Chino Moya’s debut is a haunting trilogy of stories that have totalitarianism in their surrealist, satirical sights
A riptide of surrealism runs through Chino Moya’s ambitious debut feature, a fantasy suite of tales that don’t so much interlock as butt into one another and blurt out alarming, dreamlike correspondences.
Related: From Insurgent to Blade Runner: why is the future on film always so grim?...
A riptide of surrealism runs through Chino Moya’s ambitious debut feature, a fantasy suite of tales that don’t so much interlock as butt into one another and blurt out alarming, dreamlike correspondences.
Related: From Insurgent to Blade Runner: why is the future on film always so grim?...
- 5/11/2021
- by Phil Hoad
- The Guardian - Film News
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