By the time Tom Cruise arrived at the Cannes Film Festival for “Top Gun: Maverick,” a movie originally supposed to play at the festival two years ago, he had the seventh “Mission: Impossible” in the bag. Opening night entry “Final Cut” may be the first film from “The Artist” director Michel Hazanavicius since the pandemic hit, but it won’t be the last, as he’s already in post-production on the animated Holocaust drama “The Most Precious of Cargoes.” Russian filmmaker Kirill Serebrennikov finally arrived in Cannes following years of house arrest in the country to premiere “Tchaikovsky’s Wife,” but he’s already halfway through a new production about a Russian exile starring Ben Whishaw.
Seemingly everywhere at this year’s festival are reminders of a global film industry clawing its way back after two horrible pandemic years. Projects started ramping up in recent months, with Cannes arriving right as...
Seemingly everywhere at this year’s festival are reminders of a global film industry clawing its way back after two horrible pandemic years. Projects started ramping up in recent months, with Cannes arriving right as...
- 5/18/2022
- by Eric Kohn
- Indiewire
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