When the Cannes Film Festival jury of Mati Diop, Mylène Farmer, Maggie Gyllenhaal, Jessica Hausner, Mélanie Laurent, Song Kang-ho, Tahar Rahim, and Kleber Mendonça Filho, led by Spike Lee (who announced Julia Ducournau’s Titane as the Palme d’Or winner first), awarded Best Director to Leos Carax for his musical Annette (the opening night selection), starring Marion Cotillard, Adam Driver, and Simon Helberg, accepting the honour (presented by Valeria Golino) were Ron Mael and Russel Mael (Sparks).
“So may we start?” asks the cast in the prologue, marching through the nightly Los Angeles (shot by the great Caroline Champetier), as though they were Judy Garland, Mickey Rooney, and their gang, ready to put on a show. And yet, it doesn’t feel Hollywood, but rather operatic (with costumes by the exquisite Pascaline Chavanne), and a bit Shakespearian in the way...
“So may we start?” asks the cast in the prologue, marching through the nightly Los Angeles (shot by the great Caroline Champetier), as though they were Judy Garland, Mickey Rooney, and their gang, ready to put on a show. And yet, it doesn’t feel Hollywood, but rather operatic (with costumes by the exquisite Pascaline Chavanne), and a bit Shakespearian in the way...
- 7/24/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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