I caught this one on cable recently, seeing it for the first time as an adult. I must admit to a slight bias toward this film: when I was growing up in the dreaded BC (before cable) days, it was standard Saturday afternoon TV fare on our local indie channels. I was surprised at how well it's held up after all this time.
Master of the World is actually based on two little-remembered Jules Verne novels. Price is his usual hammy self as the standard Verne not-quite-villain, Robur (read: Nemo in the air) who, like Nemo, seeks to end war through technology. The young Bronson, as a sympathizer who then rebels against Robur's violent methods, is far less wooden than in his later years. But the real star of this movie is its production design. The rendering of what an aircraft might have looked like in Victorian days (had such a thing been possible) is dead-on, and the special effects are pretty impressive for 1961. The script, by Richard Matheson, is a little overwrought, but true to Verne's spirit while eliminating the blatant racism of the original stories. This time around though, I found the sweeping, melodramatic score to be a bit overpowering.
In short, not a perfect film or even a great film, but Master of the World remains a well made, entertaining action fantasy. I'm surprised it isn't better remembered by fans of the genre.
Master of the World is actually based on two little-remembered Jules Verne novels. Price is his usual hammy self as the standard Verne not-quite-villain, Robur (read: Nemo in the air) who, like Nemo, seeks to end war through technology. The young Bronson, as a sympathizer who then rebels against Robur's violent methods, is far less wooden than in his later years. But the real star of this movie is its production design. The rendering of what an aircraft might have looked like in Victorian days (had such a thing been possible) is dead-on, and the special effects are pretty impressive for 1961. The script, by Richard Matheson, is a little overwrought, but true to Verne's spirit while eliminating the blatant racism of the original stories. This time around though, I found the sweeping, melodramatic score to be a bit overpowering.
In short, not a perfect film or even a great film, but Master of the World remains a well made, entertaining action fantasy. I'm surprised it isn't better remembered by fans of the genre.