With Once Upon a Time… in Hollywood, his sixth film with Quentin Tarantino, cinematographer Robert Richardson sought to capture ‘60s Los Angeles in all its glory, filtered through the auteur’s singular aesthetic, as well as his childhood memories.
Following a frustrated television actor struggling to make his transition to features and his loyal stunt double, the starry pic often lingers on the world behind the scenes of Hollywood’s Golden Age, featuring recreations of real television series of the era—including Lancer and Hullabaloo—the fictional Bounty Law, as well as bits of cinematic wizardry that place Leonardo DiCaprio’s Rick Dalton in well-known dramas, like John Sturges’ The Great Escape.
Balancing the overarching aesthetic of Once Upon a Time with that of each of these productions, Richardson wound up shooting with a handful of cameras and many more lenses, on Super 8, 16 and 35mm, daunted by the question...
Following a frustrated television actor struggling to make his transition to features and his loyal stunt double, the starry pic often lingers on the world behind the scenes of Hollywood’s Golden Age, featuring recreations of real television series of the era—including Lancer and Hullabaloo—the fictional Bounty Law, as well as bits of cinematic wizardry that place Leonardo DiCaprio’s Rick Dalton in well-known dramas, like John Sturges’ The Great Escape.
Balancing the overarching aesthetic of Once Upon a Time with that of each of these productions, Richardson wound up shooting with a handful of cameras and many more lenses, on Super 8, 16 and 35mm, daunted by the question...
- 10/30/2019
- by Matt Grobar
- Deadline Film + TV
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