This article contains The Woman in the Window spoilers.
Joe Wright’s The Woman in the Window is not shy about its Hitchcockian influence. It’s there in both subtle and overt ways from the very first scene. During one of the film’s opening shots, the camera pans around Amy Adams’ ridiculously spacious New York City brownstone and passes a television screen that is inexplicably playing the ending to Alfred Hitchcock’s Rear Window (1954) in slow-motion, with Jimmy Stewart wrestling against the grip of an out-of-frame Raymond Burr.
With a very similar premise to Rear Window—a slightly deranged New Yorker pries into the hidden lives of her neighbors—The Woman in the Window freely owns up to its influences and aspirations. Sadly, Rear Window, this is not. Which may explain why 20th Century Studios (back when it was called 20th Century Fox) delayed the movie for reshoots, and...
Joe Wright’s The Woman in the Window is not shy about its Hitchcockian influence. It’s there in both subtle and overt ways from the very first scene. During one of the film’s opening shots, the camera pans around Amy Adams’ ridiculously spacious New York City brownstone and passes a television screen that is inexplicably playing the ending to Alfred Hitchcock’s Rear Window (1954) in slow-motion, with Jimmy Stewart wrestling against the grip of an out-of-frame Raymond Burr.
With a very similar premise to Rear Window—a slightly deranged New Yorker pries into the hidden lives of her neighbors—The Woman in the Window freely owns up to its influences and aspirations. Sadly, Rear Window, this is not. Which may explain why 20th Century Studios (back when it was called 20th Century Fox) delayed the movie for reshoots, and...
- 5/18/2021
- by David Crow
- Den of Geek
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