It's almost as if Lerner & Lowe were competing with themselves when they decided to write the music for "Gigi" -- once again, a story about a girl being transformed into a young woman of charm (a Parisian courtesan) just as Eliza was being molded into another creature by Professor Higgins. And that's not the only similarity. The songs all have a "My Fair Lady" similarity -- from 'The Night They Invented Champagne' to 'Gigi' to 'The Parisiennes' -- all bear the flavor of their previous work in sound and content. And yet they work beautifully for this story set in the city of love and starring Leslie Caron, Louis Jourdan, Herminone Gingold and Maurice Chevalier.
Production-wise, it's almost too lavish for its own good. Vincente Minnelli wrings every bit of artistic decor in the trappings, giving the viewer an almost claustrophobic feeling for the interior scenes. The outdoor shots are just as lavish--Louis Jourdan singing the title song among the fountains and architecture of French landmarks.
The cast is perfect. Leslie Caron makes an enchanting Gigi, Louis Jourdan is impossibly handsome as Gaston, and all of the other players were cast with a discerning eye.
But there is no denying that no matter how distasteful some will find the story of training a girl to become a courtesan to be (or how politically incorrect by today's standards), the score is as sparkling as the champagne they sing about. While, in my opinion, the score does not surpass "My Fair Lady" in range and cleverness, it certainly did well enough in winning nine Oscars, including the one for Best Picture of 1958. By all means, it has to be considered one of the last great musicals from the MGM period.
Only drawback: it's a bit overlong and could have used some editing for the slow moments.
Production-wise, it's almost too lavish for its own good. Vincente Minnelli wrings every bit of artistic decor in the trappings, giving the viewer an almost claustrophobic feeling for the interior scenes. The outdoor shots are just as lavish--Louis Jourdan singing the title song among the fountains and architecture of French landmarks.
The cast is perfect. Leslie Caron makes an enchanting Gigi, Louis Jourdan is impossibly handsome as Gaston, and all of the other players were cast with a discerning eye.
But there is no denying that no matter how distasteful some will find the story of training a girl to become a courtesan to be (or how politically incorrect by today's standards), the score is as sparkling as the champagne they sing about. While, in my opinion, the score does not surpass "My Fair Lady" in range and cleverness, it certainly did well enough in winning nine Oscars, including the one for Best Picture of 1958. By all means, it has to be considered one of the last great musicals from the MGM period.
Only drawback: it's a bit overlong and could have used some editing for the slow moments.