The film has a pedagogical undertone - and it was financed by an official Senegal institution of education. There is an overtly didactic passage on the necessity of finding work, filmed as a kind of dream. There are, however, also some sumptuous photography and various scenes of Tauw and two of his friends walking through the streets of Dakar with a perfect music score underneath the pictures. These are the moments when this obvious tale turns into cinema.
