Update, September 22: Martin Scorsese, a frequent collaborator of Chapman’s, has issued the following statement following the cinematographer’s passing: “I consider myself so fortunate to have been able to work with Michael Chapman. Michael and I made three films together—’Taxi Driver,’ ‘The Last Waltz,’ and ‘Raging Bull,’ and he brought something rare and irreplaceable to each of them.”
Scorsese continues, “I remember when ‘Taxi Driver’ came out and Michael became known as a ‘poet of the streets’—I think that was the wording, and it seemed right to me. Michael was the one who really controlled the visual palette of ‘The Last Waltz,’ and on ‘Raging Bull’ he and his team met every single challenge—and there were so many. One of the greatest of those challenges was shooting in black and white, which Michael had never done before, a fact that still astonishes me. His relationship...
Scorsese continues, “I remember when ‘Taxi Driver’ came out and Michael became known as a ‘poet of the streets’—I think that was the wording, and it seemed right to me. Michael was the one who really controlled the visual palette of ‘The Last Waltz,’ and on ‘Raging Bull’ he and his team met every single challenge—and there were so many. One of the greatest of those challenges was shooting in black and white, which Michael had never done before, a fact that still astonishes me. His relationship...
- 9/22/2020
- by Ryan Lattanzio
- Indiewire
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