This review of “The Guilty” was first published on Sept. 10, 2021 after the film’s premiere at the Toronto Film Festival
Jake Gyllenhaal has given his share of searing performances in films that premiered at the Toronto International Film Festival, “End of Watch,” “Enemy,” Nightcrawlers,” “Demolition” and “Stronger” among them. But none of them were as completely the Jake Gyllenhaal Show as “The Guilty,” director Antoine Fuqua’s revved-up but tightly-wound adaptation of the 2018 Danish film by Gustav Möller, which premiered at TIFF on Friday.
Sure, there’s a sterling supporting cast that’s seen more than heard, but this Netflix film is a thriller that takes place entirely in two rooms, and most of the time Gyllenhaal is the only person on the screen. If it’s taut and urgent and suspenseful, which it is, it’s because all of that is on the actor’s face and in his voice.
Jake Gyllenhaal has given his share of searing performances in films that premiered at the Toronto International Film Festival, “End of Watch,” “Enemy,” Nightcrawlers,” “Demolition” and “Stronger” among them. But none of them were as completely the Jake Gyllenhaal Show as “The Guilty,” director Antoine Fuqua’s revved-up but tightly-wound adaptation of the 2018 Danish film by Gustav Möller, which premiered at TIFF on Friday.
Sure, there’s a sterling supporting cast that’s seen more than heard, but this Netflix film is a thriller that takes place entirely in two rooms, and most of the time Gyllenhaal is the only person on the screen. If it’s taut and urgent and suspenseful, which it is, it’s because all of that is on the actor’s face and in his voice.
- 9/23/2021
- by Steve Pond
- The Wrap
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