This film is an example of a genre that is all too rare these days: science fiction that is based upon intellectual questioning rather than flashy special effects. The film begins with our hero, John Murdoch, waking up in his apartment with a dead body and no memories of who he is or how he got there. A broken syringe adds a further strange element to this scene. I have heard three major complaints about this film: the special effects are unrealistic, the voiceover at the beginning gives too much away and the ending is pretty lame. I would disagree with all these comments.
The special effects are, it has to be said, unrealistic. But then, so were the ones in 'Moulin Rouge'. The whole film is shot in a stylised and atmospheric manner which is wholly in keeping with the story. To criticise the film for this, you would also have to criticise 'Batman', 'The Crow' and 'Moulin Rouge' for the same crime. As for the voiceover at the beginning, this is perhaps a little redundant. But it is not a spoiler, as some people have suggested. Watching the film will show that, in fact, there is a catch to it. As for the ending, it may appear to be something of an anticlimax, but after the revelations of the events of the film it makes perfect sense. The characters are superb- we have the doctor who claims to have betrayed his race (who is a good guy, though acting in the manner of the mad scientist), the hard-bitten police inspector (who seems to veer between hero and villain) and the hero's wife who finds herself washed away on the tide of events beyond her understanding. The story is excellent with some genuinely unexpected plot twists and, for once, it actually asks serious questions about the nature of humanity- to what extent is a human made up if his or her memories? Only one complaint from me (spoiler alert). I thought the old sci-fi cliche of the Maniac-Who-Turns-Out-To-Be-Right was used unnecessarily- he supplies little information that we did not already know and, since it's science fiction, it's a fair bet that he is speaking the truth whether you know the story or not. Maybe someone should make a sci-fi movie where the maniac is just a maniac.
The special effects are, it has to be said, unrealistic. But then, so were the ones in 'Moulin Rouge'. The whole film is shot in a stylised and atmospheric manner which is wholly in keeping with the story. To criticise the film for this, you would also have to criticise 'Batman', 'The Crow' and 'Moulin Rouge' for the same crime. As for the voiceover at the beginning, this is perhaps a little redundant. But it is not a spoiler, as some people have suggested. Watching the film will show that, in fact, there is a catch to it. As for the ending, it may appear to be something of an anticlimax, but after the revelations of the events of the film it makes perfect sense. The characters are superb- we have the doctor who claims to have betrayed his race (who is a good guy, though acting in the manner of the mad scientist), the hard-bitten police inspector (who seems to veer between hero and villain) and the hero's wife who finds herself washed away on the tide of events beyond her understanding. The story is excellent with some genuinely unexpected plot twists and, for once, it actually asks serious questions about the nature of humanity- to what extent is a human made up if his or her memories? Only one complaint from me (spoiler alert). I thought the old sci-fi cliche of the Maniac-Who-Turns-Out-To-Be-Right was used unnecessarily- he supplies little information that we did not already know and, since it's science fiction, it's a fair bet that he is speaking the truth whether you know the story or not. Maybe someone should make a sci-fi movie where the maniac is just a maniac.