The ineffable Alice Faye made her film debut in this rousing backstage extravaganza, an interesting assembly of Broadway revue, comic sketches, songs, and dancing, in which she played an aspiring singer Kitty Donnelly and her romance with Rudy Valle. Although the movie is loaded with big-scale Busby Berkeley-inspired production numbers, its chief virtue is to watch and be mesmerized by Faye's glorious singing, her distinctive contralto voice.
This is the movie where Faye sings "Oh, You Nasty Man" -- one of her most cheerfully lurid (though not necessarily the best), songs. Other songs and numbers include "So Nice", "Every Day's a Father's Day", "Following in the Mother's Footsteps", "Sweet and Simple", "Picking Cotton", and "The Man on the Flying Trapeze".
Audiences applauded Faye's vivacity, and the movie made her an instant musical star. Up until her 1936 musical, "Sing, Baby, Baby", Faye really looked like a Jean Harlow-ish platinum blonde with pencil eyelashes. A year later she starred in a follow-up, "George White's 1935 Scandals" - also worth seeking out, if only for Faye's singing.
This is the movie where Faye sings "Oh, You Nasty Man" -- one of her most cheerfully lurid (though not necessarily the best), songs. Other songs and numbers include "So Nice", "Every Day's a Father's Day", "Following in the Mother's Footsteps", "Sweet and Simple", "Picking Cotton", and "The Man on the Flying Trapeze".
Audiences applauded Faye's vivacity, and the movie made her an instant musical star. Up until her 1936 musical, "Sing, Baby, Baby", Faye really looked like a Jean Harlow-ish platinum blonde with pencil eyelashes. A year later she starred in a follow-up, "George White's 1935 Scandals" - also worth seeking out, if only for Faye's singing.