This was the first Bergman movie I ever watched. Consequently, it holds sort of a special place in my catalogue of movie memories.
I enjoyed the depiction of the numerous relationships between people or objects which were kept apart by walls or a "dark glass." The artist and the fullness of what he/she is attempting to depict, mankind and God, and more particularly in the film, between Minus and women, Minus and David, etc..
The most gripping, however, were the relationship between David and Karin, and between Karin and "God." I'm not going to get into detail for the sake of those who haven't seen the film. But Bjornstrand's line about the "magic circle" we draw around ourselves instantly vaulted close to the top of my list of movie lines which have impacted me.
Lastly, I appreciated how the von Sydow character, Martin, acted as a representation of what love is not, i.e. his desire to always do the right thing, rather than the honest thing.
I enjoyed the depiction of the numerous relationships between people or objects which were kept apart by walls or a "dark glass." The artist and the fullness of what he/she is attempting to depict, mankind and God, and more particularly in the film, between Minus and women, Minus and David, etc..
The most gripping, however, were the relationship between David and Karin, and between Karin and "God." I'm not going to get into detail for the sake of those who haven't seen the film. But Bjornstrand's line about the "magic circle" we draw around ourselves instantly vaulted close to the top of my list of movie lines which have impacted me.
Lastly, I appreciated how the von Sydow character, Martin, acted as a representation of what love is not, i.e. his desire to always do the right thing, rather than the honest thing.