Political turbulence is making it tough for filmmakers in Turkey with ambitions to make movies that can travel globally. But despite many impediments, Turkish auteurs are still managing to maintain a significant presence on the festival circuit.
The past year has seen auteur Nuri Bilge Ceylan back at Cannes with “The Wild Pear Tree”; newcomer Omar Atay’s “Brothers” bowed to positive reviews at Karlovy Vary; Tolga Karacelik’s “Butterfiles” make a splash at Sundance, where it won the Grand Jury prize; and Mahmout Fazil Coskun’s biting “The Announcement,” about a failed 1963 Turkish army coup, scooped the Special Jury nod in Venice’s Horizons section, among other outings.
Kicking off 2019 with an auspicious start is Emin Alper’s third feature, “A Tale of Three Sisters,” competing for a Berlin Golden Bear. Alper’s politically charged drama “Frenzy,” set in a dystopian Istanbul, won Venice’s Jury Special Prize in...
The past year has seen auteur Nuri Bilge Ceylan back at Cannes with “The Wild Pear Tree”; newcomer Omar Atay’s “Brothers” bowed to positive reviews at Karlovy Vary; Tolga Karacelik’s “Butterfiles” make a splash at Sundance, where it won the Grand Jury prize; and Mahmout Fazil Coskun’s biting “The Announcement,” about a failed 1963 Turkish army coup, scooped the Special Jury nod in Venice’s Horizons section, among other outings.
Kicking off 2019 with an auspicious start is Emin Alper’s third feature, “A Tale of Three Sisters,” competing for a Berlin Golden Bear. Alper’s politically charged drama “Frenzy,” set in a dystopian Istanbul, won Venice’s Jury Special Prize in...
- 2/13/2019
- by Nick Vivarelli
- Variety Film + TV
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