She (Boyle) is a nice, pretty girl but needs a little polish; he (Billy Baldwin) wears shirts by Ralph Lauren. You can see there's trouble a-brewing.
This movie is probably, unfortunately, of greatest interest for The World of Hibernia magazine cover girl Boyle before she developed her familiar sexy vamp persona. In fact, she seems like an older version of some of those early hair-twisting Winona Ryder characters. Her part is really only of newcomer size. That's sad to say since Boyle's Before and After are so different from one another.
As for Baldwin, he plays a plausible prep perp. Sandra Bullock has rather a small part, as the girl with the ankh earring. Not much of a characterization there.
This crime story plays much like a lesser, and fairly routine, episode of "Law & Order", with Danny Aiello standing in for Jerry Orbach and Joanna Kerns doing a blonder version of Michael Moriarty.
Aiello's experienced flatfoot is the central character. The script tries to humanize him, not entirely successfully, by showing his "pedagogic" side I'll call it. That gives him a certain degree of warmth, but it's really up to Aiello to lend the role his usual identifiability.
I think it all comes down to how much you like Danny Aiello. It happens I do, but don't consider that a recommendation.
This movie is probably, unfortunately, of greatest interest for The World of Hibernia magazine cover girl Boyle before she developed her familiar sexy vamp persona. In fact, she seems like an older version of some of those early hair-twisting Winona Ryder characters. Her part is really only of newcomer size. That's sad to say since Boyle's Before and After are so different from one another.
As for Baldwin, he plays a plausible prep perp. Sandra Bullock has rather a small part, as the girl with the ankh earring. Not much of a characterization there.
This crime story plays much like a lesser, and fairly routine, episode of "Law & Order", with Danny Aiello standing in for Jerry Orbach and Joanna Kerns doing a blonder version of Michael Moriarty.
Aiello's experienced flatfoot is the central character. The script tries to humanize him, not entirely successfully, by showing his "pedagogic" side I'll call it. That gives him a certain degree of warmth, but it's really up to Aiello to lend the role his usual identifiability.
I think it all comes down to how much you like Danny Aiello. It happens I do, but don't consider that a recommendation.