Edgar Wright is trying to cure himself. That’s how the writer-director describes his latest movie Last Night in Soho: a cure for the nostalgia that’s followed him all his life, and which still causes him to daydream against his better judgment about 1960s London as if it were a golden age.
“I have this recurring time travel fantasy about the idea of going back,” Wright says with the air of a confession. “But I think it’s always that thing, this nagging fear that it’s probably a really bad idea.”
It’s a surprising admission for a filmmaker who has spent his career often looking to the past in order to find something new and clever to say about our present. After all, Wright’s breakthrough was directing the game-changing British sitcom Spaced, which featured so many references and nods to the movies he loved that the...
“I have this recurring time travel fantasy about the idea of going back,” Wright says with the air of a confession. “But I think it’s always that thing, this nagging fear that it’s probably a really bad idea.”
It’s a surprising admission for a filmmaker who has spent his career often looking to the past in order to find something new and clever to say about our present. After all, Wright’s breakthrough was directing the game-changing British sitcom Spaced, which featured so many references and nods to the movies he loved that the...
- 9/14/2021
- by David Crow
- Den of Geek
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