Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday.
Pixar and Studio Ghibli are undeniably the two most preeminent animation studios since the golden age of Disney. One has turned 3D animation into the medium’s dominant aesthetic, and — with this week’s release of “Toy Story 4” — will soon have their fourth $1 billion-grossing film. The other is a more traditional (and director-driven) powerhouse that has enchanted audiences in Japan and around the world for more than 30 years, though its future remains unclear after the death of co-founder Isao Takahata and the semi-retirement of godhead Hayao Miyazaki (who’s currently hard at work on a new Ghibli feature that will be released in time with the 2020 Tokyo Olympics).
The world is wide enough for both Pixar and Ghibli, but this week’s critics’ survey is not: We asked our panel to pick one,...
Pixar and Studio Ghibli are undeniably the two most preeminent animation studios since the golden age of Disney. One has turned 3D animation into the medium’s dominant aesthetic, and — with this week’s release of “Toy Story 4” — will soon have their fourth $1 billion-grossing film. The other is a more traditional (and director-driven) powerhouse that has enchanted audiences in Japan and around the world for more than 30 years, though its future remains unclear after the death of co-founder Isao Takahata and the semi-retirement of godhead Hayao Miyazaki (who’s currently hard at work on a new Ghibli feature that will be released in time with the 2020 Tokyo Olympics).
The world is wide enough for both Pixar and Ghibli, but this week’s critics’ survey is not: We asked our panel to pick one,...
- 6/17/2019
- by David Ehrlich
- Indiewire
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