I've never understood the urge to remake *great* movies. They usually fail (e.g., We're No Angels) but very occasionally they succeed (e.g., His Girl Friday). This one is frothy enough to float away into forgotten-movie heaven.
The original with William Powell and Carole Lombard was on the dark side, to be sure, but this was necessary to the 'message' and the times. Nor was the message entirely political and social--at heart it is about a man who discovers that his world of privilege is empty without accepting his responsibility to others and to his community. A sharp contrast in tone, but ultimately a complement to this theme, is in Nobody's Fool. The Paul Newman character is not privileged, but his commitment to others is just as deep and at the heart of the movie.
The Niven/Allyson remake of My Man Godfrey is, in my opinion, inoffensive and fun, but also shallow and meaningless.
The original with William Powell and Carole Lombard was on the dark side, to be sure, but this was necessary to the 'message' and the times. Nor was the message entirely political and social--at heart it is about a man who discovers that his world of privilege is empty without accepting his responsibility to others and to his community. A sharp contrast in tone, but ultimately a complement to this theme, is in Nobody's Fool. The Paul Newman character is not privileged, but his commitment to others is just as deep and at the heart of the movie.
The Niven/Allyson remake of My Man Godfrey is, in my opinion, inoffensive and fun, but also shallow and meaningless.