A Walt Disney SILLY SYMPHONY Cartoon Short.
Scores of happy insects are frolicking in the forest & finding many happy ways to keep themselves entertained. In particular, two BUGS IN LOVE are discovering that creepy crawly romance is sweet - that is, until a nasty hungry crow shows up to spoil their day...
Lots of ingenious sight gags, in this black & white cartoon, as Disney's animators explore things insectoid (for example, notice the centipede skin rug).
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
Scores of happy insects are frolicking in the forest & finding many happy ways to keep themselves entertained. In particular, two BUGS IN LOVE are discovering that creepy crawly romance is sweet - that is, until a nasty hungry crow shows up to spoil their day...
Lots of ingenious sight gags, in this black & white cartoon, as Disney's animators explore things insectoid (for example, notice the centipede skin rug).
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.