I saw this when I was sixteen, and was struck by how intelligent it was. Ford is superb: smart, baffled, hurt, edgy, terrified. Geer is wonderful. Much like life in a police state, you never know if your friends can be trusted; everytime I saw Smithers on screen, I was waiting for them to ruin it by making him the baddie, but no! I remember how disheartened I was to read a Harlan Ellison essay in which he shrugged it off, and the "so-so" novel on which it was based. Well, I still think that this was one of the best television films ever made. Tnank you, Paul Wendkos!!