The notion of bringing Watchmen to premium cable was an enticing one, as people anticipated a more nuanced, expansive take on the Alan Moore and Dave Gibbons maxiseries. Then, we were staggered to discover that producer Damon Lindelof intended on going forward in time and exploring what came next.
With some trepidation, we watched when the series debuted last year, but our fears were quickly erased. Regina King was someone new, the world, drastically different while remaining familiar enough. And then when we see Adrian Veidt (Jeremy Irons) and later, Doctor Manhattan (Abdul-Mateen II), it felt just fine.
We open with a jarring reminder of the 1921 Tulsa, Oklahoma race riots that, just last week, is finally getting addressed with recommendations for overdue reparations to descendants. The racial tensions evident here are projected decades ahead, to a time after Ozymandias failed to scare the world straight as seen in the climax of the graphic novel.
With some trepidation, we watched when the series debuted last year, but our fears were quickly erased. Regina King was someone new, the world, drastically different while remaining familiar enough. And then when we see Adrian Veidt (Jeremy Irons) and later, Doctor Manhattan (Abdul-Mateen II), it felt just fine.
We open with a jarring reminder of the 1921 Tulsa, Oklahoma race riots that, just last week, is finally getting addressed with recommendations for overdue reparations to descendants. The racial tensions evident here are projected decades ahead, to a time after Ozymandias failed to scare the world straight as seen in the climax of the graphic novel.
- 6/4/2020
- by Robert Greenberger
- Comicmix.com
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