The rampaging fires, earthquakes and storms of disaster movies present unusual challenges for a production: On top of the normal work of creating a film’s lived-in and realistic locations, designers must build sets that the forces of nature can batter, flood and ravage into something completely different.
Take “Crawl,” in which a Category 5 hurricane devastates rural Florida and traps a woman and her father in a flooded home infested with wild alligators. Directed by Alexandre Aja and starring Kaya Scodelario and Barry Pepper, the Paramount release presented a very technical challenge for production designer Alan Gilmore.
“We created huge sets on soundstages that had to go from dry to wet — from a normal day in Florida to a day after a massive storm,” he says.
Water is a dynamic, unpredictable force, and it can be tough to determine just what it will do in action. “When a huge wave strikes a building,...
Take “Crawl,” in which a Category 5 hurricane devastates rural Florida and traps a woman and her father in a flooded home infested with wild alligators. Directed by Alexandre Aja and starring Kaya Scodelario and Barry Pepper, the Paramount release presented a very technical challenge for production designer Alan Gilmore.
“We created huge sets on soundstages that had to go from dry to wet — from a normal day in Florida to a day after a massive storm,” he says.
Water is a dynamic, unpredictable force, and it can be tough to determine just what it will do in action. “When a huge wave strikes a building,...
- 7/19/2019
- by Calum Marsh
- Variety Film + TV
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