Every second of this film is calculated. Whether it is a shadow crossing a bed or the obstructed view out a doorway. It is an excellent story about taboo and how defilement can exist in many ways. The audience watches as a white-clad, pristine, Taiwanese youth is marred by his immediate environment, a close friend, and then his own family. The director illustrates Tai Pei as a filthy industrial cesspool by concentrating the film's landscape in the inner city.
Besides the subject matter, the director uses agonizing long shots to make the audience uncomfortable. There is no soothing music, only the roar of cars and other urban noise. It left me breathless. The best film I have seen to date.
Besides the subject matter, the director uses agonizing long shots to make the audience uncomfortable. There is no soothing music, only the roar of cars and other urban noise. It left me breathless. The best film I have seen to date.