Guillermo del Toro’s boundless imagination, from the gothic horrors of “Crimson Peak” to the creature-feature-inspired “The Shape of Water,” has been cultivated by a lifelong love of cinema. The Mexican filmmaker proudly wears his influences on his sleeves, while championing the past and future of moviegoing and movie-making. Just take his latest projects.
There’s the stunning, stop-motion “Pinocchio” reimagining, which is leagues better than Disney’s straight-to-streaming competitor — far too slick for its own good (no matter how much Tom Hanks tried). And, also at Netflix, there’s the “Cabinet of Curiosities“: an eight-part horror anthology that unfortunately does not include any directing from del Toro, but does feature his writing, producing, and a Rod Serling-like “Twilight Zone” style intro for each episode.
Before that, the 2021 show business noir “Nightmare Alley” saw del Toro loosely remake a 1947 classic, but he also imbued plenty of his own...
There’s the stunning, stop-motion “Pinocchio” reimagining, which is leagues better than Disney’s straight-to-streaming competitor — far too slick for its own good (no matter how much Tom Hanks tried). And, also at Netflix, there’s the “Cabinet of Curiosities“: an eight-part horror anthology that unfortunately does not include any directing from del Toro, but does feature his writing, producing, and a Rod Serling-like “Twilight Zone” style intro for each episode.
Before that, the 2021 show business noir “Nightmare Alley” saw del Toro loosely remake a 1947 classic, but he also imbued plenty of his own...
- 10/12/2023
- by Wilson Chapman, Christian Zilko and Alison Foreman
- Indiewire
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