This somewhat mediocre and meandering melodramatic film by Zurlini features Claudia Cardinale at her most exquisitely beautiful in every shot and what shots! Beautiful long takes that allow you to concentrate on whatever you want. Tino Santoni is a hell of cinematographer, whoever he was, a total master. If the script had been a little bit better the film might've ended up transcending into a superpoetic realm like Zurlini's awesome technicolor 1962 film "Family Diary"; as it is, it's very much a failure in an overall sense but still pretty good as probably the ultimate ode to one of the most beautiful actresses in cinematic history.