An objective masterpiece.
16 February 2004
This film is truly a landmark work, and it is only an unfortunate historical accident that Hitler was involved. Leni Riefenstahl was the first and, so far, only female genius when it came to film-making. Her innovative uses of the camera, lighting, staging, etc., truly laid the groundwork for future cinematic endeavor. If you can divorce yourself from the glorification of the Nazi regime, you can appreciate the merits of this film purely on artistic grounds. It is brilliant, plain and simple. (Ironically, the French awarded it a gold medal upon its release!)
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