Timothy Greenfield-Sanders on direct-to-camera for Toni Morrison: The Pieces I Am: "It really conveys how much Toni is controlling the narrative." Photo: Anne-Katrin Titze
In the first instalment of my conversation with photographer Timothy Greenfield-Sanders, director of Lou Reed: Rock and Roll Heart and Toni Morrison: The Pieces I Am, which took place on the day we heard that Sylvia Miles died, Timothy goes into the direct-to-camera of Shirley Clarke, Andy Warhol's Screen Tests, Warren Beatty's "slightly off camera" Reds, and Errol Morris. Raoul Peck's brilliant I Am Not Your Negro on James Baldwin, Kirk Simon's The Pulitzer At 100, Joanna Hogg's The Souvenir, being seated where Toni Morrison sat for The Black List, and what's in a gaze came up.
Timothy Greenfield-Sanders on Toni Morrison: "I felt it was my portraiture coming to life." Photo: Timothy Greenfield-Sanders
Toni Morrison: The Pieces I Am...
In the first instalment of my conversation with photographer Timothy Greenfield-Sanders, director of Lou Reed: Rock and Roll Heart and Toni Morrison: The Pieces I Am, which took place on the day we heard that Sylvia Miles died, Timothy goes into the direct-to-camera of Shirley Clarke, Andy Warhol's Screen Tests, Warren Beatty's "slightly off camera" Reds, and Errol Morris. Raoul Peck's brilliant I Am Not Your Negro on James Baldwin, Kirk Simon's The Pulitzer At 100, Joanna Hogg's The Souvenir, being seated where Toni Morrison sat for The Black List, and what's in a gaze came up.
Timothy Greenfield-Sanders on Toni Morrison: "I felt it was my portraiture coming to life." Photo: Timothy Greenfield-Sanders
Toni Morrison: The Pieces I Am...
- 6/17/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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