Sanjay Leela Bhansali, previously associate director to the talented Vinod Chopra, makes his directorial debut with a sensationaly complex piece of work. The film faired moderately at the box office and one wonders why?? This is undoubtedly one of the finest examples of commercial entertainment merging with what is referred to in India as "Art Cinema." Yes, the film is an out and out musical, but never do the songs hamper the narrative even once. Bhansali's ability to weave the songs in order to progress the narrative was also wonderfully displayed in his film "Hum Dil De Chuke Sanam."
One would wonder how it is possible to leave two characters who are both deaf and unable to speak, to develop themselves on their own. But Nana Patekar and Seema Biswas (Bandit Queen) have given their most impressive and sincere performances yet. Manisha as the girl stuck between her love for music and her love for her parents portrays the multiple complexities of the character very effectively. Salman Khan does his usual satisfactory job as the lover boy. However, the real winner of the film is the script also written by Bhansali himself.
The story is simply wonderful, and as is characteristic of Bhansali, instead of making the story complex, he makes his characters complex. To watch Patekar and Biswas play their roles is simply a lesson in acting. The cinematography by Anil Mehta is simply brilliant, effectively creating the carnival like atmosphere of GOA along with a noir-ish feel that compliments the dark complexity of the characters.
And alas - the music. Jatin and Lalit who have tended to focus on very Indian sounds in their previous works have somehow managed to fuse in the feel of Portuguese folk sounds into their very Indian tunes - characteristic of the entire feel of Goa. The lyrics are well thought out and simple to progress the narrative. Bhansali's grip over his subject is impeccable and he displays his mastery in the art of mainstream Indian filmmaking to the fullest. This is a man to watch out for in the future.
Overall, this movie is simply not to be missed. Sure, it has its minor flaws here and there but when one looks at the wonderful feel it creates for the viewer, all flaws can be overlooked. What sets this film apart from the usual churns is that the film actually has a STORY. It actually has CHARACTERS rather than just STARS and celebrities in it. It packs in a lot of meat. This is how entertainment and art should be blended. It is good to see yet another filmmaker joining the band of contemporary directors like Mani Ratnam, Shekar Kapur, Ramgopal Varma and Mahesh Bhatt who have succeeded in their quest to erase that line separating commerical and "Art" cinema.
One would wonder how it is possible to leave two characters who are both deaf and unable to speak, to develop themselves on their own. But Nana Patekar and Seema Biswas (Bandit Queen) have given their most impressive and sincere performances yet. Manisha as the girl stuck between her love for music and her love for her parents portrays the multiple complexities of the character very effectively. Salman Khan does his usual satisfactory job as the lover boy. However, the real winner of the film is the script also written by Bhansali himself.
The story is simply wonderful, and as is characteristic of Bhansali, instead of making the story complex, he makes his characters complex. To watch Patekar and Biswas play their roles is simply a lesson in acting. The cinematography by Anil Mehta is simply brilliant, effectively creating the carnival like atmosphere of GOA along with a noir-ish feel that compliments the dark complexity of the characters.
And alas - the music. Jatin and Lalit who have tended to focus on very Indian sounds in their previous works have somehow managed to fuse in the feel of Portuguese folk sounds into their very Indian tunes - characteristic of the entire feel of Goa. The lyrics are well thought out and simple to progress the narrative. Bhansali's grip over his subject is impeccable and he displays his mastery in the art of mainstream Indian filmmaking to the fullest. This is a man to watch out for in the future.
Overall, this movie is simply not to be missed. Sure, it has its minor flaws here and there but when one looks at the wonderful feel it creates for the viewer, all flaws can be overlooked. What sets this film apart from the usual churns is that the film actually has a STORY. It actually has CHARACTERS rather than just STARS and celebrities in it. It packs in a lot of meat. This is how entertainment and art should be blended. It is good to see yet another filmmaker joining the band of contemporary directors like Mani Ratnam, Shekar Kapur, Ramgopal Varma and Mahesh Bhatt who have succeeded in their quest to erase that line separating commerical and "Art" cinema.