I've always admired the work of Arthur Rankin and Jules Bass. Very few people's Holiday Seasons would be complete without "Rudolph the Red-Nosed Reindeer," "Frosty the Snowman," et. al. Similarly, their only other feature film, 1967's "Mad Monster Party," has acquired a considerable cult following over the years, with Tim Burton and William Castle among its many admirers.
Which is what makes "The Daydreamer" such an incredible disappointment by comparison. The animation is incredibly sloppy, by comparison to their TV work during the same period. Paul O'Keefe was a repugnant little brat on the "Patty Duke Show" and he makes an even less appealing Hans Christian Anderson. Among the only bright spots in the live action cast are Ray Bolger and Margaret Hamilton, almost thirty years after "Wizard of Oz," proving themselves as talents that can shine in a broom closet. An all-star cast tries hard during the animated segments, but even they can't bring uninspired material to life. When you consider that the best part of the film is the Al Hirschfeld-designed opening credits, that's a sad commentary.
In sum, "Daydreamer" is the only blot on Rankin and Bass' otherwise distinguished careers, and long-time fans, like myself, can forgive them this one transgression.
Which is what makes "The Daydreamer" such an incredible disappointment by comparison. The animation is incredibly sloppy, by comparison to their TV work during the same period. Paul O'Keefe was a repugnant little brat on the "Patty Duke Show" and he makes an even less appealing Hans Christian Anderson. Among the only bright spots in the live action cast are Ray Bolger and Margaret Hamilton, almost thirty years after "Wizard of Oz," proving themselves as talents that can shine in a broom closet. An all-star cast tries hard during the animated segments, but even they can't bring uninspired material to life. When you consider that the best part of the film is the Al Hirschfeld-designed opening credits, that's a sad commentary.
In sum, "Daydreamer" is the only blot on Rankin and Bass' otherwise distinguished careers, and long-time fans, like myself, can forgive them this one transgression.