In long-ago 2011—as David Fincher’s daringly innovative The Social Network was about to be upended in the film awards race by Tom Hooper’s neoclassical The King’s Speech—it was a bit shocking to note that Sony and its Columbia Pictures flagship, alone among the major film conglomerates, had scored no Best Picture Oscar winner since Bernardo Bertolucci’s The Last Emperor took the prize in 1988. (Even Disney picked up winners through its Miramax unit.)
The Social Network, a Columbia film, seemed poised to end the 23-year drought; but it was not to be. So who could guess that nine seasons later, Columbia—with ambitious contenders in the field virtually every year—would still be waiting for its break?
Even the Chicago Cubs eventually won the Series. That Columbia will eventually break its losing streak seems inevitable. But whether this will be the year is a question for better guessers than yours truly.
The Social Network, a Columbia film, seemed poised to end the 23-year drought; but it was not to be. So who could guess that nine seasons later, Columbia—with ambitious contenders in the field virtually every year—would still be waiting for its break?
Even the Chicago Cubs eventually won the Series. That Columbia will eventually break its losing streak seems inevitable. But whether this will be the year is a question for better guessers than yours truly.
- 11/24/2019
- by Michael Cieply
- Deadline Film + TV
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