In many ways, as both its plot and title indicate, Luciano Ercoli’s jazzy 1970 directorial debut, The Forbidden Photos of a Lady Above Suspicion, is merely highly stylized pastiche. Technically, the title is classified as a “melodrama gialli,” meaning it’s defined by psychological excess rather than the hyper violent aesthetics of the giallo craze, which would shortly take over following Dario Argento’s The Bird with the Crystal Plumage (1970). Instead, Ernesto Gastaldi’s script pays heavy homage to the gaslighting melodrama which popularized international film noir, particularly staples like (of course) Gaslight (1944) and Clouzot’s Diabolique (1955). And the fantastic, unmistakably giallo-y title capitalizes on Elio Petri’s celebrated Investigation of a Citizen Above Suspicion, released only months prior to Ercoli’s film—both Above Suspicion titles are marked by equally idiosyncratic scores from Ennio Morricone.…...
- 2/5/2019
- by Nicholas Bell
- IONCINEMA.com
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