Although some scenes (like the fashion show) are clear absurdist parodies, Byrne tends to approach his topics more as an observer than a critic. Often the tone is sympathetic, never critical.
Although much of Byrne's commentary is at best cryptic or anticlimactic ("Personally, I believe -- I can see Ft. Worth from here."), there is much profundity beneath the absurdism. Byrne's reflections on forgetting are particularly apt.
This is not a film to approach with any expectations. Just watch and absorb, and let what you see percolate in your mind.
John Goodman's character is also the most charming Everyman to grace the screen since Marty.
The music sequences are also among the best I've ever seen.
Rent it and watch it on a big screen TV. Watch sober. Watch under the influence of your favorite mind-altering substance. Watch alone. Watch with friends. Watch when you're alert and rested. Watch when you're tired. Watch again and again.
Although much of Byrne's commentary is at best cryptic or anticlimactic ("Personally, I believe -- I can see Ft. Worth from here."), there is much profundity beneath the absurdism. Byrne's reflections on forgetting are particularly apt.
This is not a film to approach with any expectations. Just watch and absorb, and let what you see percolate in your mind.
John Goodman's character is also the most charming Everyman to grace the screen since Marty.
The music sequences are also among the best I've ever seen.
Rent it and watch it on a big screen TV. Watch sober. Watch under the influence of your favorite mind-altering substance. Watch alone. Watch with friends. Watch when you're alert and rested. Watch when you're tired. Watch again and again.