This film is simplistic genius. The acting and character development is superb. Mary Ure reprises the role of Allyson as she played it in the original stage production of the play. Claire Bloom excels quietly. But it is Richard Burton who (again) steals the show. As Jimmy he displays talent for passionate speeches delivered quickly which he would later use in Cleopatra. His powerful performance will never be matched. He is venomous, he is tender, he is human.
The use of light in the film is remarkable. Look out for silhouettes and shadows, blinds, smoke and steam, pillars and the way light shines though it. This so called 'kitchen sink' drama has all the lighting effects of a film noir.
I think you probably have to be British to have a full understanding of all the films implications, but dont let this hinder your viewing of a taught, powerful, emotional slice of flawlessly directed humanity. Burton is as magnificent as ever.
The use of light in the film is remarkable. Look out for silhouettes and shadows, blinds, smoke and steam, pillars and the way light shines though it. This so called 'kitchen sink' drama has all the lighting effects of a film noir.
I think you probably have to be British to have a full understanding of all the films implications, but dont let this hinder your viewing of a taught, powerful, emotional slice of flawlessly directed humanity. Burton is as magnificent as ever.