7/10
Its virtues can now be appreciated
12 July 2001
At the time of its release, "Three Violent People" attracted little notice. Most critics probably labeled it "routine" and then turned their attention to other matters. Now, in this age of decline in film quality, we can look back and be impressed by things we once took for granted: a strong, consistent, logically-developed plot; characters that have some style and substance; dialog which consists of more than merely "Watch it!" and "Move over!"

Not that "Three Violent People" is some sort of undiscovered gem. By the standards of its day it was little more than a passable western with a better than average cast and lovely color photography, but what pleasure it now brings!

Charlton Heston and Anne Baxter, (re-united from "The Ten Commandments"), make an attractive couple. He's strong and stalwart, she looks good in her elaborate costumes. (However did she fit those dresses into a trunk to carry on a stagecoach?) Tom Tryon may not seem fraternally related to Heston but he adds his usual dash of smoldering sensuality. He even manages to do a bare-chest scene even though he plays a man who's lost his right arm! (But then, Tryon usually managed to provide some "beefcake," even in a Disney comedy such as "Moon Pilot.") Also worth noting are three of Gilbert Roland's sons: Jamie ("MASH") Farr, Robert ("In Cold Blood") Blake, and Ross Bagdasarian, who later scored a hit with his Christmas song featuring Alvin and the Chipmunks.

One final point, if Heston and Tryon are two of the "Violent People" of the title, then who is the third? Anne Baxter? She may be deceitful and manipulative, but "violent" doesn't seem like an apt adjective to describe her.
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