I was 12 years old when I first learned of this film from reading John Baxters chapter on William Cameron Menzies in his ground breaking book "Science Fiction in The Cinema.' The plot concerning germ warfare and Baxters praise of the film made me want to see it. I later learned from other sources that this film was made from a finished film called THE MAN HE FOUND, about Adolph Hitler being alive and well and living the USA. RKO studio heads did not like the film and ordered a new story written and new footage shot that would use as much footage from THE MAN HE FOUND as possible. This made me want to see it even more. But for years this film eluded me. It never showed up on TV, never shown as part of a Menzies retrospective and never turned up officially on video. It then turned up in the early 1990's late one night on TNT, where I taped it and have watched several times since.
While I found the film of some interest, I can certainly say Baxter over praised this film. Its not a bad cold war era espionage thriller, but other than the plot, its nothing special either. It is no doubt the least interesting of Menzies fantastic films that he both designed and directed. The court yard where infected guinea pigs wander around like zombies and Otto Waldis's lab are of some visual interest, but over all there isn't much of Menzies design genius evident. To comment on his direction is pointless, because Menzies was never a good director of actors. The reshooting and incorporating old scenes with the new scenes is done fairly well. I noticed where new scenes were inserted, but only because I was looking for them. Note that this film uses a lot of close ups. Otto Waldis as the former Nazi scientist, now working for Russian Communists is a bit hard to take. He praises his new adopted ideology. While its true Nazism and Communism have more in common then with western style democracy, most of the Nazi scientists who went to work for the Commies after the war did so more out of pragmatic and mercenary reasons than ideological ones.
While I found the film of some interest, I can certainly say Baxter over praised this film. Its not a bad cold war era espionage thriller, but other than the plot, its nothing special either. It is no doubt the least interesting of Menzies fantastic films that he both designed and directed. The court yard where infected guinea pigs wander around like zombies and Otto Waldis's lab are of some visual interest, but over all there isn't much of Menzies design genius evident. To comment on his direction is pointless, because Menzies was never a good director of actors. The reshooting and incorporating old scenes with the new scenes is done fairly well. I noticed where new scenes were inserted, but only because I was looking for them. Note that this film uses a lot of close ups. Otto Waldis as the former Nazi scientist, now working for Russian Communists is a bit hard to take. He praises his new adopted ideology. While its true Nazism and Communism have more in common then with western style democracy, most of the Nazi scientists who went to work for the Commies after the war did so more out of pragmatic and mercenary reasons than ideological ones.