There are few films that can make the claim of being regarded as the best film ever made. "Citizen Kane" could. "Casablanca" could. But here on IMDb, "The Godfather" reigns supreme, and with good reason.
Do not make the mistake of thinking that The Godfather is a mobster movie, focusing on action, violence, and Tommy guns. Think of the title, and what it implies. The movie could have been titled "The Mafia", "The Don", or a dozen other things, but instead, they chose a familial word for this film. Thus, it must be the family, and specifically, the role of Godfather, that must be the film's subject.
There are three Godfathers that this movie examines: Vito Corleone (Marlon Brando), Sonny Corleone (James Caan), and Michael Corleone (Al Pacino). All three have their defining traits; Vito his traditional views, Sonny his furious temper, and Michael his reluctance to enter into the family business. Through the leadership of each, the movie follows the story of the Corleone family as they cope with joy and sadness, and life and death.
One of the most enduring aspects of The Godfather is its score. Probably behind only the works of John Williams (Jaws, Star Wars, Indiana Jones) in its recognizability, the familiar theme form The Godfather has become the theme for the mafia and every stereotyped Italian mobster group the world over. Likewise, infamous scenes such as that involving the surprise left for the stubborn director have ingrained themselves into the realm of organized crime forever.
The story that The Godfather tells is superb. As power transfers from one leader to the next, we hope for the best for people that are ultimately criminals. How was director Francis Ford Coppola able to humanize figures that would typically be stereotyped? By infusing them with life and background, and showing to the audience that even the hardest mafia hitman has a softer side.
The Godfather has accomplished a feat few films have: winning enough critical and audience acclaim to cement itself in cinema history forever. As long as people desire to experience human drama on an intimate level, The Godfather will "make them an offer they can't refuse".
Do not make the mistake of thinking that The Godfather is a mobster movie, focusing on action, violence, and Tommy guns. Think of the title, and what it implies. The movie could have been titled "The Mafia", "The Don", or a dozen other things, but instead, they chose a familial word for this film. Thus, it must be the family, and specifically, the role of Godfather, that must be the film's subject.
There are three Godfathers that this movie examines: Vito Corleone (Marlon Brando), Sonny Corleone (James Caan), and Michael Corleone (Al Pacino). All three have their defining traits; Vito his traditional views, Sonny his furious temper, and Michael his reluctance to enter into the family business. Through the leadership of each, the movie follows the story of the Corleone family as they cope with joy and sadness, and life and death.
One of the most enduring aspects of The Godfather is its score. Probably behind only the works of John Williams (Jaws, Star Wars, Indiana Jones) in its recognizability, the familiar theme form The Godfather has become the theme for the mafia and every stereotyped Italian mobster group the world over. Likewise, infamous scenes such as that involving the surprise left for the stubborn director have ingrained themselves into the realm of organized crime forever.
The story that The Godfather tells is superb. As power transfers from one leader to the next, we hope for the best for people that are ultimately criminals. How was director Francis Ford Coppola able to humanize figures that would typically be stereotyped? By infusing them with life and background, and showing to the audience that even the hardest mafia hitman has a softer side.
The Godfather has accomplished a feat few films have: winning enough critical and audience acclaim to cement itself in cinema history forever. As long as people desire to experience human drama on an intimate level, The Godfather will "make them an offer they can't refuse".