Colombian writer Carolina Sanín meet to think together about the relationship between film, acting and life itself. Their enthusiastic conversation covers theories and endearing filmmaking anecdotes about cinema's importance in our lives, and a shared interest in cinematic portrayals of the most essential bond: friendship. To listen to the episode and subscribe on your preferred podcast app, click here.According to a new interview with Telerama, Julie Delpy has turned down a fourth Before film by Richard Linklater,...
- 6/23/2021
- MUBI
It’s now been over half a decade since we’ve last seen a feature from Miguel Gomes––his epic three-part adaptation of Arabian Nights––and while the Lisbon-born director was in the works on his follow-up Selvajaria, the pandemic caused him to refocus his sights on a smaller scale project. Co-directed with Maureen Fazendeiro (casting director for Arabian Nights and co-writer for Gomes’ upcoming projects), The Tsugua Diaries will now premiere at Cannes Directors’ Fortnight and the first trailer has arrived.
In the film, Carloto Cotta, Crista Alfaiate, João Nunes Monteiro are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day … And they are not the only ones. Screen Daily reports the 16mm-shot feature was made in Portugal and represents both “a lockdown journal” and “also a fiction”.
Watch the trailer below with a hat tip to Criterion Daily.
In the film, Carloto Cotta, Crista Alfaiate, João Nunes Monteiro are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day … And they are not the only ones. Screen Daily reports the 16mm-shot feature was made in Portugal and represents both “a lockdown journal” and “also a fiction”.
Watch the trailer below with a hat tip to Criterion Daily.
- 6/18/2021
- by Jordan Raup
- The Film Stage
The lineup for the 2021 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced. See also the full lineups of the Official Selection and Critics’ Week.Our MenFEATURE Films A Chiara (Jonas Carpignano): The story of 15-year-old Chiara whose close-knit family falls apart after her father abandons them in Calabria. Chiara starts to investigate to understand why her father disappeared and as she gets closer to the truth, she is forced to decide what kind of future she wants for herself.Ali & Ava (Clio Barnard): Both lonely for different reasons, Ali and Ava meet through their shared affection for Sofia—the child of Ali’s Slovakian tenants, whom Ava teaches. Over a lunar month, sparks fly and a deep connection begins to grow.Between Two Worlds (Emmanuel Carrère)The Braves (Anaïs Volpé)A Brighter Tomorrow (Yassine Qnia)Clara Sola (Nathalie Álvarez Mesen)The Employer and the Employee (Manuel...
- 6/9/2021
- MUBI
Leading German sales company has a record 13 titles in Official Selection.
Michael Weber’s The Match Factory has revealed it is heading into this year’s Cannes Film Festival with an impressive 13 titles in selection – its biggest assortment of features on the Croisette to date.
Screen can reveal that the leading German sales and production company will handle anthology feature The Year Of The Everlasting Storm, selected for Cannes’ Special Screenings strand, and directed by auteurs Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul.
Also in Special Screenings, the Match Factory will represent...
Michael Weber’s The Match Factory has revealed it is heading into this year’s Cannes Film Festival with an impressive 13 titles in selection – its biggest assortment of features on the Croisette to date.
Screen can reveal that the leading German sales and production company will handle anthology feature The Year Of The Everlasting Storm, selected for Cannes’ Special Screenings strand, and directed by auteurs Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul.
Also in Special Screenings, the Match Factory will represent...
- 6/9/2021
- by Michael Rosser
- ScreenDaily
The lineup for the Cannes Directors Fortnight was revealed on Tuesday, featuring new films by Clio Barnard, Joanna Hogg and Alice Rohrwacher. Of the 24 films selected for the lineup, exactly half have at least one woman director.
The 12 of 24 films in the Cannes Directors Fortnight, which is the independent arm of the Cannes Film Festival kicking off next month, dwarfs the number of female directors in the Cannes main competition lineup, in which only four of the 24 selected movies were directed by women. However, some of the movies for the Directors Fortnight feature women as co-directors, so 12 of 29 of the total directors are women.
The Directors Fortnight will host a special screening of Hogg’s “The Souvenir Part 1,” as “Part 2” will be playing in competition. Other notable films include “A Night of Knowing Nothing,” the first feature by actress Payal Kapadia, and “Hit the Road,” another debut feature by Panah Panahi,...
The 12 of 24 films in the Cannes Directors Fortnight, which is the independent arm of the Cannes Film Festival kicking off next month, dwarfs the number of female directors in the Cannes main competition lineup, in which only four of the 24 selected movies were directed by women. However, some of the movies for the Directors Fortnight feature women as co-directors, so 12 of 29 of the total directors are women.
The Directors Fortnight will host a special screening of Hogg’s “The Souvenir Part 1,” as “Part 2” will be playing in competition. Other notable films include “A Night of Knowing Nothing,” the first feature by actress Payal Kapadia, and “Hit the Road,” another debut feature by Panah Panahi,...
- 6/8/2021
- by Brian Welk
- The Wrap
On the heels of yesterday’s announcement of the Cannes Critics’ Week lineup, now comes confirmation of the 25 movies that will screen in the festival’s other prestigious sidebar section, Directors’ Fortnight. The lineup includes eight debut features, including “Hit the Road” by Jafar Panahi’s son, Panah Panahi. Directors’ Fortnight 2021 opens with Emmanuel Carrère’s “Between Two Worlds,” starring Juliette Binoche as an author experiencing job insecurity. Other notable titles include “A Chiara,” the latest movie from “Mediterranea” and “A Ciambra” director Jonas Carpignano.
Perhaps the biggest draw for U.S. audiences will be the world premiere of Joanna Hogg’s “The Souvenir Part II,” starring Honor Swinton Byrne, Tilda Swinton, Charlie Heaton, Harris Dickinson, and Joe Alwyn. The film is executive produced by Martin Scorsese, who is also an executive producer on Fortnight title “Murina” (directed by Antoneta Alamat Kusijanović). Hogg’s original “The Souvenir” was one...
Perhaps the biggest draw for U.S. audiences will be the world premiere of Joanna Hogg’s “The Souvenir Part II,” starring Honor Swinton Byrne, Tilda Swinton, Charlie Heaton, Harris Dickinson, and Joe Alwyn. The film is executive produced by Martin Scorsese, who is also an executive producer on Fortnight title “Murina” (directed by Antoneta Alamat Kusijanović). Hogg’s original “The Souvenir” was one...
- 6/8/2021
- by Zack Sharf
- Indiewire
The Directors’ Fortnight parallel section of the Cannes Film Festival has unveiled its lineup for the 2021 edition which runs from July 7-17. Scroll down for the full list.
Fortnight chief Paolo Moretti, who took over the reins in 2019, presented the roster from the Forum des Images in Paris, saying, “After a very painful year for everyone, we are happy to present a selection of discovery.” Out of 24 features, 22 filmmakers are showing their films for first time at Cannes. Half of the films this year are directed or co-directed by women including Clio Barnard’s Ali & Ava; documentary Futura from Alice Rohrwacher, Pietro Marcello and Francesco Munzi; and Joanna Hogg’s The Souvenir: Part II with Tilda Swinton and Richard Ayoade.
There are eight debut features in the lineup, including Jadde Khaki (Hit the Road), the first film from Jafar Panahi’s son Panah Panahi, and Antoneta Alamat Kusijanović’s Murina...
Fortnight chief Paolo Moretti, who took over the reins in 2019, presented the roster from the Forum des Images in Paris, saying, “After a very painful year for everyone, we are happy to present a selection of discovery.” Out of 24 features, 22 filmmakers are showing their films for first time at Cannes. Half of the films this year are directed or co-directed by women including Clio Barnard’s Ali & Ava; documentary Futura from Alice Rohrwacher, Pietro Marcello and Francesco Munzi; and Joanna Hogg’s The Souvenir: Part II with Tilda Swinton and Richard Ayoade.
There are eight debut features in the lineup, including Jadde Khaki (Hit the Road), the first film from Jafar Panahi’s son Panah Panahi, and Antoneta Alamat Kusijanović’s Murina...
- 6/8/2021
- by Nancy Tartaglione
- Deadline Film + TV
After canceling its last edition due to the pandemic, Directors’ Fortnight, a section running alongside the Cannes Film Festival, will be back with a stylish and eclectic international lineup, including Joanna Hogg’s highly anticipated “The Souvenir Part II,” Clio Barnard’s “Ali & Ava,” Jonas Carpignano’s “A Chiara,” Saul Williams and Anisia Uzeyman’s Rwanda-set sci-fi film “Neptune Frost,” and Alice Rohrwacher, Pietro Marcello and Francesco Munzi’s “Futura.”
The highlight of this edition will likely be the world premiere of “The Souvenir Part II,” which will mark the first presence of Hogg, an acclaimed British writer-director, at Cannes. The romance-drama is headlined by Tilda Swinton — who will also be in Cannes for “The French Dispatch” and “Memoria” competing in the festival’s Official Selection — as well as Richard Ayoade, Charlie Heaton and Harris Dickinson. Executive produced by Martin Scorsese, the film revolves around a student who begins to...
The highlight of this edition will likely be the world premiere of “The Souvenir Part II,” which will mark the first presence of Hogg, an acclaimed British writer-director, at Cannes. The romance-drama is headlined by Tilda Swinton — who will also be in Cannes for “The French Dispatch” and “Memoria” competing in the festival’s Official Selection — as well as Richard Ayoade, Charlie Heaton and Harris Dickinson. Executive produced by Martin Scorsese, the film revolves around a student who begins to...
- 6/8/2021
- by Elsa Keslassy
- Variety Film + TV
The films in this program, for the most part, seem to pertain to global space, in particular the subjective experience of movement that one can glean from travel, displacement, or the disorienting impact of visual technologies. Now, I know from experience that I always enjoy the disorientations generated by the 3D films of Blake Williams, but sadly I was unable to preview his new film 2008 because I could not secure equipment on which to view it. Apologies for that. The rest of the program is discussed below.Amusement RideQ: What's a "structural film"?
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
- 9/8/2019
- MUBI
Chile is a long country. It takes 12 hours of bus travel from its capital, Santiago, to the city of Valdivia, where one of the most important festivals of the continent happens every October. It’s a two-hour trip by plane, and even that’s surprising considering that the average plane trip from Santiago to Mendoza, the nearest city in Argentina, is only 45 minutes long. So, Chile is also a narrow country, and when you live your entire life in it, one gets used to understand this complex piece of land in terms of dualities or pairs: contradicting forces that give this country its unique identity. For example, you have the dry and hot North (with the second most arid desert in the world), and the rainy cold South (where this festival takes place).To better understand the complex panorama and program that this year’s Valdivia festival had to offer,...
- 11/30/2015
- by Jaime Grijalba Gómez
- MUBI
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