A clever example of creativity thriving within the strict protocols of the coronavirus pandemic, tense confinement thriller “Oxygen” plays like “Buried” in outer space: a ticking-clock sci-fi survival drama centered on a single character (“Inglourious Basterds” star Mélanie Laurent) trapped in a spiffy, coffin-like cryochamber with critically low reserves of breathable air. The blank-brained “bioform” awakens ahead of schedule, sealed in some kind of futuristic membrane, with only a helpful Hal 9000-like talking computer called Milo to assist her.
Making his first French-language feature since “High Tension,” extreme-horror helmer Alexandre Aja injects a bit too much outside-the-box style into Christie LeBlanc’s bare-bones, Black List-selected screenplay. But the timing is fortuitous: Here’s a high-concept Netflix movie, originally intended for another actress, that was shot in the window between France’s initial Covid-19 lockdown and the industry-hammering second wave.
Arriving now, as humankind tentatively emerges from a kind of global hypersleep,...
Making his first French-language feature since “High Tension,” extreme-horror helmer Alexandre Aja injects a bit too much outside-the-box style into Christie LeBlanc’s bare-bones, Black List-selected screenplay. But the timing is fortuitous: Here’s a high-concept Netflix movie, originally intended for another actress, that was shot in the window between France’s initial Covid-19 lockdown and the industry-hammering second wave.
Arriving now, as humankind tentatively emerges from a kind of global hypersleep,...
- 5/7/2021
- by Peter Debruge
- Variety Film + TV
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