‘City of Lies.’
Last weekend’s broad new releases in Australian cinemas included a US crime thriller that was completed in 2018, a political satire that went straight to digital in the US and a melancholy UK drama about a marriage breakdown.
Not surprisingly, ticket sales languished as André Rieu’s Magical Maastricht – Together In Music was the only new title to post a decent per screen average.
Through Sunday, the national box office for the year to date stands at $330 million – a catastrophic 67 per cent decline on the $1.01 billion racked up in the same period in 2019.
Tellingly, the highest-grosser at the Hayden Orpheum Picture Palace last weekend was the Netflix-commissioned Rebecca, a remake of a 1940 Alfred Hitchcock classic adapted from Daphne du Maurier’s Gothic novel.
Directed by Ben Wheatley, the romantic thriller starring Lily James and Armie Hammer follows a young newlywed who arrives at her widower husband...
Last weekend’s broad new releases in Australian cinemas included a US crime thriller that was completed in 2018, a political satire that went straight to digital in the US and a melancholy UK drama about a marriage breakdown.
Not surprisingly, ticket sales languished as André Rieu’s Magical Maastricht – Together In Music was the only new title to post a decent per screen average.
Through Sunday, the national box office for the year to date stands at $330 million – a catastrophic 67 per cent decline on the $1.01 billion racked up in the same period in 2019.
Tellingly, the highest-grosser at the Hayden Orpheum Picture Palace last weekend was the Netflix-commissioned Rebecca, a remake of a 1940 Alfred Hitchcock classic adapted from Daphne du Maurier’s Gothic novel.
Directed by Ben Wheatley, the romantic thriller starring Lily James and Armie Hammer follows a young newlywed who arrives at her widower husband...
- 10/18/2020
- by Don Groves
- IF.com.au
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