The cartoon is undeniably appealing and well-made. If this is actually about the cultural conflict between classical and jazz, though, it's a little vague about what the reconciliation is supposed to be - what kind of 'crossover' music is getting played on the bridge of harmony? Is George Gershwin the hero here? The soundtrack at the end makes it sound as if the real solution was just for the snooty queen of classical music to, uh, loosen up a little and join the party. Just putting a string section underneath the jazz doesn't make it classical.
Anyway, what's most impressive about this cartoon is the high quality of the instrumental voice imitation, which out-wah-WAHs Charlie Brown's teacher any day. "I now pronounce you man and wife" is amazing!
Another favorite bit - the goofy little scales in the score, while the two instruments are chasing each other around the tree...the composer was clearly having fun.
Is anyone else uneasy when the king twangs the ukelele's strings?
Anyway, what's most impressive about this cartoon is the high quality of the instrumental voice imitation, which out-wah-WAHs Charlie Brown's teacher any day. "I now pronounce you man and wife" is amazing!
Another favorite bit - the goofy little scales in the score, while the two instruments are chasing each other around the tree...the composer was clearly having fun.
Is anyone else uneasy when the king twangs the ukelele's strings?